Welcome to Jo Elizabeth Pinto
I was born in Chicago in 1971 and grew up in Brighton, Colorado. I was part of the first generation of disabled students who integrated the public schools in the late 1970’s. In 1992, I graduated from the University of Northern Colorado at Greeley with a degree in Human Services. While helping disabled students learn how to use adaptive computer technology, I earned a second degree in 2004 from the Metropolitan State College of Denver in Nonprofit Organization Management. Blind since birth, I am currently self-employed as a braille textbook proofreader.
As an author, I know the importance of entertaining my readers while also giving them food for thought. Whether I write fiction, nonfiction, or poetry, I draw inspiration from my own experiences with the ultimate intention of showing my audience that hope is always just an action away.
I live in Colorado with my husband and my daughter, my yellow Labrador guide dog Anlyn, two cats named Sam-I-Am and Andy, and a parakeet called Rocket. In my free time, I enjoy baking, growing flowers, and listening to music.
I’m an author, as I’ve wanted to be since I first figured out as a little girl that words could be written down in books and enjoyed over and over again. But I’m also a freelance braille proofreader, mostly for clients across the country who produce textbooks that will be used by blind children in kindergarten through high school, and a few random college students and library patrons now and then. I’m a wife and mother, a daughter, a friend.
What that means in practical terms is, I write in bits and pieces. Sometimes I get up and write in the dead of night when the house is quiet. Sometimes I write for ten minutes while the spaghetti bubbles on the stove and my daughter works out a long division problem at the kitchen table. Sometimes I shove work aside, switch off my conscience, and write for an entire morning with undone dishes piled up in the sink because I’ll explode if the characters don’t get themselves out of my head and into the world.
My writing space is a beat-up old computer desk in the corner of my dining room. When my daughter was little, she plastered the lower drawers and cupboards of the desk with colorful stickers. The upper cabinets are hung with bead necklaces, old track meet ribbons, and other childhood trinkets. When I lived alone, I was organized to a fault. But having a family has taken care of that problem. My desk is always cluttered, often with random items that, for the most part, don’t even belong to me.
My computer is fitted with text-to-speech (screen-reading) software that repeats the words I type and allows me to listen to emails and navigate the Internet. Using that software, I’ve written and self-published two books. The first, “The Bright Side of Darkness,” is a novel about a group of kids from the projects and how their lives change because of mentoring. The second, released this last July, is a nonfiction book about my adventures as the blind mom of a sighted daughter.
My daughter is delighted to have been featured in a book, but she isn’t quite old enough to understand the point the stories about the two of us are trying to make. Her dad is a staunch supporter of my writing. He owns a watch and clock repair shop, and I’ve sold many books locally out of his store.
Working from home, writing and running a business, raising a child—it can all be overwhelming at times. The lifestyle works for me, especially because I found a sustainable way to make money as a freelance proofreader and be home when my daughter is. I would recommend my chosen crafts, with a caveat or two. First, a person has to be a self-starter. When you take up writing or work from home, there won’t be anyone standing over your shoulder, nagging you to improve. There will be a million things waiting to take up your time, and writing takes hours, weeks, and years of practice. Those who persist, prevail. And second, join a group of like-minded people—real live people are best, but online is okay if necessary. Writers need other writers to support them, challenge them, and keep them writing.
Please check out my author Website, where you can find many relevant links:
“The Bright Side of Darkness” is my award-winning novel, Available in Kindle, audio, and paperback formats.
The paperback version of my novel is available at Barnes & Noble here:
Please see my author page on Facebook here:
Please see my author blog, “Looking on the Bright Side,” on Goodreads here:
Please see my Bookbub profile here:
To read guest posts about parenting in the dark, please click here:
To read guest posts on a variety of topics, please click here:
Might Have Been – Tales and Retales
only 5.99 for all 17 stories!
From retellings of classic fairy tales to legends and lore told around the hearth, this collection presents stories of wonder and fantasy—some straight up and others with a twist.
Children’s tales from Serbia and Russia feature water spirits and household sprites, knight princes and giants, whirlwinds and the Golden Horde.
An unusual visit to Wonderland follows Alice as she encounters the Mad Hatter, the Cheshire Cat, and Humpty Dumpty under horror’s shadow. The secrets of a most infamous castle, Burg Frankenstein, deliver up ghosts.
While a trio of sexy gender-swap tales yield Snow White, Red Riding Hood, Beauty and the Beast with spice.
Romeo and Juliet—and vampires, the Three Little Pigs as you’ve never seen them, Cinderella embracing witchcraft…these are the Might Have Been, folklore, granny tales, and fairy tales turned upside down or glimpsed darkly in the mirror.
*Not all stories suitable for kids.
- Fairy Tale Fatesby Leah Cutter
- The Charming Trilogy Vol. 1 by Kristine Grayson
- The Legends of Castle Frankenstein by DeAnna Knippling
- Snow Truer Loveby AJ Tipton
- Brick Houses (Uncollected Anthology: Fairy Tales) by Annie Reed
- The Return of Alice by Robert Jeschonek
- Into the Forest Shadows by J.A. Marlow
- Handsome and the Beast by AJ Tipton
- THE RUSSIAN STORY BOOK – 12 Illustrated Children’s Stories from Mother Russia by Richard Wilson
- Tales of Old Giralliyaby J.M. Ney-Grimm
- R+J Sucks, vol 1 by Ann Hunter
- Hunting Red by AJ Tipton
- Lost: Cinderella’s Secret Witch Diaries (Book 1)by Ron Vitale
- Return to Wonderland by Tanya Lisle
- Fairy Tales Revisited on Silvery Earthby Barbara G.Tarn
- Redd’s Hoodie by Karen C. Klein
- HERO TALES AND LEGENDS OF THE SERBIANS – over 80 Serbian tales and legends by Woislav M. Petrovitch
Dark Tales and Twisted Verses
A Fire-Side Tales Collection
Available in e-book, coming soon in print.
Dark tales of ghosts of war, blood from the Autumn of Terror, the wrath of nature, an unusual murder and a cynical vampire. Twisted poetry of loss and mayhem.
Some adult themes and language.
The Secret of Blossom Rise – A Ghost Story
The Watcher – A Tale of Jack the Ripper
The Last Forest – A Tale of the Wrath of Nature
The Last Dance – An Autumnal Flash Fiction
The Sleeper – A Yoyo Murder
So Many Nights, So Many Sins – A Vampire’s Tale
We Must Remember
Giving It All
End of Days
The Glass-Eyed Monster
Author name: L. L. Thomsen
*Please tell us about your publications.
I write character-led high medieval fantasy with a good slash of epic. I am working on a series titled, The Missing Shield – originally one large book that has been split into 11 episodes in order to make the workload more manageable. The 8th book (titled: All in a Day’s Work) is out now, and I am currently working on book 9. What you get in my books is lots of flawed characters that you may not feel quite sure about in the beginning. There’s magic, mystery, darkness, crime, plots, romance, backstabbing, manoeuvring, different races, and an end-of-the-world kinda deadline & quest. I enjoy painting an immersive picture of the world I write about, so expect lots of depth and world-building. I try not to hold back and I try to write as close to real life as I can get. I also wanted to write something a little different from the mainstream so the story has quite the lyrical slant, but it is written with an adult/mature market in mind. This is not YA.
What first prompted you to publish your work? To begin with I wasn’t really sure that I would publish. I started writing my high fantasy book as I somehow got inspired – but it was always just something I considered a pastime whilst the kids were babies and I was at home anyway. Then I realised that I was getting more and more passionate about the job and I felt that I ought to publish at the end of the day because I wanted to share my work with an audience and I wanted to award myself by proving that I could complete the process.
What have you found the most challenging part of the process? Going it alone. Everything was a learning curve. Particularly when it came to figuring out the Amazon instructions and uploading my manuscript. Formatting is not as straight forward as I always imagined it to be. Furthermore, once you’re on the other side, and have successfully published your book, I cannot believe how difficult it is to get anyone to even look your way. I guess I never really got the ‘build yourself a social media following’ – I’m a little too private and old school.
What piece of advice do you wish you’d had when you started your publishing journey? Be tenacious! I knew it would not be easy, but I gave up on finding myself an agent way too soon and in return, it left me literally on my own with the whole load. Don’t get me wrong, there’s a freedom in being your own boss and maybe that’s partly why I went my own way so soon, but having said that, I think there’s lots to be said for getting yourself aligned with someone who’s on your side, has your best interest at heart and who knows the business: where to go, how to do it, and when.
If you could have dinner with any literary character who would you choose, and what would you eat. I’d love to treat my character Solancei to a meal – she’s in for a bumpy ride and I think she deserves some TLC. I’d also love to quiz her about everything that happens and the world she lives in. I know a lot (wink – of course) but there are always secrets! I think we’d have pizza and wine, and I’d try and stop her from killing me for writing her such a hard, complicated destiny.
Sort these into order of importance:
For me there is no question of ranking these in order. They are each an integral part of the book you write and I feel that the author should pay equal attention to each. Since I write fantasy – and epic at that – I’m very much for world building because that’s a must for the genre, but that in itself is nothing if it’s not backed by the other three. What’s a good plot with flat/un-inspiring characters and vice versa? A technically perfect book is what we all strive for (as in a professional end-product) but I do believe that the interpretation of ‘perfection’ may vary depending on who you ask. Also, it may be technically perfect, but what good is that if the readers cannot engage with the story or the characters. It’s the snake that bites its own tail. It must come full circle.
How much research do you do for your work? What’s the wildest subject you’ve looked at? I research as and when. It may be just a small thing like the components of a saddle or the belief system of various ethnic groups. I try and keep it factually correct even though I write fantasy – this means that even if the herb is made up, I’ll still look up how to brew tinctures for headaches, for example – or I might watch a YouTube video on sword fights. The most extreme I’ve looked up will probably be stuff to do with injuries and the effects of various weapons/conditions.
How influential is storytelling to our culture? I think it’s hugely influential but maybe not through the original media anymore. I do feel that we love a good tale, whether it be a story is reported in the papers, or how TV channels adapt historical events to create entertainment. We are always looking for something to catch and hold our interest – particularly after the rise of social media – and stories speak to us. They help us feel part of society and may sometimes even give us a sense of belonging too.
What’s the best advice you’ve received about writing/publishing? Keep at it. Keep growing and developing.
What’s the worst piece best advice you’ve received about writing/publishing? Don’t write your story like that – write it like this.
If you could be any fantasy/mythical or legendary person/creature what would you be and why? Maybe a phoenix. I like the idea that you can rise from the ashes and be reborn. That you can try again.
Tell us about your latest piece? Around 6 weeks ago I released my 8th book in The Missing Shield series. It carries on from number 7, where one of my main characters – the rather naive and slightly annoying Princess Iambre – has decided to try and locate her missing friend and bodyguard despite her security chief and beau having told her that she must take heed and leave it to them. In book 8 she finds herself alone and lost after a string of unfortunate events almost killed her and worse – but as luck would have it, she finds the very place she’d been looking for. She wants to attend a clandestine meeting that might shed light upon her missing friend and now follows a series on incidents that has the Princess quaking in her boots. Nevertheless she is reunited with certain other characters only to learn some devastating news. However, before she can process this, she and her group are betrayed and they must flee or fall into the very hands of the enemy they are investigating and fear.
Are indie/self-published authors viewed with scepticism or wariness by readers? Why is this?
I’ve found that indies are very much considered ‘the second-hand citizen’ of the author world. It’s unfair but I guess that the indie route has given rise to many poorly executed books – and unfortunately people remember the bad ones far longer than the good ones. I’ve talked to readers who do not consider indie books ‘real’ works of writing. Fortunately, there are also those who have delved into the fray and have found gold, so swings and roundabouts. The common reason that readers list for not wanting indie works are: poorly formatted, bad grammar, no edits or badly edited, homemade, cheap covers, poor storylines, rip off storylines, over-priced, they should be free…
I think it worth mentioning that it’s not always because the indie books are not worthy that they have not been traditionally published. Agents are very fickle with what they are looking for (and rightly so). In 9:10 times you need an agent to approach a publishing house, so it does mean that some decent manuscripts may be overlooked because the agent may feel that they are in the market for ‘something else’. It cannot be helped, but readers rarely see that side of the industry.
Armed with a love of fantasy, a slightly geeky mindset, and an unleashed wild muse, L. L. began the new journey into writing relatively late in life but was inspired by her long-repressed urges to write ‘something’ – and once she began, she never looked back.
“I regret I took so long to find my ‘calling’. The truth is that when you have an idea it just has to be set free,” she says, adding, “My somewhat unorthodox approach to style and flow has been a way for me to test my personal, individual voice. It’s a fluid thing, however. In the future, it might alter to match the shape of new projects.”
Linda currently lives in the UK, Nottinghamshire, with her husband, two kids, a cats and one dog. As with her writing, she approaches life with a nod to the saying: ‘fear nothing, respect everything’. She enjoys horse riding, sci-fi movies, travelling, reading fantasy (but not exclusively), Pilates, and has a strange fascination with swords.
Her first published fantasy novel, ‘A Change of Rules’, kick-starts the 11 ‘episodes’ of The Missing Shield – a new adult high fantasy series, with a touch of mystery, intrigue, romance and darkness. ‘The Missing Shield’ is the forerunner to ‘The Veil Keepers Quest’ series.
Calling all readers! Fill your library with N. N. Light’s Book Heaven Snuggle Up With These Books Readathon picks. 56 books from multiple genres featured plus a chance to win one of the following:
Enter to win a $50 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $50 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $25 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $15 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $10 Amazon (US) or Barnes and Noble Gift Card
I’m thrilled to be a part of this event. My book, The Shining Citadel, will be featured on 14th November. I even talk about what I’m thankful for this year. You won’t want to miss it.
Bookmark this bookish party and tell your friends:
Brothels and Prostitutes by Jane Fenwick @jane_fenwick60 #neverthetwain #historicalcrimenovels #romance #victorianwhitby
Brothels and prostitution feature in the opening of my new book Never the Twain. Men have used prostitutes since time began. There is even one mentioned in that very famous book The Bible!
Prostitution has always been a way for women to support themselves when all other means of earning a living have been exhausted. Very few women would have chosen this path had another option been open to them. In Never the Twain identical twins April and May find themselves in the unenviable predicament of being sold into prostitution.
Never the Twain is set in 1890 a time when it is easy to forget that women had very few rights. Women were considered chattel and on marriage were passed from their father’s care to that of their husband. Women like April and May, the protagonists in Never the Twain, had no male protectors and so had to make their own way in the world. April and May, through no fault of their own, are sold into prostitution so their actress mother can be rid of them. The acting profession in Victorian times was regarded as only a step away from prostitution and so it is easy to see why the twins’ mother would place them in the care of a Madam.
Educated women were still rare and middle class educated women rarer still. Had they been impoverished vicars’ daughters they would have found it relatively easy to get positions as governesses or companions. However, without a letter of reference they would have struggled to gain respectable employment. The twins could have taken work in domestic service or shop work but April and May would have found such work low paid and demeaning. Without means or protection their options would have been limited and falling into the poverty trap was a risk to avoid at all costs; once you lost the roof over your head there was no social security to fall back on. Once their “mother” died April and May were very much on their own.
Each twin had a different solution to their dilemma but ultimately the solution they agreed upon led to dire consequences. April knew that although they were educated it would be difficult to find respectable positions though she was willing to try. However, she allowed her twin to convince her to enter the brothel as a way of buying time – they were assured they would be untouched until their eighteenth birthday. It was a decision they would both come to regret.
Every port and harbour had their fair share of prostitutes. In seafaring towns prostitution was especially rife. Men who had been at sea for months had needs and a range of options were available for them to choose from when they were back ashore depending on their tastes and budget. From tuppeny streetwalkers to those who worked the inns, taverns and bawdy houses. And then there were the higher class brothels such as the one in Never the Twain, Mrs Jansen’s establishment where the higher ranks of the seafaring community, as well as the local gentry, were catered for.
In Victorian times gentlemen of rank often married for reasons other than love. The aristocracy, and increasingly the newly emerging merchant classes, often married to improve their finances and position in society. They married to join two influential families together or to gain the dowry of an heiress. Couples often married to unite two prominent families where one provided a title and the other party supplied the money. These misalliances often resulted in some gentlemen seeking their pleasures elsewhere especially once their wives had produced an “heir and a spare”.
For some, using “high class” brothels as opposed to regular bawdy houses offered ‘respectability’ as the brothels were often well-appointed almost like a gentlemen’s club. The girls were also thought to be cleaner and accomplished in the art of seduction. However, I found from my research, that some gentlemen liked “a bit of rough” too on occasions and would purposely seek out women of the lower orders as something different, a thrill!
The Victorian period saw the rise of a new class; the middle or mercantile class. “New Money” was made from newly emerging industries and manufacturing. The industrial revolution made enterprising men rich. My male protagonists Edward and Alistair Driscoll would have been part of this growth of the Nouveau Riche. Their fortunes had been made in the past from the slave trade and from importing tobacco from the New World – in this instance from Virginia. Now they were dealing in imports and exports and were adding to their fortunes.
Mrs Jansen boasted that her whores were “free from disease” and “practised in the arts of seduction”, something most men of position would appreciate. Men like Captain Edward Driscoll – being from new money – would have been the mainstay of Velda Jansen’s provincial brothel. In a port such as Whitby where a whore could be bought cheaply by any passing sailor, Mrs Jansen’s brothel would have been the epitome of class – if you weren’t from London that is. Anything which could attract her more wealthy clients would have been a boon for the avaricious Madam. So when beautiful, identical twin virgins were offered to her she saw the guinea signs flash before her eyes. She knew a marketable commodity when she saw it and here were two beauties ready for the plucking.
Sometimes prostitutes are portrayed as being happy with their lot or “the tart with a heart” but the reality was seldom so straightforward or agreeable. The girls were effectively slaves and the Madams ruthless. You can probably guess what would happen to one of Mrs Jansen’s “clean girls” if she became infected by a punter or when she lost her looks. Her only choice would be to walk the streets for business. As a result her life span would be considerably shortened. A girl would put up with a lot to keep herself from plying her trade in the dangerous ginnels and inns of Whitby so whatever the punter wanted the punter invariably got. The Madams would turn a blind eye to most things, even if this meant the girls were brutalised. So long as the gentleman did not spoil a girl’s face – the Madams would not be pleased if one of their precious girls were to be disfigured. Very occasionally a girl would get “lucky” and a punter would pay for her sole use or set her up in her own establishment as his mistress. Rarer still was the gentleman who married a whore.
In Never the Twain I wanted to show how devastating it would be for two relatively well brought up, educated young girls like April and May to find themselves in this frightening and dangerous situation. The twins, had they been ‘launched’, would have been sold to the highest bidder and thereafter used and abused day and night until their beauty faded. Such an end for the girls who were only valued for their beauty and bodies would have been shameful. In Never the Twain we see April and May struggle to survive the brothel but their lives soon become marred by jealousy and greed, betrayal and murder.
Never the Twain: A twin tale of jealousy and betrayal, love and murder.
The year is 1890. The port of Whitby is heaving with sailors and where there are sailors there are brothels doing a roaring trade. Beautiful identical twins April and May are in desperate straits. They have been abandoned by their actress mother and are about to have their virginity auctioned off to the highest bidder by a notorious brothel madam.
Their fate is hanging in the balance when Captain Edward Driscoll a handsome, wealthy shipping tycoon from Glasgow saves them before they can be deflowered.
But have they exchanged one form of slavery for another?
April, reluctantly swept up in her twin’s secrets and lies unwittingly becomes embroiled in a murderous conspiracy. Is May’s jealousy stronger than the twin bond which has always connected them?
Never the Twain: A dark blend of Gothic romance and murder.
Jane Fenwick lives in the market town of Settle in Yorkshire, England. She studied education at Sheffield University gaining a B.Ed (Hons) in 1989 and going on to teach primary age range children. Jane decided to try her hand at penning a novel rather than writing school reports as she has always been an avid reader, especially enjoying historical and crime fiction. She decided to combine her love of both genres to write her first historical crime novel Never the Twain. Jane has always been a lover of antiques, particularly art nouveau and art deco ceramics and turned this hobby into a business opening an antiques and collectables shop in Settle. However her time as a dealer was short lived; she spent far too much time in the sale rooms buying items that ended up in her home rather than the shop! Animal welfare is a cause close to Jane’s heart and she has been vegetarian since the age of fourteen. For the last twenty years she has been trustee of an animal charity which rescues and rehomes cats, dogs and all manner of creatures looking for a forever home. Of course several of these have been “adopted” by Jane!
Jane has always loved the sea and although she lives in the Yorkshire Dales she is particularly drawn to the North East coast of Yorkshire and Northumberland. This coastline is where she gets her inspiration for the historical crime and romance novels she writes. She can imagine how the North East ports would have looked long ago with a forest of tall masted ships crammed together in the harbours, the bustling streets congested with sailors, whalers, chandlers and sail makers. These imaginings provide the backdrop and inspire her to create the central characters and themes of her novels. As she has always loved history she finds the research particularly satisfying.
When she isn’t walking on Sandsend beach with her dog Scout, a Patterdale “Terrorist” she is to be found in her favourite coffee shop gazing out to sea and dreaming up her next plot. Jane is currently writing a historical saga series again set on the North East coast beginning in 1765. The first two books are being edited at the moment; My Constant Lady and The Turning Tides. Look out for My Constant Lady in 2020.
Out Now—Stateless (Stateless Series, Book 1) by Meli Raine (@meliraineauthor) #romanticsuspense #romance #suspense #newrelease
Release date: October 15, 2019
Genre: Romantic Suspense
When you’re born without a trace, no one knows you’re a weapon.
I lie for her.
I hunt for her.
I kill for her.
And above all, I betray my mission for her.
She doesn’t know why. She doesn’t care why.
Treason comes in many forms.
Love is one of them.
Our training taught me to be a sociopath. A machine. A pawn. Nothing more than a tool for a larger goal, without attachments or feelings.
Our teachers forgot one important detail:
Pawns shouldn’t have hearts.
Yet we do.
It turns out our emotions are our greatest weapon.
And I know exactly where mine are aimed.
The Stateless Series also includes:
Traceless (releasing 11.19.19)
Fateless (release date TBA)
Amazon (everywhere): https://geni.us/statelessAMZ
Apple Books: https://geni.us/statelessApple
Google Play: https://geni.us/statelessgoogle
Audiobook narrated by Joe Arden and Andi Arndt!
Audible (preorder now!): https://geni.us/statelessAudible
Amazon audio (preorder now!): https://geni.us/statelessAMZaud
Excerpts & Teasers (PLEASE CHOOSE ONLY ONE TO USE WITH YOUR POST)
I do not sleep.
Kina does, though, and that matters more.
Sleep is a luxury when we are in Woods. She knows it. I know I should catch an hour or two, especially with my five-night punishment and determination to go for six, but I can’t.
What did I just say?
What did I just do?
Kina has the dreams. I have the dreams. I’ve never told anyone else anything that wasn’t one hundred percent part of The Mission.
To confess emotion, to confess my own dreams that do not fit The Mission, could be punished by death.
Or worse. What if I really am so weak? Emotion is shameful. It’s disgusting.
We fail every time we feel.
She knows this. I know this.
And yet we both spoke. Shared.
What does this mean?
With her sleeping beside me, I let my mind wander, giving in to the luxury of imagination. For years, the dream has been the same.
A burning wood fire.
A screaming boy.
A woman with long hair being shot.
A man with a shaved head and blue eyes like mine beaten by another man with a log.
And me with my bow and arrow. My hands are tiny, the skin around the knuckles dimpled. I’ve worked with the four-year-olds here at the compound. I know what young hands look like.
Why would I dream like that?
Meli Raine writes romantic suspense with hot bikers, intense undercover DEA agents, bad boys turned good, and Special Ops heroes — and the women who love them. Meli rode her first motorcycle when she was five years old, but she played in the ocean long before that. She lives in New England with her family.
Social Media Links:
Reviews and Endorsements for Meli Raine Books:
“The first book in the False trilogy is a psychological thriller worthy of Hitchcock, keeping you guessing until the very end.” — Apple Books Editors
“…intrigue and dark humor on display in this thriller…”
While the immediate—and more compelling—tension in Raine’s (A Shameless Little Bet, 2018, etc.) heart-pumping series opener comes from Lily’s constant proximity to her would-be killer, the action takes place against a backdrop of secret government scandals. The “screwed-up D.C.-insider scandal,” as it is clumsily summarized early on, is pleasingly twisty…
Fortunately, Lily’s voice is captivating, wry, and tough enough to sell this thriller. The novel ends with a cliffhanger that startles, if only because readers will have become so attached to Lily.
— Kirkus Reviews
“Fresh, riveting, and thrumming with emotion and romantic suspense, False Memory is absolutely unputdownable. You need this book!” – New York Times bestselling author Meghan March
“I accidentally lost a day to this trilogy! It is unputdownable. Apparently I’m on a dark-and-twisty binge, and this book is addictive.” – USA Today bestselling author Sarina Bowen (review for Harmless series)
Release blitz organized by Writer Marketing Services.
Interview with Queenie Black. @queenieblackwr1 #authorinterveiw #amreading #eroticromance
Name: Queenie Black
What attracts you to the genre in which you write?
I’m fascinated by love in all its variations and I particularly love the power play behind the D/s dynamic. I’m intrigued by submission and how something that seems to be a weakness is, in reality, strength, and also the degree of trust and caring required to make such a relationship work. Writing about these sorts of situations is a way of exploring many different scenarios – more than I could live in a lifetime.
What piece of writing advice do you wish you’d known when you started your writing adventures?
Hmmm, interesting question. There are two I can pinpoint. One is write everyday. Make it a discipline and don’t wait for inspiration. The other is to be true to the story and don’t try shaping it for a ‘market’ or a publisher.
If you could have dinner with any famous person or character who would you choose?
The Greek Goddess Athena who gave her name to the Greek city of Athens. She was awesome. First-off her symbol is an owl, right? Who can resist owls? Her second symbol was the olive tree – long-lived, useful and beautiful trees that symbolise peace. Finally, she was kick-ass strong but clever with it, independent and known as the goddess of wisdom, warfare and handicraft-three things every woman should be proficient in. I reckon if we could get past the language barrier we’d hit it off and I’d learn a lot!
Who has been the greatest influence on your own work?
There are three women who have helped me get to this point in my writing. My auntie, who tried to write a Mills and Boon when I was about nine. I remember her talking about it and showing my mum these pages and pages of blue pen. This made me realise that it would be possible for me to write a book. My mum who never scoffed at my auntie or at my efforts throughout my childhood and was always supportive. Finally Jane Holland, an author who writes many different genres under many different names – Beth Good, Elizabeth Moss, Jane Holland, Victoria Lamb. Her writing discipline, output and dedication made me realise that being a writer is 80% hard work, 10% talent and 10% inspiration with a salting of luck.
Do you think the e-book revolution will do away with print?
Never. Print books may become more of a luxury and we may see books going back to being works of art or they may be printed on recycled or bamboo paper and become more tree-friendly and disposable, but there will always be print books.
Which 3 books would you take to a desert island and why?
Only three? Eeek.
Well then let’s see…in no particular order, it would have to be:
- Agnes and the Hitman by Crusie and Mayer, for sheer hilarity and uniqueness (the heroine has anger management problems). Think an old house, mafia, a wedding, hitmen, a dog with a jewelled collar, a flamingo, and murder with a barbecue fork.
- Julie Anne Long’s What I Did for a Duke, also for hilarity, sharpness of dialogue, a May September romance that is totally awesome and for twisting tropes,
- Finally…..drum roll……Cherise Sinclair’s Edge of the Enforcer. Let me just say, feisty heroine, sexy, sexy, did I say sexy? hero, insurmountable odds, a kink club and BDSM. ‘nuff said.
Author bio and book synopsis
Please introduce yourself (250 words or so):
I’ve always loved writing and I won my first prize for a short story when I was still at primary school. I’m an avid reader of romance and erotic romance and if I’m not writing I can usually be found with my nose in a book. The dynamics and sheer variety of human relationships fascinate me, and this is what I like to explore in my writing. I live in North Yorkshire with my husband, cat and five hens and I enjoy running and Tai Chi. I’m currently working on a sequel to Hard Pressed (watch this space) and on a romantic suspense novel.
Tell us about your book(s) – title, genre etc (short)
My latest release, Hard Pressed is out now.
Master Lucien has one night at Club Hard.
One night…to show bodyguard Rose Dainty that he can be the Dom she needs,
One night…to show her that submitting to him doesn’t make her weak, that true submission requires strength and trust.
Will pushing Rose to her limits prove to her she can trust him with her body and heart, and can she let go of her deepest fears long enough to enjoy her surrender? `
They both have everything to prove and everything to lose.
Amazon USA: https://amzn.to/2lXpCSP
Amazon UK: https://amzn.to/2kswibm
Social media :
Facebook page: https://www.facebook.com/queenieblackauthor/