CAN YOU TELL US A LITTLE ABOUT THE CHARACTERS?
To start, Trevor of course was far different in the first draft, he was originally from a poor family and was unseen by his town. He was generous and sweet and he had two sisters. But something told me to make him spoiled and arrogant, I kind of like those characters more because I feel like they have more to learn.
Then we have Arjan, the gentle giant of a Siren who we learn about in the first few chapters of the book. He will have a prequel coming out soon so you can learn even more about him. Arjan originally had a very tiny role in the story but as time went on, and I crafted his backstory, I fell in love with the character and I think most people will too!
Lastly, I’ll talk about Labyrinth, Labyrinth is a lot of fun to write! He’s very child-like and his innocence is refreshing compared to Trevor’s brash arrogance. His design was fun to imagine as well and I can’t wait to write more about him in the next few books.
TELL US ABOUT YOUR FAVORITE CHARACTER FROM A BOOK:
Okay, so, he doesn’t originate from a book but he’s in a few and it’s Luke Skywalker. I think he’s my favorite fictional character ever and I do aspire to write a character like him one day.
I think he’s one of the best examples of great development as he went from a nerdy farm boy to a powerful Jedi and he didn’t feel out of character by Return of the Jedi.
This is something I’m striving to accomplish with Trevor; he has a lot to learn and no one wants to see him become all powerful overnight, they want to join him on his journey as he learns about himself and how to use his abilities (which you’ll learn of in the series :D)
Deep in the rain forests of Guatemala, an ancient Mayan temple holds a mythical secret. The legendary Fountain of Youth lies within, but not all myths are fairy tales. The temple ruins have been seized by the Core, a sinister cult determined to unlock the mysteries of immortality.
When their captured friends are spotted near the temple, Bobby and his cousin Jinx must journey into the dark heart of the jungle to save them. Harnessing their extraordinary abilities, the boys will undertake an epic quest to fulfill a centuries-old prophecy.
Cut off from their allies, Bobby and Jinx combat supernatural barriers, raging rivers, and deadly beasts. They’ll face savage natives, vengeful ghosts, and ruthless mercenaries who can conjure a person’s darkest fears. Past and present will collide, with the power of eternity on the line. Can Bobby fulfill the prophecy and lay the temple’s spirits to rest? If not, Bobby and his friends may become permanent inhabitants of the Temple of Eternity.
What is your writing process? For instance do you do an outline first? Do you do the chapters first?
Of course, I don’t do anything simple. I generally come up with ideas all the time. Most of the time they don’t belong to a story in particular, so those ideas get written down and thrown into a slush pile. When I’m stuck for an idea, I just start plucking out of that pot until something sticks and I write it into the scene.
The ideas that I have for a particular series also goes into a folder. Once I’m finished with whatever I’m writing currently, I pick what folder is the biggest and start working on that story.
First, it’s all about putting the ideas into a coherent order – and this is really hard especially since I like to throw timelines all over the place.
Then I write an outline and revise it several times. If I write from multiple character’s perspectives, then each character gets their own timeline, and I somehow merge them all together to form a book outline.
Then the draft. This is nothing to sneeze at. Drafts are horrible writing but for some authors their natural talent makes it look like a polished piece. I am not one of those writers. My drafts are full of notes, comments, repetition, emphasis, etc. because I’m telling myself the story.
I do countless re-writes until I’m happy with it and then the editor’s round starts.
So the process is long and it’s nothing short of hard work but if I skip any step, I end up writing myself into a corner. Which all writer’s know, is not fun to navigate back out of.
What are common traps for aspiring writers?
Rules! Too many writers say learn the rules but then can’t determine what the rules are.
Of course, there are grammar rules, spelling and punctuation. These are a given. But writing rules? Are they suppose to be on content? Use of language? Expression? I never found out.
Instead, I ignored all the generalized advice and rule talk and put my head into a book to figure out what exactly does a novel consist of. Thousands of articles will tell you to skip that step, but I needed to learn the hard way so I knew it for myself. Learning something for myself made me in control of those
What is your writing Kryptonite?
No outline! I’m not someone who can write a book from cover to cover. I have to have a plan. Too often, I write the plan several times before I start constructing scenes. Then I draft the book several times over before I start the re-write. It sounds like a lot of work but it’s a process that allows me to dive deeper, search harder, explore more.
Do you try more to be original or to deliver to readers what they want?
I haven’t a clue what people want to read and this is really a no-no in the publishing world. I have certain stories that I must get out of my head and onto paper. If people want to read them, then great! But if not, that’s fine too, but I must write them. Every time I watch a movie or read a book, my mind wanders and I find myself seeing a deeper picture than the story was meant to go. That’s where I find my content – the layers that are so deep and shine the light on what’s hidden in the darkness.
If you could tell your younger writing self anything, what would it be?
Never give up.
Everyone thinks they have the answer – but it’s only relevant to their lives, not yours.
The yellow brick path has been tracked too many times – don’t follow the dirt path either – create your own.
There is no such thing as the wrong answer when you are asking about life.
Creativity is life.
What’s the most difficult thing about writing characters from the opposite sex?
Actually, I find writing males so much easier. It’s women I find hard. I grew up with so many boys and never any girls. They’re less complicated and talk at face value. Women don’t. They hide things and have a level of expectation thinking it’s written on their face. I can’t deal with that! So I jump into a man and follow him. I’m more comfortable doing that.
How long on average does it take you to write a book?
How long is a piece of string? No idea. Some very quick, others years. It’s a matter of what the story requires, needs from me, etc. I let the work dictate itself. If I try and put limitations on it, then everything goes out the window.
Do you believe in writer’s block?
Yes and reader’s block too! Neither is fun. But it’s all about the mindset. If you are not creating – don’t blame the craft. Something is going on in your life that is impacting the creative muscle. Health? Stress? Toxic person in your life that you constantly thinking things will get better? It does once they’re out of your life! And you’re creating again.
By day, wizards rule the world. At night, warlocks seek to destroy it. Now, one boy will challenge them both.
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Angels and Demons – the ultimate custodians of good and evil do battle in the heavens and on Earth and bring in their mortal allies.
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- Heaven Bent Robert Jeschonek
- The Price of Demons Stefon Mears
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- Rose Swartz Wears Rose Quartz Brenda Carre
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- Emberstone Karen L. Abrahamson
- Chance Damnation DeAnna Knippling
- Deviant-Hunter’s Sabbath Harambee K. Grey-Sun
- The Troll-Demon War Leah Cutter
- A Pact with Demons: The Sprite and The Familiar Michael R.E. Adams
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Lord of the Flies by William Golding was written in the 1950s – but this haunting coming-of-age story is dark, thought-provoking and unnervingly timeless.
I first read this as a child at school, I think it was on the English syllabus but it is not just a story for kids – in fact I probably got even more from it, as the cynical adult I have become, than I did all those years ago.
For those of you unfamiliar with the story – here’s a brief synospis.
After a plane crash a group of British schoolboys are left castaway on an island – the boys range from ‘littleuns’ to ‘biguns’ – approximately 4 or 5 to young teen. There are no adults let alive. At first, it’s an adventure – and the older more sensible kids begin to make plans to await rescue. Power struggles soon emerge – from the sensible Ralph, the bullied, overweight and myopic but intelligent Piggy, to the nasty Jack.
The kids are innocent, for the most part, but it doesn’t take long for this innocence to be lost, and the kids begin to reflect the darkness within humanity, within power and petty politics.
Part of the synopsis reads; ‘The boys’ struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys’ capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be.’
The audio edition is especially powerful, and the narrator builds the suspense, and the brewing tragedy excellently. It’s a tale which the reader (or listener) at once wants to end, and not to end – because one must find out what happens, but at the same time one fears one knows.
Awesome, awesome story, expertly written and expertly told. Highly recommended.