Narrator Interview – Danny Letham

*Name: Danny Letham

*Tell us a bit about yourself: Raised on a Scottish moorland farm, I spent much of my adult life in various Scottish and English cities and now live near the North Wales Coast.  My work background is software development and systems analysis, specialising in commercial, financial, and manufacturing systems. Born into a musical family whose other stock-in-trade was teaching, I was a mobile deejay in my teens, and these days I can gossip for Britain about many musical genres.

How did you become involved with audiobook narration and production? While I’ve always liked to talk, the impetus came in the form of the usual story: suggestions from friends and relations. I was very aware that merely being the “natural” that those good folks suggested was not enough, and indeed the well-intentioned encouragement might not even have been true. So, from about 2012 onwards I researched and self-trained with the help of Patrick Fraley’s tutorials and a few other sources. Meanwhile, before my wife’s death in 2016 I had gradually withdrawn from the world of I.T. to become her full-time caregiver, and since then I have reinvented myself as a narrator, video maker, and digital artist. I first encountered ACX through Mr. Fraley.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? You’ll have worked out from the foregoing that I have only just taken the plunge. So, for the time being I don’t have much to say here. I have a computer full of material that will never be seen or heard in public, kind of like those early Beatles recordings made in Hamburg. (Dream on, Danny!)

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? I’m a non-fiction kind of a guy really, who aspires to biography, history, the education sector, and corporate reads. I have a high regard for the better fiction narrators and am not averse to characterisation, but not every title is an Agatha Christie mystery and although I have my moments and can run the gamut of SATB timbres (baritone and mezzo are my best) I’m not quite in the same league as David Suchet. What folk tend to overlook, though, is that within the vast tract that is non-fiction there is every bit as much of a need for nuance and sense of scene. Which isn’t to rule out the right novel, of course; never say “never”. That said, I am minded to avoid so-called “Adult” material but I’d not reject an otherwise suitable title just because it had some adult content; however it would have to be very good read. On the other hand, given that I have a well-developed avuncular style for kids’ books there is an obvious conflict, so “Adult” is not a market I would target.

What are you working on at present/Just finished? I have just arrived on Audible as narrator of a kids’ title written by Victoria Zigler, called “Eadweard: a Story of 1066”. That title attracted me partly for its historic interest but significantly also because of its ethic; as a lad who never wanted to be a soldier myself I identified with its busting of the myth. The ten-year-old Danny repulsed by the “It’s a Man’s Life” TV recruitment campaign would have loved that book.

Eadweard - A Story Of 1066 Audiobook Cover

Ongoing, from a business perspective I am looking at ethical advertising both in sound and on video more so than audiobooks, but additionally in the medium term I have my eye on a couple of older works which are now in the Public Domain and for which I would assume the role analogous with rights holder as well as that of narrator.

*Tell us about your process for narrating?  (Be as elaborate as you like.)  Step One is, sample it and improvise reading one or two previously unseen passages. See how it FEELS. That instinct is important, and I try to carry it with me throughout the creative process at the same time as balancing it with self-directing. Next, read the thing end to end; if you don’t do that you can paint yourself into a corner either with a wrong characterisation as the plot unfolds or, in non-fiction, with a compromised counter-argument. Try a few more passages as you go along, and revisit former ones. Note how different the passages you improvised feel when they are re-encountered. Rehearse. Mark the text with cues and emphases while progressing, considering any surprise inflections that might work to keep the audience engaged. Rehearse again. Set milestones. Go on the mic, for no more than half an hour at a time; after that amount of time mistakes will multiply. Avoid becoming a slave to the punctuation, especially if that punctuation is mechanised. Repeat whole sentences or at least clauses where you notice at the time there has been a blooper, without pausing. Then get technical with NR, EQ, and all that stuff. When editing bear in mind that sometimes it’s better to splice than merely to cut. Sometimes there is no option but to overdub, but don’t do that yet. Open a list of overdub requirements. Listen back, repairing any pops or clicks etc, while identifying any more overdubs. Listen again, following the text closely looking for misreads. Rely on it; there will be some, and consequently more overdubs. Each overdub is a miniature run of the “mic NR EQ pop click etc.” cycle.  Cry, scream, and yell, when the sound palette of the overdub doesn’t match the main body of your narrative. Rinse and repeat. FINALLY (um, not really finally) submit your Thing Of Beauty. Cry, scream, and yell, some more when the rights holder sends a list of …. overdub requirements! Rinse and repeat. Oh, and that other chap who waves his arms? Me too.

I didn’t mention mixing just now. I always record vox in mono but where music or SFX is involved I will decide based on the specifics of the case whether or not to mix in stereo. If it’s narration only, it stays in mono unless I need to emulate physical activity. However, they never needed a stereo mix in the days of Steam Radio, did they? We have lost a lot these days, with the “live” imperative supplanted by all this tech, and yet I am mindful of babies and bathwater. I prefer to use Adobe Audition. Some freeware is absolutely magnificent, but Audition’s visualisations and its brush and lasso repair tools in particular are all but indispensable. In the end you get what you pay for.

What aspects do you find most enjoyable? In a sentence? I like the sound of my own voice! No, in all seriousness, performing is the buzz; I can’t say that I love the technical aspects. I did discover recently when invited to do a live reading that the dynamic is entirely different from studio work, so now I am looking to add that to the repertoire on a permanent basis.

Do you consider royalty share when looking for books to narrate? If not why is this? I certainly do. I think it unwise to dismiss either royalty share or finished-rate. Every project has its own business case. It depends on what balance you need to strike from time to time between visibility, prestige, and cash flow.

Do you listen to audiobooks? Not very often because in my limited leisure time I tend to read, looking for performance material! I spend more time listening to podcasts online. The audiobook that I have enjoyed the most – ever! – is David Suchet’s reading of “Death on the Nile”. Such characterisation! He is especially able when “doing” the women, and then there is all that over-the-top emoting, and excellent timing resulting from the great sound editing and audio engineering. What’s not to love? It is a lesson in the proper use of tech to give an enhanced performance experience. One of my bugbears is that the unavoidable pauses in “he-said-she-said” dialogue passages go unedited because of production time constraints. And people have been trained to like it, even to consider it best-practice. For me, while it’s fine in a live situation on a recording it just jars.

*With many people owning MP3 players do you think this is the future of storytelling? Yes and no. It’s unfortunate in some respects that the old way is almost extinct, of Wise Old Heads occasionally reading from a book but frequently improvising around a detailed memory. There is nothing quite like a live performance in which the narrator responds to the audience’s cues and maybe interacts with them. The best stories can be retold with near-infinite variation – consider how folk music works. In my dreams at least, I foresee that style of performance returning as ordinary people’s reading comprehension skills continue to diminish – which I believe they are doing regardless of the A-level statistics. For now, though, as a society we are going through a “more of the same” loop in which hearing the same story repeatedly in exactly the same formulaic way is the “four legs good” of our era, and whether we like it or not the playback device is king. Equally, the playback device is an ideal medium for disseminating listen-once material, superior to radio because of its on-demand nature. In that context word-of-mouth, social media ads, and the Infernal MP3 Machine are the narrator’s best friends. Just as the phonograph paved the way for excellence in musical performance we must hope the MP3 does the same for narration, although in my view we aren’t quite there yet.

Why do you think audio books are becoming so popular? The commuter lifestyle has a lot to do with it. The world of the past that I have described has largely been mechanised out of existence, and indeed that is the case even away from the urban cycle – in agriculture, for example, productivity demands shackle us to our tractors and our milking machines more than ever before. Changes in the popular music scene have made recorded music significantly less attractive to many than it has been previously, so the advent of affordable and – importantly – portable technology with which to hear something interesting is bringing the audiobook to the masses just like the Dansette did popular music half a century ago.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) It’s too early to say as regards earnings, but actually, I think it more realistic in my situation at least to seek prestige and visibility than it is to expect Big Bucks directly. It is an easy platform to use in the technical sense, while in another respect it falls somewhere in between an effective hiring fair and a useful additional networking tool, not so much with peer-to-peer networking (to steal an I.T. term) as in the wider literary community. Having said that, I think the signal-to-noise ratio in terms of networking opportunity is less than ideal.

Have you ever had a negative experience producing a book? Every experience is a learning opportunity. If you don’t see it that way, that is a negative in itself.

Please tell us a silly fact about yourself. People perceive me to be fearless but… while obviously, I wouldn’t choose to do so I would wrestle a Rottweiler (and probably lose), and yet I have an irrational fear of chickens.

Where can we learn more about you?

Website with onward links is here: http://www.thevoiceofdaniel.com/

For repertoire and samples , go straight to soundcloud: https://soundcloud.com/dannyletham

If you want to check out Victoria and Danny’s work – please use the links below.

Audible: https://www.audible.co.uk/pd/Children/Eadweard-A-Story-of-1066-Audiobook/B0778V7XDC/
Smashwords: https://www.smashwords.com/books/view/652726
Barnes & Noble:
https://www.barnesandnoble.com/w/eadweard-victoria-zigler/1124182601
Kobo: https://www.kobo.com/us/en/ebook/eadweard-a-story-of-1066
Chapters-Indigo
:
https://www.chapters.indigo.ca/en-ca/books/eadweard-a-story-of-1066/9781370587865-item.html
iBooks: https://itunes.apple.com/us/book/eadweard-a-story-of-1066/id1137551399
iTunes: https://itunes.apple.com/gb/audiobook/eadweard-a-story-of-1066-unabridged/id1313336363
Amazon UK: https://www.amazon.co.uk/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon US: https://www.amazon.com/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon Canada: https://www.amazon.ca/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
The Book Depository:
https://www.bookdepository.com/Eadweard-Story-1066-Victoria-Zigler/9781539534471
Goodreads: https://www.goodreads.com/book/show/31199382-eadweard—a-story-of-1066

Series Spotlight – The Kero’s World Series

Title: The Kero’s World series

Author: Victoria Zigler

Narrator of audio editions: Giles Miller

Genre: Children’s stories – animals/pets

Main character description (short). Kero is a West Highland White Terrier, which is a little white dog with pointed ears.

Kero Goes Walkies Audiobook Cover

Synopsis: This is a seven book series that provides a semi-fictionalized view of the life of the author’s own dog, with events described as they might appear through the dog’s eyes.

 

Brief Excerpt 250 words:

“Are we going walkies?” Kero asked in his most excited sounding bark.  But, of course, the human didn’t understand him and only heard “bark, bark, bark.”

“Hush Kero,” the human said.  “You’re coming, but please stop barking.”

“I’m coming? Horray!” Kero barked, jumping up and down excitedly, his tail wagging as fast as it possibly could.

“You have to wear your coat,” his human told him.  “It’s cold out.”

That was fine with Kero, just as long as he got to go.  Besides, he liked his coat.  It was blue and green and made of a soft material that felt good against his fur.

Kero tried very hard to stay still while his human put his coat on him, but he was so excited he just couldn’t stay still for a moment.  This meant it took ages to get his coat on him, but they got there in the end.

“You have to calm down so I can put this on you,” the human said, holding Kero’s harness and lead out to him.

Kero tried to calm down.  He really did.  But he was so excited about going for walkies that he couldn’t stay still.  But his human was used to this, and eventually she managed to get his harness on him.  Once that was done it took only a few seconds for his lead to be clipped to the metal loops on the harness.

At last, they were ready to go.

Why should readers buy this book (50 words max)? If you want to see the world from the point of view of a little white dog, this book is for you.

Links etc.

Book 1 – Kero Goes Walkies

Kero Goes Walkies Audiobook Cover

Audible: Kero Goes Walkies

Smashwords: Smashwords

CreateSpace: Createspace

Barnes & Noble: Barnes and Noble

Kobo: Kobo

Chapters-Indigo: Chapters-Indigo

iBooks: Ibooks

iTunes: Audio Itunes

Amazon UK: Amazon UK

Amazon US: Amazon.com

Amazon Canada: Amazon Canada

Book Depository: Book Depository

 

Book 2 – Kero Celebrates His Birthday

Kero Celebrates His Birthday Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

 I-books

I-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

Book 3 – Kero Gets Sick

Kero Gets Sick Audiobook Cover

Audible

 Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I books

I tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 4 – Kero Celebrates Halloween

Kero Celebrates Halloween Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

i-books

I tunes

Amazon Uk

Amazon.com

Amazon Canada

Book Depository

 

Book 5 – Kero Goes To Town

Kero Goes To Town Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-indigo

I-books

i-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 6 – Kero Celebrates Christmas

Kero Celebrates Christmas Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I-books

I-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 7 – Kero Crosses The Rainbow Bridge

Kero Crosses the Rainbow Bridge Audiobook Cover.jpg

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I-tunes

Amazon UK

 Amazon.Com

Amazon Canada

Book Depository

 

You can also find the books on Goodreads.

 

Book 1: https://www.goodreads.com/book/show/17881737-kero-goes-walkies

Book 2: https://www.goodreads.com/book/show/17974626-kero-celebrates-his-birthday

Book 3: https://www.goodreads.com/book/show/18052712-kero-gets-sick

Book 4: https://www.goodreads.com/book/show/18052730-kero-celebrates-halloween

Book 5: https://www.goodreads.com/book/show/18052750-kero-goes-to-town

Book 6: https://www.goodreads.com/book/show/18052768-kero-celebrates-christmas

Book 7: https://www.goodreads.com/book/show/22919083-kero-crosses-the-rainbow-bridge

 

***~~~***

 

About the author:

Victoria Zigler is a blind poet and children’s author who was born and raised in the Black Mountains of Wales, UK, and is now living on the South-East coast of England, UK. Victoria – or Tori, if you prefer – has been writing since she knew how, has a very vivid imagination, and spends a lot of time in fictional worlds; some created by her, others created by other authors. When she remembers to spend some time in the real world, it’s mostly to spend time with her hubby and pets, though sometimes to indulge in other interests that capture her attention from time to time. To date she has published 8 poetry books and more than 40 children’s books, with more planned for the near future. She’s also contributed a story to the sci-fi and fantasy anthology Wyrd Worlds II.
Author links:

Website: http://www.zigler.co.uk

Blog: http://ziglernews.blogspot.co.uk

Goodreads: http://www.goodreads.com/toriz

Facebook author page: http://www.facebook.com/pages/Victoria-Zigler/424999294215717

Twitter: http://www.twitter.com/victoriazigler

Google+: https://plus.google.com/106139346484856942827

 

Review – 1984 #Audiobooks edition

1984 on Audible.co.uk

George Orwell – author 

Andrew Wincott – narrator

It’s been a while since I read 1984 – one of the masterpiece dystopian books of all time and I’d forgotten what an excellent, and terrifying book this is.

1984 is dark, it is not a happy-go-lucky read and the audio edition does not make easy listening. That said Andrew Wincott was the perfect narrator for this timeless story. It’s a deep, thought-provoking boo laced with a terrifying dystopian truth, and the narrator really nailed that in his reading. From the contemplative, yet naive Winston Smith to the intelligent and brutal O’Brian he roused emotion in the listener. I found myself transported to the frightening world of Winston Smith and thinking how familiar it seemed in so many ways.

Although set in a futurist 1980s (it was written in 1948), the book has a timeless air. History as the reader know is it very different. In Winston’s world Freedom is Slavery, War is Peace and Ignorance is Strength. Many terms people use regularly stem from this book – Thoughtpolice, Big Brother, Doublethink and many people argue that the surveillance in our own societies is reminiscent of Orwell’s world.

His view of crowd mentality is awfully prescient when one looks at recent events across the world. (When individuals may be harmless people, but as a group they become ‘A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledgehammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic.’)
1984 (Nineteen Eighty-Four)
Describing the “Two Minutes Hate”, Part 1, Chapter 1.

Orwell’s dark story brings us politics gone insane, the nature of freedom and slavery, thoughts about what we believe history to be, the human spirit to survive, and the human will to power. Winston Smith is, to a great extent, an Everyman; a man of middling, but not great intelligence, in a rather mundane job, unsettled in his life and questioning what is around him, but not really able to understand why things are as they are.

I’d also forgotten the ending – which I won’t spoil but it did make me want to shout ‘No!!!!’ rather loudly.

I Can’t recommend this highly enough. It’s a superb story – which everyone should experience – and a brilliant rendition.

5 Stars to the narrator.

5 stars to the author.

Read 1984 or listen to this awesome retelling – it’s worth the time and it might just broaden your outlook. Read it!

Narrator Interview – Joseph Batzel

*Tell us a bit about yourself:

My name is Joseph Batzel. I live in a small community in Utah by the name of Brigham City and have lived here since 1980 when I moved from Florida. I have been married for 44 years to my wife Alice who happens to be a writer.

We have two sons Marco ages 43- and Matthew 42, and five lovely grandchildren.

I have a Master’s degree in Film and Theater from Brigham Young University. My emphasis was acting and directing.

I have been an educator for the last 40 years of my life and have taught middle school, high school, and presently teach at Utah State University as a part time faculty.

In working at my vocation as an educator, I began my avocation as a professional actor and director for stage, film, and TV. I have 250 credits in the performing industry. I have travelled throughout the US presenting workshops in acting and voice over. I love helping people nurture their talent in these fields of interest.

How did you become involved with audiobook narration and production? I became involved with audiobook production early on in my career as a professional voice over artist. I have at least 150 credits in the voice over industry including radio, TV, animation, and audiobooks.

Tell us about some of the titles you’ve narrated. I narrated an educational CD Titled “Great American Speeches” and did the voice of Abraham Lincoln, and also a family audiobook CD titled “Tales From Davy Jones Locker “Quetzalcoatl” where I was the Grandfather (narrator)

Do you have a favourite amongst these? I must say it was an honor to play Lincoln and read one of the most famous speeches in American History “The Gettysburg Address.”

Do you have a preferred genre? I love to narrate uplifting material. There is too much anger and hatred in the world. I enjoy material that inspires and motivates people to do positive things in life.

Do you have a genre you do not produce? As I previously mentioned, genres that are filled with gratuitous profanity, sex, violence, etc. I have no desire to be involved in those types of projects. Why is this? I have certain personal and religious standards, values, and principles that I don’t want to compromise.

What are you working on at present/Just finished? I’m working on a motivational religious book. I just finished a five book children series, with an excellent author from England, Victoria Zigler, titled “Toby’s Tales.”

*Tell us about your process for narrating? (Be as elaborate as you like.) I have studied professional voice over training with some of the best professional voice over artists in the business. I also had an agent by the name of Linda Bearman that taught me the technique of voice over. I am very detailed in my approach. 1. I read over the script numerous times for content, meaning, characters, etc. 2. I take the script or text and break it down into paragraphs for narrating purposes. 3. I read through the script this time highlighting the character or character voices I’ll be recreating. 4. I mark where each voice changes and label each voice in my text. I use simple codes such as N for the Narrator T for Toby etc. 5. I read through the text practicing the voices aloud.

I go through the text numerous times until I am satisfied with my voice choices.

I do practice recordings until I feel comfortable with my choices. 8. Begin my recording sessions until it is close to perfect.

Edit the final draft.

Submit the work to the author, client, etc.

What aspects do you find most enjoyable? Working and recording the character or character voices.

Do you consider royalty share when looking for books to narrate? Much of it depends on the popularity of the author or if their books are doing well in the various markets available.

Do you listen to audiobooks? I love audiobooks but you can imagine what a critic I am to narrators of the books.

*With many people owning MP3 players do you think this is the future of storytelling? The market for audiobooks is booming for several reasons: 1. Technology 2. Availability of technology ex. I-Phones, laptops, I-Pads. Etc. 3. People are transit and travel more than ever on mass transit, cars, etc. 4. People would rather listen than read in this fast-paced world.

Why do you think audio books are becoming so popular? Answered above!

Can you remember the first audio book you owned? My first and most favorite audiobook was the Harry Potter series narrated by James Dale. Mr. Dale did every character with such precision and professionalism, I listened to the whole series in less than two weeks.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) ACX provides unique opportunities for voice over artists to enter a simple profile, submit a demo, and bid for author’s titles by a submitting a short sample audition. Very smooth and professional.

 

The options of profit share and per hour rate are left up to the talent. That works for the talent and provides time for the narrator to research and find out about each author, and what their sales are on various marketing outlets.

The production end has been efficient and professional with adequate feedback from the author and the ACX production staff. The momentary rewards are yet to be determined.

Have you ever had a negative experience producing a book? NO!

Please tell us a silly fact about yourself. I do a great impression of Elvis Presley “Thank you thank you very much.”

 

Where can we learn more about you? Facebook

Social Media links: Facebook, twitter.

Book 1 – Toby’s New World
Audible: http://www.audible.co.uk/pd/Children/Tobys-New-World-Audiobook/B074P7FV1M/
Smashwords: https://www.smashwords.com/books/view/229561
CreateSpace: https://www.createspace.com/5519989
Barnes & Noble:
https://www.barnesandnoble.com/w/tobys-new-world-victoria-zigler/1113041202
Kobo: https://www.kobo.com/us/en/ebook/toby-s-new-world
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/tobys-new-world/9781476234342-item.html
iBooks: https://itunes.apple.com/us/book/tobys-new-world/id562790799
iTunes: https://itunes.apple.com/gb/audiobook/tobys-new-world-tobys-tales-volume-1-unabridged/id1270858515
Amazon UK: https://www.amazon.co.uk/Tobys-New-World-Tales/dp/1512358908/
Amazon US: https://www.amazon.com/Tobys-New-World-Tales/dp/1512358908/
Amazon Canada: https://www.amazon.ca/Tobys-New-World-Tales/dp/1512358908/
Book Depository:
https://www.bookdepository.com/Tobys-New-World-Victoria-Zigler/9781512358902

Book 2 – Toby’s Monsters
Audible: https://www.audible.co.uk/pd/Children/Tobys-Monsters-Audiobook/B074SZ9BJX/
Smashwords: https://www.smashwords.com/books/view/247103
CreateSpace: https://www.createspace.com/5519996
Barnes & Noble:
https://www.barnesandnoble.com/w/tobys-monsters-victoria-zigler/1113744687
Kobo: https://www.kobo.com/us/en/ebook/toby-s-monsters
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/tobys-monsters/9781301157921-item.html
iBooks: https://itunes.apple.com/us/book/tobys-monsters/id574780594
iTunes: https://itunes.apple.com/gb/audiobook/tobys-monsters-tobys-tales-volume-2-unabridged/id1272267691
Amazon UK: https://www.amazon.co.uk/d/cka/Tobys-Monsters-2-Tales-Victoria-Zigler/1512358975
Amazon US: https://www.amazon.com/d/cka/Tobys-Monsters-2-Tales-Victoria-Zigler/1512358975
Amazon Canada: https://www.amazon.ca/d/cka/Tobys-Monsters-2-Tales-Victoria-Zigler/1512358975
Book Depository:
https://www.bookdepository.com/Tobys-Monsters-Victoria-Zigler/9781512358971

Book 3 – Toby’s Outing
Audible: https://www.audible.co.uk/pd/Children/Tobys-Outing-Audiobook/B074W95DRX/
Smashwords: https://www.smashwords.com/books/view/251587
CreateSpace: https://www.createspace.com/5520007
Barnes & Noble:
https://www.barnesandnoble.com/w/tobys-outing-victoria-zigler/1113846045
Kobo: https://www.kobo.com/us/en/ebook/toby-s-outing
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/tobys-outing/9781301643264-item.html
iBooks: https://itunes.apple.com/us/book/tobys-outing/id577001695
iTunes: https://itunes.apple.com/gb/audiobook/tobys-outing-tobys-tales-volume-3-unabridged/id1273856055
Amazon UK: https://www.amazon.co.uk/Tobys-Outing-3-Tales/dp/1512359041/
Amazon US: https://www.amazon.com/Tobys-Outing-3-Tales/dp/1512359041/
Amazon Canada: https://www.amazon.ca/Tobys-Outing-3-Tales/dp/1512359041/
Book Depository:
https://www.bookdepository.com/Tobys-Outing-Victoria-Zigler/9781512359046

Book 4 – Toby’s Games
Audible: https://www.audible.co.uk/pd/Children/Tobys-Games-Audiobook/B074WCT1W4/
Smashwords: https://www.smashwords.com/books/view/271594
CreateSpace: https://www.createspace.com/5520032
Barnes & Noble:
https://www.barnesandnoble.com/w/tobys-games-victoria-zigler/1114302957
Kobo: https://www.kobo.com/us/en/ebook/toby-s-games
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/tobys-games/9781301441082-item.html
iBooks: https://itunes.apple.com/us/book/tobys-games/id595641562
iTunes: https://itunes.apple.com/gb/audiobook/tobys-games-tobys-tales-volume-4-unabridged/id1274236264
Amazon UK: https://www.amazon.co.uk/d/Books/Tobys-Games-4-Tales-Victoria-Zigler/1512359262/
Amazon US: https://www.amazon.com/d/Books/Tobys-Games-4-Tales-Victoria-Zigler/1512359262/
Amazon Canada: https://www.amazon.ca/d/Books/Tobys-Games-4-Tales-Victoria-Zigler/1512359262/
Book Depository:
https://www.bookdepository.com/Tobys-Games-Victoria-Zigler/9781512359268

Book 5 – Toby’s Special School
Audible: https://www.audible.co.uk/pd/Children/Tobys-Special-School-Tobys-Tales-Volume-5-Audiobook/B0756Q5KB1/
Smashwords: https://www.smashwords.com/books/view/281507
CreateSpace: https://www.createspace.com/5520068
Barnes & Noble:
https://www.barnesandnoble.com/w/tobys-special-school-victoria-zigler/1114473423
Kobo: https://www.kobo.com/us/en/ebook/toby-s-special-school
Chapters-Indigo
:
https://www.chapters.indigo.ca/en-ca/books/tobys-special-school/9781301489220-item.html
iBooks: https://itunes.apple.com/us/book/tobys-special-school/id600171798
iTunes: https://itunes.apple.com/gb/audiobook/tobys-special-school-tobys-tales-volume-5-unabridged/id1277169221
Amazon UK: https://www.amazon.co.uk/d/Books/Tobys-Special-School-5-Tales-Victoria-Zigler/1512359335/
Amazon US: https://www.amazon.com/d/Books/Tobys-Special-School-5-Tales-Victoria-Zigler/1512359335/
Amazon Canada: https://www.amazon.ca/d/Books/Tobys-Special-School-5-Tales-Victoria-Zigler/1512359335/
Book Depository:
https://www.bookdepository.com/Tobys-Special-School-Victoria-Zigler/9781512359336

You can also find the books on Goodreads.

Book 1: https://www.goodreads.com/book/show/15992610-toby-s-new-world
Book 2: https://www.goodreads.com/book/show/16098832-toby-s-monsters
Book 3: https://www.goodreads.com/book/show/16127032-toby-s-outing
Book 4: https://www.goodreads.com/book/show/17209761-toby-s-games
Book 5: https://www.goodreads.com/book/show/17314257-toby-s-special-school

A Noob’s Guide to Audiobooks with ACX – part 2 #audiobooks #writers #writingtips

(C)A L Butcher

So now you’ve set up your account, and know about royalties so what’s next?

  • How do I add my book?

Once your account is set up go to ADD MY TITLE link in the top right – this will allow you to search if you have the book on Amazon already or create a Title Profile for your book – This is what it says on the tin – Title – genre – word count – synopsis etc. If you have a decent following it’s more likely narrators will want to produce your book – especially with royalty share. It’s worth stating if you have an active blog, facebook following and other social media.

 

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Or Assert More Titles – this screen will also tell you if there are any offers to produce your book, how many are in production, if you have asserted a title but not produced it. ACx 3

ACX generally works in hours – so if you buy a book on Audible it’s so many listening hours

For an example, The Count of Monte Cristo comes up at between 40-50 hours depending on the version/narrator. It’s close on 100 chapters – Imagine how long that took to produce!

http://www.audible.co.uk/pd/Classics/The-Count-of-Monte-Cristo-Audiobook/B005GFRMBE/

But my poetry book is 18 minutes….

So keep in mind you will need to have the time available to listen to the files your narrator uploads before the book is approved. He or she will upload the files and these need to be listened to CAREFULLY. From the point of view of the narrator I have been told it’s 2- 2.5 hours of work per finished hour – so producing an audio book is NOT a quick process. It has to be checked for background noises, mispronunciations, and the timing has to be correct. There is a set time between chapters/scenes and ACX will not approve for sale if this is incorrect.

This is a legal contract – keep that in mind – so ensure you find the right narrator for your work. If you do have problems with the narrator there are ways to break the agreement but it is complicated and you may have to pay out for work done. When setting up you are asked to provide a 5 minute sample in PDF – say a chapter – so narrators can audition. This should give you an idea of how the narrator sounds.

This is where you can specify your preferred type of narrator – male/female; US/English etc. It’s pretty specific. Of course, you may not get the ideal person you’ve imagined so keep an open mind.

5 )How do I find a narrator?

Ideally, they come to you but all the narrators have profiles so you can search and approach them if you wish.

It’s a lot more time consuming for the narrator – I understand it’s about two hours work per finished hour – and thenn they have to ensure there are no background noises, the pronunciation is alright, the gaps between the chapters are the right length etc. ACX has strict criteria about how long the silence is at the beginning or end of each chapter and if it’s too long or too short they won’t approve it. Honestly, I can’t tell unless it’s really obvious so I have to trust my narrator on that.

Officially once the narrator has uploaded the files the author can request up to two rounds of editing – so the author needs to listen to the files carefully to decide on any changes. Some narrators will do more but as it’s so time-consuming the author can’t send them notes on every little thing unless it really is an error/revision.

The cover art – that has to be square (think a CD case) so that has to be adapted, but there is guidance in the FAQ.

Then there’s a suitable sample to be agreed.

Once both sides are happy the narrator signs off his or her side and the author approves it.

The book will then go to review – which can take a couple of weeks. It’s checked for obvious errors, whether it meets the sound quality and the time between chapters. At this point, it’s possible for ACX to reject (say there is a big silence between chapter 1 and chapter 2). Changes can be made if requested by ACX. Once it’s approved it will ‘head to retail’ and appear in the store a week or so later.

Once or twice I’ve had to contact ACX support (long story) but they aren’t great. The changes took weeks to go through, even though I was told it would be a couple of days. I had to email regularly for updates. That said if it’s an easy question then they do respond.

 

 

 

 

A noob’s guide to audio books with ACX – part 1 #audio #writers #writingtips

(C)A L Butcher

I love having audio books, and I love listening to audio books. Recently I was helping another author with advice on getting her books converted to audio. I thought I’d share my notes.

A quick guide on turning your book into an audio book with ACX – part 1

  • Why should I turn my book into an audio edition?

Audio books are very popular – they are great for the commute to work (which is usually when I listen to them), around the house, in bed or just about anywhere. Many people don’t have the time to sit and read, but as an audio book can be playing whilst you do other things a listener can hear and appreciate the story and not need to put time aside to look at a book. They are also, of course, a great format for people with restricted sight, who might find it difficult or impossible to read from a book or e-reader.

As an author, it is also very useful to have your books in as many accessible formats as possible. More avenues of sale = more potential sales.

 

  • What is ACX and how do I sign up?

https://www.acx.com/help/authors/200484540 – author help and advice

ACX distributes to Amazon, Audible (an Amazon company) and I-books and if you have an Amazon account then you can use that to log in. Otherwise, it’s a case of setting it up. ACX has a reasonable set of help pages https://www.acx.com/help/about-acx/200484860 and it’s useful to start there. Do read the TOS and the FAQ, it will save a lot of heartache later if something goes wrong or you don’t understand something.

You have to provide your bank details, tax info and all the usual legal and financial malarky otherwise you won’t get paid. And yes, if you aren’t a US citizen you still need to provide your tax details – the IRS states that ANY goods sold in or through the US are subject to tax. This is NOT Amazon’s rule – it’s the law. If you are not a US citizen and your country has a withholding agreement hopefully you will not actually have to pay the tax – it still gets declared though. Anyway enough of that tedium.

‘Anyone who holds the rights to an audiobook (a Rights Holder) can connect with the people who can get those audiobooks made (the Producers).’

https://www.acx.com/help/a-marketplace-for-you/200487070

Basically, if you are the copyright holder you can turn your book into an audio edition.

https://www.acx.com/help/how-it-works/200484210ACX image 1

  • What are the royalties?

ROYALTY SHARE it will 20% for you and 20% for the narrator. ACX sets the price so you won’t necessarily know what you’ll get.

NON ROYALTY SHARE means you’ll get 40% but you will have to pay the narrator up front. Narrators will state their fee (expect to pay out quite a bit for a novel) but of course, once it’s paid then any royalties are all yours.

Some narrators only work for money up front so royalty share does restrict your pool of talent – but it still quite large.

There is also $50 bonus scheme – put simply this means if yours is the first book a new customer buys with their audible credits you get a bonus ($25 if royalty share).

Royalties are paid monthly, at the end of the second month (So Jan paid in Feb, Feb in March etc). Personally, I find the payments confusing – as there are payments for:

AL: Audible Listener – purchases made by members with membership credits.

ALOP: Audible Listener Over Plan – purchases made by members with cash (not with membership credits).

ALC: A la carte – purchases made by customers, not in an Audible Listener membership.

Basically, members buying with credits, members without credits and non-members with cash.

Thus far I have not managed to work out how ACX defines the separate payments for these.

You’ll be sent an email saying royalties are now payable. Log in to your sales dashboard and this will show you how many of each title you’ve sold.  Below this is the earnings report page – you can download a summary report (says how many you’ve sold of each title per month) and a royalty report (how much money is coming your way).ACX sales page image for blog

 

More information to follow on how to upload your book, and finding a narrator.

Tales Of Erana: Just One Mistake in Audio! #Talesoferana #fantasy

I’m very pleased to share my news today – my latest release is out in audio. Narrated by Rob Goll – who narrated Warrior’s Curse and Books I and II of Light Beyond.

Currently it’s available on Amazon and Audible but should be arriving on I-tunes soon.

18 rated.

Tales of Erana: Just One Mistake

Coel, the bard, thinks his life has taken a turn for the worst, but he hasn’t met the Thiefmaster yet. An ill-conceived notion of earning more money to pay off his debt and escape a dark past leaves the minstrel in a situation he can’t escape and with a deadly bargain. Will he survive his mistake? Who is this mysterious patron?

Amazon audio http://amzn.to/2sp7Hqk
Amazon.co.uk http://amzn.to/2tikBCW

Tales of Erana: Just One Mistake on Audible.co.uk
TOEJOM SQUARE AUDIO

Bored of politics? Listen to some fantasy

Bored of politics? Listen to some fantasy fun #Kitchenimps #audio http://ow.ly/G7ef308cGL7

The Kitchen Imps and Other Dark Tales – six short tales of mayhem and mischief.

Naughty imps, missing socks, cunning thieves and baffled gods feature in this collection of short fantasy fiction.

Audible.com

Audible.co.uk

Amazon.co.uk

Amazon.com

I-tunes

 

 

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Get some sensual #fantasy in #audio this

Get some sensual #fantasy in #audio this winter, and warm yourself with #Lightbeyondthestorm http://ow.ly/qMAL307zN2H

 

In a dark world where magic is illegal and elves are enslaved a young elven sorceress runs for her life from the house of her evil Keeper. Pursued by his men and the corrupt Order of Witch-Hunters she must find sanctuary. As the slavers roll across the lands stealing elves from what remains of their ancestral home the Witch-Hunters turn a blind eye to the tragedy and a story of power, love and a terrible revenge unfolds.

18 rated.

Audio editions narrated by Rob Goll

Amazon.com http://amzn.to/2bPpspP

Amazon.com audio http://amzn.to/2iBgmQV

Amazon UK http://amzn.to/2i2KJfE

Amazon UK audio http://amzn.to/2iXfIdc

Barnes and Noble http://bit.ly/2iB9PWl

I-books http://apple.co/2j0pYW2

Audible UK http://adbl.co/2bGqZvO

Audible http://adbl.co/2hHT8El

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Book Spotlight/Release Blitz – Love Through a Lens – Lucy Felthouse #Audio

 

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Love Through a Lens by Lucy Felthouse Now Available in Audiobook Format! #audiobook #romance #erotica #maytodecember

May to December contemporary romance novella, Love Through a Lens by Lucy Felthouse, is now available in audiobook format. Narrated by voice artist Xanthia Bloom, you can now listen to this fun romance tale on the go!

Blurb:

Celine Patterson is a recent graduate eager to begin her career as a camerawoman—with the fashion world and all its glitz and glamour calling to her. Things aren’t that simple, however, and she’s forced to take a job making a documentary in the Peak District countryside with a mid-list British actor.

In spite of her initial disappointment—not only is the job not what she wanted, the pay is appalling, too—Celine warms to the project. The actor she’s working with, Edward Robson, is kind, considerate, funny and a consummate professional. She realizes she can learn a great deal from him, and resolves to do so.

As the days of the shoot pass by, Celine grows increasingly fond of Edward, and that fondness quickly goes beyond the platonic. Convinced her crush is completely one-sided—he’s over three decades her senior, for starters—she tries hard to ignore it, hoping the feelings will go away.

But then something happens to change Celine’s opinion, and flip her world upside-down. How will she react? And can she emerge from this project with both her career and her heart intact?

Audio links:

Amazon UK: http://amzn.to/2h0RInY
Amazon US: http://amzn.to/2hGGyZH
Audible UK: http://adbl.co/2ioQSFw
Audible US: http://adbl.co/2ikFVBJ
iTunes UK: http://apple.co/2ioSOy5
iTunes US: http://apple.co/2jIQ2Fo

eBook available here: http://lucyfelthouse.co.uk/published-works/love-through-a-lens/  

*****

Review:

“What a lovely small package this novella was. Small but good and fulfilling… it is wrapped up with a bow… I liked the writing style and would read more from this author.” 4 out of 5, Jo&Isalovebooks

*****

Author Bio:

Lucy Felthouse is the award-winning author of erotic romance novels Stately Pleasures (named in the top 5 of Cliterati.co.uk’s 100 Modern Erotic Classics That You’ve Never Heard Of, and an Amazon bestseller), Eyes Wide Open (winner of the Love Romances Café’s Best Ménage Book 2015 award, and an Amazon bestseller) and The Persecution of the Wolves. Including novels, short stories and novellas, she has over 150 publications to her name. She owns Erotica For All, and is one eighth of The Brit Babes. Find out more about her writing at http://lucyfelthouse.co.uk, or on Twitter or Facebook. Sign up for automatic updates on Amazon or BookBub. You can also subscribe to her monthly newsletter at: http://eepurl.com/gMQb9

 

Release blitz hosted by Writer Marketing Services.

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