Author name: Miriam F. Martin
Please tell us about your publications, specifically the story in this bundle:
Thanks for including my book in the Rainbow Romance bundle. My real name is David Anthony Brown and I write under the Miriam F. Martin pseudonym, and I created the Siren’s Garter branded erotica books. I created the Miriam pen-name to hide my erotica titles from prying coworkers at the day job. It’s not a well kept secret, so I don’t worry about sharing my real identity. (And if somebody at work discovers my erotica, then whose fault is that?)
Rainmaker, included in the Rainbow bundle, is a short lesbian erotic novella set in a fantasy sword-and-sorcery world. I was very much influenced by Xena: Warrior Princess when writing this one. Like a lot of viewers of that show, I found the chemistry between Xena and Gabriella incredibly hot and wondered why they were never more than just friends. While Alana and Paige (the protagonists in Rainmaker) are not Xena and Gabriella, they are both strong, resourceful women who know what they want and are willing to fight to protect those they love.
What first prompted you to publish your work?
I totally went down this path for money. But my path to publication was not a straight forward one. I dabbled with writing in my teens and early twenties, especially after I earned my bachelor’s degree. Writing became a career for me in 2008, because I had a career I didn’t enjoy anyway get wiped away in the Great Recession. I couldn’t see myself working in a “normal” job for the rest of my life and stay sane, especially if everything got flipped upside down again in another recession. So naturally I started writing fiction.
I didn’t jump on the indie bandwagon until after the ebook gold rush was already over. My first indie publication was in 2012, which was a small collection of fantasy and horror short stories. Since then, by my last count, I have over 70 publications including short novels, short stories, and collections.
Are you a ‘pantser’ or a ‘plotter’?
I’m very much a pantser, though I prefer Dean Wesley Smith’s metaphor of “writing into the dark.” I often start with little more than a working title and a character’s name, and make up everything as I go. For me, writing a story is like exploring a dark cave with nothing more than a flashlight—I discover a little bit at a time, often take wrong turns, and have no idea where the story will ultimately take me.
The goal for me is to enjoy the story I writing as if I’m the reader. If I don’t know where a story is going while I write, neither will the readers. If I manage to pleasantly surprise myself, my readers be surprised too. So I never think about the plot beforehand.
What piece of advice do you wish you’d had when you started your publishing journey?
Two pieces of advice, but they sort of go hand-in-hand.
One, talent is a myth. Nobody is ever born to be a writer. You reach a point in life where you feel ready to take the leap, but the leap is just the beginning of a long journey. If you ever for one second believe you’re “special” or “talented,” you’re done as a writer. You’ll never learn new craft techniques. You won’t take risks. You probably won’t even produce all that much fiction. Writing is a skill learned over many, many years of practice. Talent is just a measure of your current skill level. Everybody pretty much starts at the same place.
Second, be patient with yourself. Nobody expects an undergraduate psych major to be any good as a psychologist. That profession requires a doctoral-level graduate degree and years of experience in the field. Writing is not much different, except instead of going to a college you have to cobble together your own education. It takes years to develop the skills needed to entertain an international audience of millions. So, be patient and keep learning and practicing and publish everything you write.
How influential is storytelling to our culture?
They say history is told by the winners, and that’s true enough, but I’d add that history is told by storytellers. Often what we think we know about ancient cultures comes down to us through stories. Homer was definitely more interested in giving his audience compelling stories that would make them feel good—so in the Iliad and the Oddessey we get tales of men with super-human strength and cunning, though not necessarily historically accurate versions of events.
Storytelling is part of human nature. Whether it’s sharing office gossip or getting lost in a new favorite book, we are all born with an innate desire for story. Story is part of our identity as a culture, and it feeds a deep individual desire for adventure and heroism.
How much research do you do for your work? What’s the wildest subject you’ve looked at?
Technically, not a lot. But then, after a few of years of focusing mostly on erotica, I haven’t had a book that required deep research. I’m a geek for history and science though, so I spend a lot of time studying subjects that may or may not be ever used in a story. So I’m a bit of a trivia nerd and sometimes that comes in handy when layering in a bit of color to make a story feel right.
Mostly I do five-minute research to find the one detail I need for a story. For example, when I wrote the short novel Never Marry the Femme Fatale, I spent five or ten minutes looking through online gun catalogs to find the sort of gun the main character would carry in her purse. Not real sure if I even used the name of the gun in the book, mostly I just wanted to know what it looked like and what bullets it fired.
I’ve spent a fair amount of time research sex toys. Which is probably why Amazon gives me a lot of strange recommendations.
What’s the worst piece of advice you’ve received about writing/publishing?
Write sloppy. Yeah, I know, this one gets passed around so much it’s cliche and just about everybody believes in it. But I believe writing a shitty first draft harms the story telling process.
Like I mentioned above, I write into the dark and make up the story as I go. What I’ve discovered is that the little details can often change the course of a story in surprising ways. I used to be the type of writer who would bracket things I needed to write later—for example [WRITE SEX SCENE LATER], and then in a second draft come back through and add a sex scene.
The problem with that is the actual sex scene I write might be entirely different from the sex scene I imagined. Plus, especially with sex scenes, the characters often discover things about each other or themselves that become major plot points. I can’t discover those plot points for myself without writing the scene. And if I wrote the scene in a second draft, I might have to change the entire book to accommodate the new discovery. So it’s far, far easier to simply write each detail and each scene as I need it and let the story organically build on itself. My first drafts come out a lot cleaner too, which makes editing go smoother.
Tell us about your latest piece?
On the erotica side of my publishing business, I recently released two new short story collections—Sexy Unusual and Date Night. The first is erotica that features ghosts—the living having sex with the spirits of former lovers and ghosts having ghostly fun. The other is, of course, all about couples having sex after (or during!) a hot date.
Lately, I’ve been busy writing fantasy and science fiction short stories. The plan is to write a three volume short story series called Stay at Home Fiction and publish them by the end of 2020. I’ve got the first volume nearly complete.
What’s your next writing adventure?
I’d been thinking a lot about Rainmaker before you offered to include it in the Rainbow bundle. You see, I always intended Rainmaker to have sequels set in the same world but with new characters, which is why the book is subtitled A Femme Elemental Erotic Novella. I have a bunch of false starts with the sequels, where my creative voice said, “Nope, that’s not the story I wanna tell.”
Now, nearly three years after releasing Rainmaker, I feel ready to write Fire Dancer, the next book in the series. No clue what it will be about, but I recently had an idea for how to open the book, which made me chuckle. For me, chuckling is a good sign I’ve found a story I want to tell.
No promises on when Fire Dancer, or any of the other sequels, will be finished.
What is the last book you’ve read?
Narrate and Record Your Own Audiobook, by M. L. Buchman. It’s exactly what you think it’s about, and I’d recommend it to any indie writers wondering about audio editions. (Personally I’m not ready for audio. Just researching.)
The last fiction book I read… I’ve been really digging Kristine Grayson’s Charming series, and just recently finished the first trilogy omnibus.
Is this the age of the e-book? Are bricks and mortar bookshops in decline?
Tricky questions to answer, and the covid-19 pandemic makes everything in the near future unknowable. E-books are here to stay, but I think it’s safe to say that readers will still demand paper editions for some time yet. Publishers can now use print-on-demand to produce high quality paper books for low cost, without needing a warehouse to store inventory, and allow the reader to purchase the physical book on demand and have it shipped directly to them.
If brick and mortar bookshops continue to exist, they may not ever be the same. It’s not enough to rent a space in the shopping mall and fill bookshelves. All retailers need an online presence in addition to physical presence (whether they sell books or clothes). It’s certainly possible to run a small bookstore that also sells books online (via their own store website, as well as Amazon, E-bay, etc). Is it economically feasible? Maybe not… Only time will tell which businesses survive the pandemic. Personally I think most bookstores will be online, and they’ll sell both paper and e-book editions, but part of me wants to see brick and mortar stores continue to thrive too.
With the influx of indie authors do you think this is the future of storytelling?
Before 2010, books like Rainmaker weren’t possible. It would’ve been too short for a traditional publisher, too long for a short story magazine, and has too much sex for many of the romance imprints. I could’ve pitched it to places like Samhain and Ellora’s Cave, neither of which exist anymore. Rainmaker might’ve been licensed to an erotica e-zine for three cents a word and then forgotten entirely. Or at worst, tossed into a trunk and never seen the light of day.
Being indie, I’ve been able to give the book both paper and electronic editions. I’m in control of the cover design, the sales blurb, where copies are distributed, etc. The book will never go out of print. And now, three years after I wrote it, I can still make money from it. I can still write the sequels if I choose. Also, if needed, I can rebrand the cover design, rewrite the sales blurb, and license it to wonderful bundles like Rainbow. I love that kind of freedom.
The covid-19 pandemic will almost certainly devastate the Big Five traditional publishers in the United States, who depend entirely on paper sales and have way over-priced their e-book editions. But the indie publishers like me will be fine. My entire business exists on a MacBook and operates on a shoe-string budget. And my stories continue to earn me money through the pandemic, and will do so into the future. Being a newer and non-bestseller writer, if I were tied to the Big Five, I’d be going down with the corporate ships. Indie is the most viable way to earn money as a long-term professional writer. Except for sending short stories to magazines, I can’t imagine ever playing in the traditional publishing system.
SirensGarterErotica.com Home for everything related to Miriam F. Martin and Siren’s Garter.
danthonybrown.com Main website and blog for David Anthony Brown.
Contact the author directly at firstname.lastname@example.org.
Once upon a time, Miriam F. Martin was a princess who ruled a planet Earthlings call Mars. Her reign ended when somebody decided women were really from Venus. Confused about her identity, she ended up between worlds. Putting away her tiara and scepter forever, she now flattens her ass in a cushy chair while writing smutty erotica. You’re welcome.
Miriam F. Martin is a pseudonym created by David Anthony Brown. He owns Hermit Muse Publishing and writes fiction in other genres, including science fiction and fantasy. He lives in Minnesota.