Guest Post – Desiree Villena – How to Market a Book Without Breaking the Bank #Bookmarketing #Books

How to Market a Book Without Breaking the Bank

You know what they say: you have to spend money to make money. Or, as the Roman playwright Titus Maccius Plautus put it in the original Latin, Necesse est facere sumptum qui quaerit lucrum.

That’s right: the financial mind behind this maxim wasn’t some Daddy Warbucks wannabe — it was a writer. And though Plautus wasn’t selling ebooks on the web’s best self-publishing companies, his wisdom still applies to indie authors working today.

Fortunately, investing in your writing career doesn’t have to mean emptying your savings account. Giving your book the perfect, professional cover might require a decent payout up front, but promoting your book is a different story. When it comes to getting your work in front of readers’ eyes, a little DIY can go a long way.

Not sure where to start? Here are three ways to market your book without breaking the bank.

1. Set up an author website

First thing’s first: you need a home base for all your marketing efforts. And that means setting up a killer author website.

You don’t have to get fancy, with all manner of flashy animations and mini-apps. In fact, you should keep in simple, paring away all the distractions so your most essential content stands  out. That means putting your work — and links to buy your work — front and center, along with an author bio so readers can get to know the person behind the stories.

In addition to compelling descriptions of all your books, make sure to feature some high-res images of your cover art too. Not only will they lend some visual interest to your site without distracting from your most important content, they’ll help you ensure your books are recognizable right from the thumbnail. Just think of The Great Gatsby, with its lipsticked mouth and glossy eyes, projected in an inky sky over a glowing cityscape. Or The Catcher in the Rye, with its iconic, burnt-orange carousel horse. That’s the level of brand recognition you want for your cover art. And to get there, you’ll have to start by giving it pride of place on your website.

How much will all this cost you? Well, you can set up a no-frills website for free on WordPress. It’s best to register a domain name, though, so you can set up your shop on, say, AnneAuthor.com instead of AnneAuthor.wordpress.com. Don’t worry — a domain name will only cost you about $10-12 a year.

2. Build out your mailing list

After you fill out your site with tantalizing tidbits about your book — and yourself — there’s one more thing you should make sure to add: a place to collect your visitors’ emails. Once you have them, you can feed them into an email marketing platform like MailerLite to promote your books through newsletters.

Of course, not everyone who stumbles across your website will want to give you their contact information for free. That’s why you should entice them a little with a lead magnet. Think of this as a freebie that will draw them in like iron to, well, a magnet. Offer to send something interesting to anyone who signs up — maybe a short story you wrote, or the spreadsheet that took you from brainstorm to publication when you were first writing your book.

Every email you collect with this bait is marketing gold. Those are all people you can woo over time, so that they’re eager to preorder when your next book is set to launch. And best of all, growing your mailing list won’t require dipping into your bank account, at least at first. MailerLite lets you collect up to 1,000 contacts for free. Once you’ve broken past that barrier, you can move up to a paid subscription tier for $15.00 a month, which will let you handle 2,500 emails. But until you hit that benchmark, all you’re investing is the time it takes to craft your lead magnet.

3. Get more eyes on your site with a blog tour

Now, let’s talk about how to feed more names into your mailing list — for free.

During pre-COVID days, one of the most glamorous (and most expensive) book marketing tactics was the book tour. We can’t all be like sci-fi phenom John Scalzi, hitting up 24 cities in five weeks. We can, however, try to replicate that whirlwind dynamic with a blog tour.

On a blog tour, you’ll write guest posts for a wide range of websites frequented by readers in your genre. In exchange for providing your “hosts” with intriguing content, they’ll give you a platform to promote your work. Just make sure to link out to your website — and tell your visitors there’s something in it for them if they offer up their emails.

Unlike a traditional book tour, with its nightmarish tangle of logistical considerations, a blog tour isn’t hard to set up. Just look for book blogs that specialize in your genre, and see if they’re open to guest submissions. Then, get in touch with any promising candidates and pitch something you’d like to contribute. For a craft-focused blog, that could be an inside look into your writing process. For a book reviewer, you could offer a free copy of your latest title in exchange for their honest impressions. The key is to pitch something each blog’s readers would love to read.

The best thing about this promotional hack? It’s completely free! Now, get out there and start connecting with your future fans.

 

Adventures in Self-Publishing – Reviews -Part 2

I remember the first ‘bad’ review I got for my first book. It was 2-star review on Goodreads, and I was angry, upset and lots of negative emotions.  How dare someone think that! Of course, now I have moved on, and I realise it is just one reader’s views, nothing more, nothing less.

My point is – for new writers a bad review feels terrible. Someone who doesn’t care how much time you spent writing, what sacrifices you made etc. Correct – the reader doesn’t give a damn about that. He or she just wanted a good experience with the book they spent money on. If you go to a restaurant and order a meal, it arrives and it’s not what you expected, or you think it’s too cold, or too hot, or has garlic in then you will complain. You don’t care that the chef has a headache, or his car broke down on the way in. You want a nice meal. It’s the same principle.

I have a mix of ratings on my books from 1 star to 5 stars, some great comments and some… less than great comments. The books I write are NOT mainstream. Light Beyond the Storm features violence against women, murder, sex, slavery and other contentious topics. I’ve been told it can be difficult to read. Am I going to change it? No. The issues therein are part of the story and the world of Erana: Elves are slaves, Dii (the main female character) is an Elven woman who is not only a slave but a magic user. She has no rights in that society – and her very existence is illegal. The poor girl is at the bottom of the social heap. Olek and Archos are the good guys (and I use that term relatively), but they aren’t nice. Olek is a thief and an assassin – he kills, he steals, he blackmails. Archos is a sorcerer and he deceives, he kills, he flouts the law, and he is, essentially, a crimelord. There are very few really ‘good people’ – except Dii and Ozena. I can understand why readers might be shocked by what happens, or upset by the violence. Some folks are. But then again some aren’t.

Books are a varied as the authors – everyone is different. Readers are different.

So how to deal with ‘bad’ reviews.

  1. DO NOT COMMENT – Really just don’t. It’s unprofessional, it’s likely to backfire. A few years ago there were some individuals on Goodreads who had rated a particular author’s book with a low rating and unfavourable review; said author then started bitching about these reviewers. There was name calling, trolling and general nastiness. No one came out well, least of all the author. Such behaviour tarnishes other authors (and readers) who don’t behave like that and indie author suffers.
  2. ANALYSE THEM – is the reader just unhappy because the story didn’t fulfil their expectations? Or are they reporting technical issues? The first you as the author can’t do much about, but technical issues can and should be fixed.
  3. DO NOT GO BITCHING ON YOUR BLOG – this relates back to 1. Yes, you might be annoyed or upset but venting online will not help. People forget what is said online can be deleted but not removed. By that I mean if someone sees it, then it’s ‘out there’ – it can be copied, or shared. If you feel you must vent do it privately.
  4. MOVE ON – pretty much every book from Shakespeare’s plays to Game of Thrones will have a bad review. It happens.
  5. KEEP WRITING – don’t give up. Writing is a craft, and it takes practice, and commitment. One or two bad reviews can knock your confidence – but just shrug and keep writing. Look for how you can improve – which is pretty much the same as in everything.
  6. DO NOT COMMENT. Yep it’s that important I am saying it twice.

There are blogs offering reviews – and they can be useful. But don’t buy a good review – it will show and many sites (such as Amazon) will remove ‘fake’ reviews. This also goes for review swaps (I read your book and rate it high if you do mine).  Indies don’t have the best reputation and behaviour like that doesn’t do anyone any good.

Don’t get your mum/brother/cat to post a review. They may indeed like your work but the review will be biased. Again most review sites will remove those, and in some places, your publishing account can be revoked.

Wait. Reviews will come. Not every reader reviews.

Good reviews are nice to have, but it’s not the end of the world if they are few.

As I said in my previous article you can’t please everyone. There will always be someone who doesn’t enjoy your work, and that’s fine. Move on. Keep writing.

 

Adventures in Self-Publishing – 1.3 – the basics – Smashwords 1.1

https://www.smashwords.com/

I like Smashwords – but uploading the MS is a bit of a pain. The meatgrinder as it’s known is notoriously fickle. On the plus side, it will throw the MS back and tell you what to fix. It can take several attempts before it goes through. The help pages on Smashwords are good and will offer advice.

One of the benefits of SW is the Premium Catalog https://www.smashwords.com/dashboard/channelManager/

You can submit your book, and have it distributed to a multitude of other sites – including Barnes and Noble, Kobo, I-books and many others. The most useful aspect I have found for Smashy is the coupons. You can produce a coupon to reduce a specific book, for a specific time. It’s great for gifts, review copies etc.  Smashwords pay monthly (sort of). But the distribution stores pay at different times so it’s a little fiddly to keep track. That said it all goes through Smashwords and they pay via Paypal in USD.  Or you can just stick with SW.

SW add your book.PNG

https://www.smashwords.com/upload

I have only added the pic for the first bit (as it’s quite long), but pretty self-explanatory.

You can also have a publisher account with SW. So, if you write under a pen name or publish on behalf of others then that works out nicely. It’s far more awkward on KDP – where you can publish under a pen name. The publisher account is helpful.

The dashboard for SW is reasonably easy to fathom and it’s easier to make changes to a book than on KDP and it’s better for readers as it offers Mobi, Epub and other formats (Amazon only offers the Amazon Mobi and it’s Kindle/Kindle app only).

SW Dashboard.PNG

sw dashboard help

Smashwords requires an ISBN but will provide one free if you don’t have one. This is required for access into the premium catalog, but not solely publishing on SW.

If you can manage the meatgrinder then Smashwords is a great way to get that wider reach.

It’s more accessible than KDP (see the other posts about this).

Adventures in Self-Publishing – Marketing 1.1

One of the primary skills needed to sell your book is marketing. Many people don’t like pushy sales people – so don’t be pushy. If little and often works then go for it but if someone doesn’t want to buy your book then, they don’t. Don’t pester folks.

  1. Marketing
  • Marketing (no one is going to buy your book if they don’t know it’s there. Many people don’t like the pushy salesperson (I certainly don’t), but there are ways and means. I took a course (Diploma in social media marketing) with Shaw Academy. This was a bargain – the course is usually a couple of hundred pounds but a friend put me onto Living Social which offers all sorts of stuff at real bargain prices. It has everything from weekend breaks, to courses, to laptops or whatever. As I understand it – they have a small amount at the low price and when they are gone they are gone.  Check out these bargain sites – you’d be surprised what you find.
  • Facebook – There are zillions of pages and groups on FB. Set up an author page (you can do this from your main account). If you have somehow managed to avoid FB then I’m sorry it’s a good idea to get an account. There are lots of groups devoted to blogging, genre books, author groups, writing groups, promo groups – you name it there will be  FB group for it. Join a few – and CHECK THE RULES. Some let you promo, some let you promo with restrictions (once a week/once a day), and some are non-promo but good for advice and networking. Facebook really wants you to spend your money and buy ads. I haven’t as yet – and I have heard mixed reviews on whether it’s useful. But I understand you can spend a small amount to have a small ad. You can promote in some groups for free – but the reach is limited. Prepare to spend a lot of time on social media…
  • Twitter/Tweetdeck – If you are going to use Twitter to promote then get Tweetdeck. It’s free and it makes managing your Tweets much easier. You can schedule tweets, add graphics, and see what you’ve booked in and when. You can attach more than one Twitter account to it.  Does Twitter help? Probably – there are a lot of cross-tweeting groups, and many people follow there.
  • Linked-in – This is more of a professional site – many employers look there. I’ve been contacted via LI more than once about jobs (all of which were utterly unsuitable), but it’s another forum. 
  • Pinterest – I love pinterest. I set up a page for all the interviews and promo from the blog, but mostly I use it for pics of animals, Phantom of the Opera, and random interesting stuff.  Again there are reader and author groups.

There are countless others but keep in mind how many sites you’re going to have to manage. Even with Hootsuite (for FB, Linked in, Tumblr and Twitter) and Tweetdeck it’s still a couple of hours a night for me. That’s two hours not writing…

You could ignore the marketing, do less than I do and it MIGHT work, but then again it might not. Promotion of your book will get you sales. No one knows it’s there – no one buys it. Simple as.

Blogging/Website. 

Set up an author website if you can – again if you aren’t very good at that kind of thing then look for a course or watch You-Tube. There is plenty of free/cheap advice about if you look. WordPress is fairly easy (and free for the basic package), Wix, Squarespace, Blogger etc are other options. Also, set up a blog. My website is the ‘official’ author site – it lists the books, about me and is updated when there is something new. The blog is more informal (and gets more traffic). You can blog about anything – books you’ve written, books you’ve read, your cat/dog/rabbit/degu, plants, recipes or whatever. It’s good writing practice – builds a network of followers who might check out your book(s) and it’s fun. I will say this – pick what you blog about carefully. If you want to go rant about some reviewer leaving your book a 1-star review on Amazon; politics; what someone famous has or hasn’t done then go ahead but keep in mind what goes on the internet stays on the internet. It’s easy for a reader to misunderstand a comment, and if you start bitching then someone will notice and it’s likely to end up with a slanging match – which is public. You’re the author, you’re the brand. Being a jerk can harm this brand. You can’t undo it. I’ve seen authors behave badly – slagging off readers who rated a book low, or making some derogatory comment about a reader’s opinion or intelligence. It didn’t end well.  You have been warned.

 

 

 

Adventures in Self-Publishing – 1.2 the Basics cont. KDP.

 

So, your book is written, edited (hopefully), and you have sourced a decent cover. What are your choices?

KDP – Amazon. The biggest slice of the pie BUT they are known to be a little picky and have the usual issues with big business (don’t care about the little guy – you). Some authors don’t like the big bad Zon’s business practices – but they ARE the biggest marketplace. They are also issues with authors getting account bans because of content violations, multiple accounts or other, vaguer issues.

READ THE FAQ and TOS. You can ONLY have one account. ONE. You can have an account for buying things, and a different login and password for KDP but only the single KDP account. KDP is hot on this, they will close your account. I’ve heard of people sharing computers with separate accounts being caught out. I assume it’s done partially on IP address. There’s a regular feature on people forgetting their login, and accidentally set up a new account. There’s a post on the forum about this at least once a week. Keep your original log in safe – if you do inadvertently set up another account, contact KDP and explain, asking them to remove the duplicate.

There are lots of password safe programmes and apps – you can save your logins there and only need remember the one password to log in. I googled password storage and at least 10 pages of links came up.

Watch out for KDP Select. If you want to sell your e-book anywhere else do NOT join Select.

I will talk about print books in another post.

Content violations: This is a vague term but usually means:

The type of smut – (some erotica is allowed but anything ‘illegal’ or ‘dubious’ will end up in the dungeon (pardon the pun). Amazon is a bit foggy about what is and isn’t allowed so erotica authors do get caught out. You have to tick the ADULT CONTENT criteria. On the subject of covers.- Amazon is pretty lenient but they do not allow nipples, genitals or bare backsides on covers. If you write that sort of material then have your images with a bit of modesty,

Public Domain – PD books are allowed but there are strict criteria. Your version has to be substantially different to what’s already out there. I’ve seen ‘authors’ with hundreds of titles get banned – because they uploaded some version and put the odd comment in here and there. Public domain is a minefield – tread carefully.

https://kdp.amazon.com/en_US/help/topic/G200743940 – public domain

https://kdp.amazon.com/en_US/help/topic/G200672390 – content guidelines

Plagiarism  – GRRR don’t get me started on this. Basically – did you write what you are submitting? Do you have the copyright? Yes – good then go ahead. No – then crawl off somewhere and stop stealing other authors work.  Just because it was available on the web, or you found it on one of the plethora of pirate sites doesn’t mean it’s yours.

Complaints – if your work is not up to standard and lots of readers complain you MIGHT get a content violation. Usually, Amazon will contact you about this and let you rectify it/remove the book.

Amazon does usually send an email if a book is taken down, or there is an account issue. Check your spam filters too. Respond to what they say promptly, politely and they MAY rectify the issue.

Uploading to KDP is fairly easy. You can use a Word document. It converts it to mobi (or if you have a mobi generator I think you can use that. Check through on the previewer and fix any issues. It usually takes a few days to permeate the stores.

There will be later posts on SMASHWORDS, DRAFT2DIGITAL and LULU.

Adventures in Self-Publishing – Part 1.1 – The Basics

(C)A L Butcher

I have been trying to think of useful and interesting posts to share in 2019. I love the interviews, and these will continue, but I’m going to try the ‘Adventures in Self-Publishing’ series of posts – detailing advice, pitfalls, highs and lows and upskilling.

When I read the KDP forums (that’s Kindle Direct Publishing – Amazon’s publishing system), it never ceases to amaze me the newbies who write a book (or occasionally scrape content from the internet, or upload a public domain book with barely any new changes) and then wonder why they aren’t the next Stephen King or JK Rowling.

I’ve posted up KDP advice before:

KDP: A Noob’s Guide

KDP: A Noob’s Guide Part 2

KDP: a Noob’s Guide Part 3

However there is a lot more on offer than just KDP, and a lot more to do that writing.

Most indie authors have little or no money to spend buying services or advertising – so the easiest way to get around this is to learn how to do these things yourself, network (really important), or trade skills.

I published my first book in 2012 (yep that long ago), and since then I have learned about many, many things.

Depending on your genre you may do research (I love research but I am easily distracted), but there is more to it. Unless you’re a wiz at everything (If so I hate you) then you’ll probably need to be proficient in the following:

Marketing, cover design, editing, networking, formatting. And that’s just the start. If you can write, then you can learn these things. It takes time, and patience.

Let me see in the 6 and  half years since Light Beyond the Storm Chronicles was published I have learned:

Networking (this is really important); editing (currently editing for Perseid Press so I can’t be that bad); cover design (I’m learning Photoshop); marketing; formatting; how to convert to Epub/Mobi etc; how to produce audiobooks; how to format for paperbacks; MSWord; Calibre, Book bundles. Not to mention courses on creative writing, grammar, historical fiction writing, copyrighting and lots of other fascinating (mostly) stuff.

If you are on a low budget then check around. Sites like the ones below are useful.

  • Living Social – offers bargain prices on courses. I got the Diploma in social media marketing and the Creative Writing Certificate for less than 20 GBP each, instead of several hundred pounds.
  • Udemy  – discounted online courses – currently using for Photoshop, and they have lots of writing/marketing based courses. You can pay full price but usually if you wait then a course will appear in the sale – for as little as $10 or $20. You can do them in your own time.
  • Coursera – mostly free but you can pay for the more advanced ones.

And there is You-tube of course.

Much of it comes with practice, but it’s not a simple case of writing a couple of hundred thousand words down and whacking it onto KDP (not that writing is simple – I’m not belittling the craft). None of the publishing sites which let authors publish for free will edit/format or promote the book. That’s the author’s job. It’s a steep learning curve.

Look out for more posts on Adventures in Self Publishing.

 

 

Writer Wednesdays – Tips for New Writers – revisited

This is a little cheeky as some of was taken from an old post (2013) – but have I changed my views? The origin post was written not that long after I started self-publishing.

So let’s revisit my old post – Old in RED, new comments in black.

Link to original post

Share your most helpful writing tips and advice. What do you know now that you wished you had known when you started writing?

New writers are given an awful lot of information, much of it contradictory and it is very difficult to know the good advice from the bad. Experience is a great teacher!

Yep – it’s still true there is information overload. There is some great advice, and some lousy advice. Working out which is which can be a challenge. Indie authors, in my experience, support each other, offer advice and suggestions and understand the challenges. Listen to the advice, good and bad. After all if it hasn’t worked for one person that doesn’t mean it won’t work for you. The bloody awful advice will become self-apparent.  Free advice is always worth taking in. What you choose to do with it, that’s up to you.

Here are my top 6 tips:

1)    Keep writing. This is seems to be consistent advice from all the sources I have seen. A single book is great but it is hard to build a fan base with just one title and if readers like your work they may well look out for other articles and stories. I do as a reader. As your writing experience grows you will learn what works and what doesn’t. Write for anthologies, write for your blog or someone else’s or write for research. Yahoo Voices have many interesting blog-type articles and it is a way to build a fan base. Researching for your novel? Great, use that research to help others. There are lots of anthologies looking for submissions (see links below) and some pay, although some don’t. Even the free ones are useful in getting your name out there and are writing practice.

Yahoo Voices no longer exists, but there are thousands of blogs/e-zines and groups who will happily take guest posts. Writing for anthologies – yes, I’d say it was helpful but as you get more experienced then you can pick and choose. The first few I did didn’t pay – and that’s a good way to promote yourself initially – but of course, most authors want paying for their work. Free has its place – don’t get me wrong – but it’s good to be able to pick and choose. There is also the consideration – anthology stories are varied in quality, length and style. Try and read some of the other stories, if that’s possible, or check out the author’s work. I’ve read (and been in) anthos where some of the stories need….more work. Make sure your own entry is good, well presented and not riddled with errors. 

Research – yes, yes, yes. Post up on your blog, or share on forums.

2)    Have a thick skinyou will need it. There will ALWAYS be someone who doesn’t like your book, will be offended by it, hate the characters or simply not get it. We do not all like the same things, if we did the world would be boring indeed.  Bad reviews hurt, but most books have at least one and unless the reviewer has a personal issue with the author (which occasionally happens) then it is one opinion. Reviews are just that – opinions, which can be as varied as the books they discuss.

Still agree with this. You can’t please all of the people all of the time. Shit happens. If you don’t want bad reviews – don’t publish. That said they can be helpful. Every writer thinks his or her work is the best thing ever. Usually it’s not (sorry – and I include myself in that). There is always something which doesn’t quite work, or could have been better – but that is generally true of life. And what that is depends on perspective. I like great world and character building, for example. I’ve read books with awesome reviews only to put them aside after three or four chapters because I didn’t give a damn about the characters. It’s a matter of opinion.

No writer likes to be told their book sucks and it can be hard to deal with. One of the best pieces of advice is ‘don’t comment’, or if you feel you must then be polite, thank the reviewer for their comments and move on. Commenting, especially negatively will do far more harm, go and rant to your best friend, yell at the wall, go for a walk and release that is one person’s opinion only. The next reviewer may love the book. Even negative reviews, except the spiteful ones, have useful advice.

Don’t comment on reviews. Really. Not ever. Don’t bitch, tell the reader they are wrong, or slag them off on social media. Just don’t. That will do your brand FAR more damage than a bad review.

It is hard to work out how much store readers put on reviews, many do look and most simply filter out those which either say nothing or the obviously spiteful or overly gushing ones, but in a couple of studies I have done reviews are surprisingly low on the scale. A good cover, a synopsis which pulls in the reader and recommendations from friends seem more important. If the book is selling don’t worry too much.

Agreed – to an extent. Personally, I don’t put that much store by book reviews – but I do write them. I’m odd like that. Partly I write them because I have a terrible memory and it’s a way to remind me of a book, but also because I like talking about books. People review for many, many reasons and in many many ways. All of them are right.

3)    Write the book you want to write. Now I am sure other writers might disagree with this tip but not all. Forcing a story to work, editing out important plot ideas or making characters do something they wouldn’t do may well make the story weaker. Write the book YOU want to read. Would you enjoy it? If the answer is yes then go with it. A forced plot will show itself to be just that.  It may depend on whether you are intending to self-publish or whether you are intending to submit to a publishing house of course and whether you intend to get an editor.

I’d rephrase this as write the book you want to READ. 

4)    Write the best book you can. No book is perfect. Even bestsellers have typos which slip through, weak plots or naff characters. However, if you are an indie the threshold seems to be higher…there are plenty of posts and threads berating indie self-published books as being substandard. In some cases this is true, we have all seen them but there are very many books which are great, yes some may be a little rough around the edges but the good stories and talent are out there. There are plenty of traditionally published books which are awful. That said releasing a book full of typos, terrible grammar and weak plot/characters is not advisable. Spellcheckers are useful but invest in a dictionary, a thesaurus and a writing guide. If you can find beta readers or critique groups then do so.

If you can afford an editor, then get one. Ask around, there are various authors who edit, or know them. I found a couple of free/cheap online writing courses. Write, write, write. 

If you decide to self-edit then put the manuscript aside for a while and write (or read) something new. You will see the work with fresher eyes. I know from experience I see what I think is there not what IS there. If you can afford an editor then it is advisable to consider it, but there are great books which have been self-edited. If you choose this route be thorough, it may take several passes through. Although earlier I said write the book YOU want you do need to be strict when editing. It is easy to get carried away and go off on a tangent. Does the scene add to the story/characterisation/world-building? No – then lose it.

5)    Research and plausibility. This is rather dependent on genre of course but willing suspension of disbelief only goes so far. Fantasy gives a lot of scope, especially magic but it still needs to be consistent. Research gives the writer credibility, if you say something works which we KNOW doesn’t work in that way then at the least back it up in the story with some plausibility, or better still find something which people know does work that way. Gravity is gravity. Research medieval battle, weapons and armour, field medicine, herb-lore and such like if you are planning a fight. Movie fight scenes look great visually but aren’t really that accurate. What damage DOES a long sword do? What IS the range of a longbow. You needn’t go into too much detail in the book, but knowing if your archer can hit that bad-guy lurking in the Dark-lord’s tower is helpful. Books can educate, and encourage people to research for themselves, especially if set in a certain time period but accuracy is the key. Of course, many readers won’t go on to research or have any interest in the origins of the longbow, the war horse but some might. Besides research is great, it is amazing what you can discover!

Yep, pretty much. I spent a while looking up ancient Greek curses the other day, and I’ve researched flora and fauna, weaponry and armour, the potential airworthiness of dragons, whether salamandars are edible, poisons and herblore, giantism and all sorts of other things.

6)    READ THE DAMN MANUAL! Really I mean it. Spend a bit of time not only reading writing guides but the FAQ of KDP, Smashwords, Lulu or wherever it is you choose to publish. It will make life a lot easier. There are several free books available – ‘Publish your work on Kindle’, ‘How to Publish on Smashwords’ for example. Most of the sites have extensive guidelines and forums. That is another thing most people have struggled with whatever it is you are struggling with so search the forums for answers. You are now a business person as well as a writer and it helps to know what to do.

What do I wish I had known at the beginning? Marketing is HARD. Where is the line between being a spammy needy author and promoting in such a way that people will check out your books and not be annoyed? Well that depends on who you ask…some people hate any mention of the product, some don’t mind a small amount and some say as much as you can do is the way to go. If I find the right level I will let you know.

World Building:

http://audenstreasury.blogspot.co.uk/p/writing-fight-scenes-resources.html?showComment=1369324942695

http://cbmccullough.wordpress.com/2013/04/30/domesticating/

http://mythicscribes.com/world-building/adding-depth-to-a-fantasy-world/

http://audenstreasury.blogspot.co.uk/2013/01/dark-fantasy-world-building-names.html

http://profantasy.com/

Writing generally:

http://www.telegraph.co.uk/lifestyle/9764931/The-101-best-pieces-of-advice-ever-received.html

http://robbgrindstaff.com/2013/01/why-are-verbs-so-tense/

http://lissywrites.com/2013/06/28/back-cover-text-book-blurbs-and-other-fun-stuff/

http://venturegalleries.com/blog/writing-short-stories-for-anthologies/

http://www.writingforward.com/writing-tips/tips-for-self-editing?utm_source=rss&utm_medium=rss&utm_campaign=tips-for-self-editing

http://www.indiesunlimited.com/2013/07/13/rethink-advice-to-writers/#more-41613

Writers Digest

Princess of the Light Blog

 

Writer Wednesdays – Debbie Mumford #WriterWednesday #Indies #Writing

Here is the first of the new 2018 Writer Wednesday posts. Today we welcome Debbie Mumford, a writer who has had a busy year in 2017. I have to say I’m envious, I plan to write far more than I do, and I have great respect for writers like Debbie who have the discipline to write as much as she does.

Happy 2018! 

A Writer Welcomes the New Year – A Guest Post by Debbie Mumford

2017 was a good year for me. I achieved some goals and failed spectacularly at others, but all in all, when the year ended I was pleased to find that I’d failed forward!

A large part of that forward motion is due to my yearly review in late December and the goals I put in place for the coming year. Stretch goals, not easy ones. Goals I’ll have to work to achieve, but goals that will carry me forward even if I fail to meet all of them. And I’m realistic enough to know that some of them won’t be met.

An important part of this process is recognizing what is and is not a goal. I’m not talking about resolutions. Everyone makes those in early January … and most people have forgotten what they were by February or March. I’m talking about really, truly GOALS.

I like to use S.M.A.R.T. goals, which are, by definition:

  • Specific: Goals need to be specific, not some loose, vague, impossible to quantify statement. “I will write better this year″ is not a specific goal. “I will write 2 pages a day” qualifies.
  • Measurable: Goals need to be measurable. Again, a concrete goal is far better than an amorphous wish. You need to know whether or not you achieved it! “I will write for 45 minutes a day” is a measurable goal.
  • Achievable: Goals need to be reasonable and achievable. Don’t set yourself up for failure by shooting for the moon. “I will complete the first draft of my 90,000 word novel in 6 months″ is much more achievable than “I will write a 90,000 word novel in January.” Also, as I mentioned above, make sure your goals are within your control. “I will write the first draft of my novel” is achievable and within your control. “I will become a NY Times bestselling author” is not.
  • Realistic: Goals need to be realistic. Evaluate your time and your lifestyle. Be honest with yourself. Set goals that are specific, measurable, achievable, and realistic for who you are and how you live.
  • Time-Bound: Goals need to have a time frame. Lots of people dream of writing a novel…someday. But without a deadline, a time pressure, there’s no reason to do anything today. Put a date on your goal and then get started on it today. When you reach the specified date, you’ll know whether or not you accomplished your goal.

One of my goals for 2017 was to publish 18 new titles. I write under two names for two very different audiences: Debbie Mumford writes speculative fiction, often with romantic elements, for grown-ups, and Deb Logan writes contemporary fantasy for middle grade and teen readers, so my actual goal read something like this: “During 2017 I will publish one title a month as Debbie Mumford and one title every other month as Deb Logan.“

That qualified as a SMART goal. It was specific – one title (short story, novella, novel, collection) for Debbie every single month and one for Deb every other month; it was measurable – at the end of the month, I knew whether or not I’d accomplished the task; it was achievable – I had a backlog of published stories where the rights had reverted to me plus a selection of new work that I was ready to release into the wild; it was realistic – I knew I could create the covers and run the manuscripts through Vellum (my formatting tool of choice) in a timely fashion; and it was time-bound – everything would happen in the 2017 calendar year.

I achieved that goal, plus a little bit more. The final breakdown for 2017 was 14 short stories (9 of Debbie’s + 5 of Deb’s), 3 collections (all Debbie’s) and 1 novelette (Deb’s) published digitally, plus 3 novels, 2 novellas, and 3 collections released in print. (The print titles were already available digitally, so they didn’t count toward the actual goal, but the print release was a task that needed to be accomplished.)

I also had a goal in place to grow my newsletter lists. I didn’t put a specific number on this goal, but I did record a starting number for each list and I had a plan in place as to how I would accomplish the task: by searching out and taking advantage of promotional opportunities on Kobo, Amazon, and Instafreebie. I’m pleased to say that I accomplished this goal as well – each list more than doubled in 2017.

Where I fell down, rather spectacularly, was in my production goals. I intended to write at least three novels in 2017 and as many short stories as I could squeeze in. Since I’m still working a full-time day job, this goal probably didn’t qualify as SMART – it failed the “realistic” test. Still, I managed to write a short story a month in addition to all the publishing and promoting, so I failed in the right direction.

So what’s in store for 2018? Recognizing that life happens and the day-job must be done, publishing will take a back seat to production this year. I’ll be published in 2018, but it will be in anthologies and magazines rather than under my own imprint … at least, that’s the plan!

How about you? Have you mapped out your intended journey for 2018? I hope your destination will be grand and glorious. I’m sure I won’t end up exactly where I’m planning to go, but I’m positive the journey will be amazing!

Links:

Debbie Mumford’s Newsletter: https://landing.mailerlite.com/webforms/landing/a2q5l8

Deb Logan’s Newsletter: https://landing.mailerlite.com/webforms/landing/s1c9o3

Websites:

http://debbiemumford.com/

http://wdmpublishing.com

https://deblogan.wordpress.com/

 

 

Why I write…

This is my response to post on Mythic Scribes.

The original blogger explained how he would be asked why he bothered to write – it wasn’t his day job, he didn’t make much money from it and it was a lot of effort. It’s a good question.

I get asked similar questions – why do I write? When do I expect to be famous? Wearily I try and explain again. Writing keeps me (fairly) sane, it’s relaxing and because I can’t not write. The stories are there, clamouring to be heard and whether I get them onto paper or the screen that isn’t going to change. I write because I can and I do. It makes me happy, it lets me escape. It lets me create something – and that, as you say, is wonderful. I sell books (not many but I do sell), but I don’t write for the money or I’d have starved long ago.

I’ve always made up stories, worlds and situations. It’s a part of who and what I am. If other people decide to mock it then that’s their problem. I’m not going to stop doing something I love because someone is too foolish or unthinking to think it worthwhile.
I’ve been asked what constitutes ‘success’. I think that’s relative. 6 or so years ago I wrote for myself and a small group of friends, someone convinced me to self-publish and see what happened. I sold a few books, then a few more. It wasn’t the ‘give up the day job’ level but then I never imagined it would be. More importantly whilst I was writing book 1 my mother was suffering from cancer she’d bravely fought for 18 years. It was a long and awful struggle, but she was stoic, courageous and I only heard her complain once. I published book 1 in June 2012 and she died in September of that year. I took a printed copy home to show her, and my disabled father – a man whose world was about to be shattered – and she smiled. Really, really smiled. Mum was pretty much bedbound by then but she got up and went downstairs. She called her mother, my sisters, told the carers, and the neighbours who visited. Despite it all, despite all the pain, and the indignity of her awful illness my book made her happy and proud. That is success.

The comments in the original post disparaging Indie/Self Publishing are interesting. I’ve had that too. Personally, I like self-publishing. It works for me. The deadlines are my own (and thus flexible), I can write what want to write and not what a publisher tells me. OK so all the marketing, editing and cover art is my problem but I know a good editor and several cover artists, plus I am learning some of this aspect.

It’s true there are some shoddy SP books on the market, but there are also some excellent ones. I’ve read plenty of traditionally published books which are crap – badly edited, badly written and should never have seen the light of day! Many self-published authors are extremely meticulous, very talented and dare to write edgier work.

I’d bet that many of the readers who disparage SPAs have read self or indie published work and not realised.

Check out Mythic Scribes.

It’s a very useful resource.

What are your views on this? If you’re a writer – why do you write? If you’re a reader then do you read self-published work.

Guest Post – How to Get Rich in Indie Publishing: Marketing Tips for Authors – Ron Vitale

Today we welcome author Ron Vitalie – who brings with him some awesome tips for indies.

How to Get Rich in Indie Publishing: Marketing Tips for Authors

By Ron Vitale

 Catchy title, right?Unfortunately, only a tiny number of indie authors have cracked the $100,000+ club on Amazon. In his May 2016 report, Data Guy reported that “1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors.”

With millions of ebooks competing for readers’ attention, there is a lot of supply, and demand is hot or cold—depending on your genre. A literary memoir? Probably isn’t going to earn you $100,000. Putting out one military science fiction book every month over the next year, odds are better that you’ll earn money with this strategy (for the short term).

I’ve been an indie author since 2011 and continue to struggle to make a profit off of selling my books. With my full-time day job, I release a book once or twice a year. My strategy has been to slowly build up my backlist and increase my readership over time.

I only know a few people who have struck gold being an indie author and many of them have since left the industry. Fads come and go. But writing good books and learning effective marketing strategies will help you succeed for the life of your author career.

Long gone are the gold rush days of indie publishing. The market has matured and what worked then (free days on KDP select), does not work today. Instead of getting frustrated, you have three options:

  • Adapt and learn new skills
  • Give up
  • Or worse: keep doing the same things and don’t change

 

Write and Keep Writing

The best advice that I can share is for an author to keep writing. This advice is often given, but I don’t know if authors take it to heart. Writing means that: Keep writing books. Devise series, different genres, experiment and allow your creativity to fly free. If the only reason why you’re writing is to make money, well, there are much easier ways to be successful.

Writing novels or short stories is great, but an author also needs to know how to write effective book descriptions, ad copy, email autoresponders and other marketing promotional materials. If you can’t do that, then hire a virtual assistant, learn how to do it or barter with another author.

In my experience, the authors who are doing the best (yes, this is a generalization) are those who are publishing books on a regular basis.

For me, this means that I don’t just write when I feel like it. No. I have a schedule and stick to it no matter what. If I’m sick or something comes up with the kids, I make the time up. To hold myself accountable, I do two things:

1. I tell my family and friends that I’m writing a book.

2. I track all the words I write in a Google sheet.

I used to write when the “muses came to me.” Then I wised up. I don’t go to work at my full-time job when I feel like it. I go because I want to be productive and earn a paycheck to provide for my family.

It took me a long time to understand this and to wrestle with not wanting to put my butt in the chair and do the work. But now I have 8 novels published and 2 more in the works.

 

Writing, like tennis or running, is all about mind over matter. It’s like a mental game.

If you believe you can’t do it, then you’ll fail. But if you work hard, get better, keep plugging away, chances are that you’ll still fail (since few authors earn back the money they put out to make the book), but that’s where marketing comes in.

First step is to write books and to keep on doing that.

 

Be a Unicorn

Now that you have a book ready to share with the world, what do you do?

Write the next book and then the third.

Seriously.

If I could pass anything that I’ve learned to new authors, it would be to think like a marketer.

When I published my first book, Lost (Cinderella’s Secret Witch Diaries), I fantasized that I would release it and I’d be raking in the money. Everyone would love my book. I worked hard, published the book and my dream fell flat. I think I tried to fly without wings and hit the concrete hard. Thankfully, I could still pick myself up, learn from my mistakes and keep writing.

The mistake I made is a classic one: I only had one product to sell. I used my five free days on KDP Select to give my book away and there was nothing else for readers to buy. I didn’t have an email list, I didn’t have autoresponders created, a funnel, an editorial calendar or email strategy that would help promote my brand.

I had none of that.

I only had a desire to write, but no idea how to get there. For the last five years, I’ve read, studied, experimented and watched more training sessions than I can remember. And that learning is never going to end. I need to keep evolving, learning and growing.

I like that because that fits nicely with my personality. I love learning.

 

To succeed, I recommend becoming a unicorn: An author who not only can write good books, but knows how to connect with people and apply that to marketing.

 

Email Equals Love

If you’re looking where to spend your energy, then the choice is simple: Build your email list. I use Mailchimp, love it (though it does get expensive) and I took the time to build out a 6 part autoresponder chain.

Either through Instafreebie or my website, I offer a reader a free book if they sign up on my email list. Once they signup, they receive (over 6 weeks) an email every week on topics related to what my brand is.

My mission (branding statement) is simple:

I believe that, no matter how difficult our childhood, we can use imaginative stories to heal ourselves and lead lives filled with love and hope.

The characters in my books reflect and live that theme. After users receive my emails, I then start sharing my bi-monthly newsletter. Some readers love it and write to me while some unsubscribe. But that’s a good thing because I want to make certain that my list contains people who are into what I stand for and what I write about.

It’s taking much longer than I had expected, but building the list organically is a slow burn.

To start out, ask yourself: What value can you give to readers that will make your emails stand out?

 

Build Trust

How does one actually do that with readers? It’s pretty simple if you stop and think about it.

  1. Ask people what they want.
  2. Provide good and useful content on a regular basis.
  3. Open up to your readers: Be authentic (and sometimes vulnerable)

 

I like to think of things this way: If I meet someone for the first time and they shake my hand and say: “Would you like to buy my book? It’s on sale for $.99.” Well, I’d slowly walk away from that person.

Just because someone gives you their email address doesn’t mean that they want to be spammed by you.

Not only is that type of marketing unsuccessful, but most readers tune that out. Especially in the area of social media, there’s the 90-10 rule:

90% of the time, share content that’s helpful and useful to people. The other 10%, you can promote your own work.

I highly recommend that you sign up to Seth Godin’s email list and read his books if you haven’t already. His marketing style is honest, helpful and is a great model for what works. Every single day I read the short email he sends out. Over time, I’ve come to look forward to his emails because I learn something and find them useful. It’s not just him trying to sell me a book or a class. Yes, he does do that (very infrequently), but he provides not only good content, but writing that causes me to question why I’m doing what I’m doing. He’s upbeat, personable and extremely relatable with his posts.

When I first started my email list, I sent out emails when I remembered. I was scattered, had no editorial plan and no idea what to write about. I’ve come a long way in the last year. I now send an email out every two weeks (I chose this because the majority of my readers picked this option in a survey I had sent to them) and I share updates on my creative process, but have found that the most popular emails are those that relate to my brand—personal stories about my upbringing that I share with readers.

I’ve had people from all over the world respond with their own stories and it allows me to see how interconnected we all are. I’m not alone and neither are those who also went through difficult childhoods. That commonality is a thread that binds us together and by sharing our stories, we own them and can heal rather than being poisoned and trapped by the difficulty we grew up with as kids. That’s a heavy topic to sometimes discuss and share, but it’s also what I believe is needed in today’s world. I was tired of feeling ashamed and decided to talk about my past in a way that was not only healing for myself, but for others. The benefit is that I not only get to connect with people from around the globe, but readers get a glimpse into what my writing style is like and what I write about. It’s honest and true.

 Advertise

I once believed that if I just wrote my heart out that my book would be “discovered” and I’d be selling copies easily. That didn’t happen. Yes, some authors have had success like that, but that’s not happened to me and to thousands like me. The reality is that authors need to juggle multiple hats and not only need to know how to write, but we need to also market our books.

Today we have Amazon (AMS), Facebook, Google, Bookbub and dozens upon dozens of other options out there. Some authors swear that this one technique on this certain platform works. Others say it doesn’t work.

Unfortunately, the only way to know what does (or doesn’t) work for you is to experiment. I’ve not had success with Facebook ads, but know that others have. The possibilities are tremendous because we can target people by demographic, location and interest. You could even send an email to your readers and then retarget them via Facebook, so that they’d see an ad for your book that way as well.

The big question is: How much are you willing to invest in marketing?

And when I say invest, I don’t refer just to money, but also to time. If you have unlimited funds, then you can hire a virtual assistant to run this all for you. And if you have that type of money, you probably aren’t in need of this article.

The biggest benefit is that authors can (and do) help each other. Email swaps, webinars, blog posts with actual sales numbers, there’s more information out there than there is time. I find that to be my biggest challenge. As I learned back in 2015, I can’t work full-time, raise two kids with my wife, be an author popping out books every few months and learn everything I need to know about marketing. I tried that and nearly imploded. I failed because I tried to take too much on. I need sleep, mental rest, time to have fun with my family and friends, and room to breathe. I can’t have every second of every day scheduled for work. That type of commitment nearly broke me and wasn’t healthy for me or my family.

It’s the dark side to being an indie author that many don’t talk about. We read and see all the success stories, but what about the failures? That’s where I come in. I share what I’ve been through because I think it’s important to give a true rundown of what I’ve experienced (and what many others are experiencing as well).

In my book, How to Become a Successful Author While Working Full-time: The Secret to Work-Life Balance, I go into detail about my personal experiences from the last six years of trying to figure out how to be an author in today’s vastly changed publishing landscape. I share it all—the highs and the lows.

Even if you have had success, maintaining that over years and decades will be hard. The challenge is being flexible and continuing to learn.

In 2017, without a sound marketing strategy, I think it’s extremely rare that a new indie author will find financial success. For me personally, I had some success in the early years, but as I’ve needed to grow my business, I’ve had to spend more on services to keep my business running.

Now I need to pay for website hosting, editing, covers, Mailchimp, advertising, and a bunch of other fees. I track how much I spend and how much I earn and there’s no shame in my sharing that I’m struggling. It’s the truth because I’m making choices to invest in my business and those expenses need to be spent or I cannot grow to where I want to be. I’m investing in my future because I see great potential in the long term.

Summing Up

No matter if you’re extremely successful as an indie author or just starting out, all of us will need to adapt and change. Maybe Amazon will change KNEP again or another service will rise up while others go extinct (I see your days numbered, Nook). We have virtual reality, augmented reality and who know what other “reality” is coming down the pike. Change will continue to happen and disrupters (like the Amazons of the world) will continue to affect the publishing industry.

The challenge for us as authors is to hold two incongruent ideas in our mind at the same time: We need to be as creative and inspiring as we can with our fiction but also need to understand marketing and its implementation in the real world.

Sometimes those two ideas will war with each other. I personally don’t believe that we only write to market. Someone will need to take a risk and try something different. Remember Harry Potter? The Twilight Series? Fifty Shades of Gray? Times and tastes change and I don’t always want to be following the herd. I need to write what moves me and inspired me to be an author from the start. The honesty that I write about in my books is what enables me to get up at 5:30 a.m. to write. Sometimes my main characters make mistakes, just like me. I like displaying the truth and complexities of my characters’ lives. But everything can’t just be about creation. I also need to take my author career and treat it like a business. I need to show up, write regularly, publish books and market them well. Having the tension between creativity and selling can be a challenge sometimes, but I choose to see it as a healthy struggle. I hope you do as well. Have questions? Feel free to contact me.

Bio:

RVitaie-bio-photo

Ron Vitale is a fantasy, science fiction and nonfiction author. He’s written the Cinderella’s Secret Witch Diaries series, the Witch’s Coven series, book one in the Jovian Gate Chronicles, and the Werewhale Saga. His first nonfiction book, How to Be a Successful Author While Working Full-Time: The Secret to Work/Life Balance is also now available. When not writing, Ron loves spending time with his kids even when they beat him in the fun card game Kittens in a Blender.