Originally posted on Shannon A Thompson: Most writers aren’t able to write full time. That means we tend to work full time and write full time. Between writing, querying, editing, and marketing, our schedules can quickly feel crushing, especially if you’re working toward a very specific goal, such as a revision deadline. Taking breaks can…
This is not your run of the mill true crime book, it’s a good deal more – with scientific analysis of the poisonous elements and interesting chapters on other uses. Each element only has one or two murder cases discussed in detail, and the rest comprises of more scientific information, such as a particular element’s place in the natural world, whether we need it to survive and medical or industrial uses. There are cases discussed dealing with accidental imbibing, including historical hypotheses (such as Napeoleon’s arsenic-laced wallpaper, Roman emperors and lead poisoning, and unsolved cases where poisons may have been involved. Some of these deaths turned the course of history (such as the mental illness and infertility of many of the Roman leaders, the madness of King George III, and the death of Bonaparte.
It’s interesting to trace the history of such elements, some of which were (or are) used in a medical capacity. One such example is Fowlers Solution – a medicinal tonic and treat-all which was arsenic-based; overdoses were a reality and adding a little extra to the mix was not unheard of. This concoction was responsible for more than one end – a helping hand was given or self-inflicted. James Maybrick (who was at one point considered a candidate for Jack the Ripper), was poisoned with arsenic. He was, by many accounts a self-dosing hypochondriac and was using Fowlers Solution, amongst other ‘medicenes’. His wife, Florence, was tried for his murder (after distilling arsenic from flypapers – also a Victorian practice to produce a face wash). Florence had an affair (or a couple) and was mostly tried on this behaviour, proving the hypocrisy of the time as James had a mistress and five illegitimate kids. Did she do it? The jury thought so but many advocates of her cause say she was innocent and the poison was taken by James himself, or planted by family members who didn’t like her. My point is – there were legitimate uses for poisons in the right quantities.
The rising technology and scientific method in the 19th century led to arsenic, antimony and other poisons being more easily traceable. Many of the symptoms of the poisoning would resemble other illness, particularly gastrointestinal disorders, dysentery etc. at a time when food hygiene and personal hygiene were rather lacking.
See links for Marsh Test
Mercury based medicine came to be used in the treatment of syphilis, but mercury and mercury vapour are toxic. In many cases the mercury would kill the patient if the syphilis didn’t. Mercury was often seen as a wonder element; it was even thought to prolong life in China and Tibet, and the ancient Egyptians used balms and tonics made from mercury compounds, and the Romans used mercury cosmetics.
This unusual element was at one time thought to be First Matter, from which all other metals derived, and alchemists used it (and were poisoned by it) in the search for transmutation.
Its unusual properties gave an almost mythic status but this dangerous metal caused all sorts of unpleasantness. Mercury usages in industry include use in batteries, dentistry, paper and paint manufacturing, and gold and silver mining. Artists used vermillion paint, which is made from cinnabar (a mercury compound) and it’s thought many of Van Gogh’s mental health illnesses could be linked to mercury poisoning from his paints.
The wiki page for mercury poisoning states: ‘ Common symptoms of mercury poisoning include peripheral neuropathy, presenting as paresthesia or itching, burning, pain, or even a sensation that resembles small insects crawling on or under the skin (formication); skin discoloration (pink cheeks, fingertips and toes); swelling; and desquamation (shedding or peeling of skin).
Mercury irreversibly inhibits selenium-dependent enzymes (see below) and may also inactivate S-adenosyl-methionine, which is necessary for catecholamine catabolism by catechol-O-methyl transferase. Due to the body’s inability to degrade catecholamines (e.g. epinephrine), a person suffering from mercury poisoning may experience profuse sweating, tachycardia (persistently faster-than-normal heart beat), increased salivation, and hypertension (high blood pressure).
Affected children may show red cheeks, nose and lips, loss of hair, teeth, and nails, transient rashes, hypotonia (muscle weakness), and increased sensitivity to light. Other symptoms may include kidney dysfunction (e.g. Fanconi syndrome) or neuropsychiatric symptoms such as emotional lability, memory impairment, or insomnia.
Thallium was used in medicine as a ringworm treatment – one of the effects is hair loss so a patient would be given thallium so any ringworm or other parasites could be treated. It was the standard use for hair removal for 50 years. Thallium is used to make lenses, in smelting, and insecticides. There have been ancient and modern cases of it being used for evil. For me the most interesting case example was the Graham Young case, as the man in question came from a town not far from where I grew up (Bovingdon). I’m familiar with the case from previous books but this account was detailed and complimented the scientific accounts of this metallic poison.
The great Agatha Christie used thallium as the murder element in her story The Pale Horse – where she describes the effects of this poison, which was little known at the time. http://www.independent.co.uk/news/science/the-poison-prescribed-by-agatha-christie-thanks-to-the-mystery-writer-the-deadly-properties-of-1534450.html
Overall as a book on poisons and murder this is certainly one of the better offerings. The author clearly has done a good deal of research, and chosen suitable but not always common cases to review. The scientific side of the poisons is rarely put forward in such books. Perhaps not a book for the casual reader, as some knowledge of chemistry would be a help.
Recommended for true-crime buffs, historians, and those who enjoy the science of crime.
Today we welcome author Ron Vitalie – who brings with him some awesome tips for indies.
How to Get Rich in Indie Publishing: Marketing Tips for Authors
By Ron Vitale
Catchy title, right?Unfortunately, only a tiny number of indie authors have cracked the $100,000+ club on Amazon. In his May 2016 report, Data Guy reported that “1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors.”
With millions of ebooks competing for readers’ attention, there is a lot of supply, and demand is hot or cold—depending on your genre. A literary memoir? Probably isn’t going to earn you $100,000. Putting out one military science fiction book every month over the next year, odds are better that you’ll earn money with this strategy (for the short term).
I’ve been an indie author since 2011 and continue to struggle to make a profit off of selling my books. With my full-time day job, I release a book once or twice a year. My strategy has been to slowly build up my backlist and increase my readership over time.
I only know a few people who have struck gold being an indie author and many of them have since left the industry. Fads come and go. But writing good books and learning effective marketing strategies will help you succeed for the life of your author career.
Long gone are the gold rush days of indie publishing. The market has matured and what worked then (free days on KDP select), does not work today. Instead of getting frustrated, you have three options:
- Adapt and learn new skills
- Give up
- Or worse: keep doing the same things and don’t change
Write and Keep Writing
The best advice that I can share is for an author to keep writing. This advice is often given, but I don’t know if authors take it to heart. Writing means that: Keep writing books. Devise series, different genres, experiment and allow your creativity to fly free. If the only reason why you’re writing is to make money, well, there are much easier ways to be successful.
Writing novels or short stories is great, but an author also needs to know how to write effective book descriptions, ad copy, email autoresponders and other marketing promotional materials. If you can’t do that, then hire a virtual assistant, learn how to do it or barter with another author.
In my experience, the authors who are doing the best (yes, this is a generalization) are those who are publishing books on a regular basis.
For me, this means that I don’t just write when I feel like it. No. I have a schedule and stick to it no matter what. If I’m sick or something comes up with the kids, I make the time up. To hold myself accountable, I do two things:
1. I tell my family and friends that I’m writing a book.
2. I track all the words I write in a Google sheet.
I used to write when the “muses came to me.” Then I wised up. I don’t go to work at my full-time job when I feel like it. I go because I want to be productive and earn a paycheck to provide for my family.
It took me a long time to understand this and to wrestle with not wanting to put my butt in the chair and do the work. But now I have 8 novels published and 2 more in the works.
Writing, like tennis or running, is all about mind over matter. It’s like a mental game.
If you believe you can’t do it, then you’ll fail. But if you work hard, get better, keep plugging away, chances are that you’ll still fail (since few authors earn back the money they put out to make the book), but that’s where marketing comes in.
First step is to write books and to keep on doing that.
Be a Unicorn
Now that you have a book ready to share with the world, what do you do?
Write the next book and then the third.
If I could pass anything that I’ve learned to new authors, it would be to think like a marketer.
When I published my first book, Lost (Cinderella’s Secret Witch Diaries), I fantasized that I would release it and I’d be raking in the money. Everyone would love my book. I worked hard, published the book and my dream fell flat. I think I tried to fly without wings and hit the concrete hard. Thankfully, I could still pick myself up, learn from my mistakes and keep writing.
The mistake I made is a classic one: I only had one product to sell. I used my five free days on KDP Select to give my book away and there was nothing else for readers to buy. I didn’t have an email list, I didn’t have autoresponders created, a funnel, an editorial calendar or email strategy that would help promote my brand.
I had none of that.
I only had a desire to write, but no idea how to get there. For the last five years, I’ve read, studied, experimented and watched more training sessions than I can remember. And that learning is never going to end. I need to keep evolving, learning and growing.
I like that because that fits nicely with my personality. I love learning.
To succeed, I recommend becoming a unicorn: An author who not only can write good books, but knows how to connect with people and apply that to marketing.
Email Equals Love
If you’re looking where to spend your energy, then the choice is simple: Build your email list. I use Mailchimp, love it (though it does get expensive) and I took the time to build out a 6 part autoresponder chain.
Either through Instafreebie or my website, I offer a reader a free book if they sign up on my email list. Once they signup, they receive (over 6 weeks) an email every week on topics related to what my brand is.
My mission (branding statement) is simple:
I believe that, no matter how difficult our childhood, we can use imaginative stories to heal ourselves and lead lives filled with love and hope.
The characters in my books reflect and live that theme. After users receive my emails, I then start sharing my bi-monthly newsletter. Some readers love it and write to me while some unsubscribe. But that’s a good thing because I want to make certain that my list contains people who are into what I stand for and what I write about.
It’s taking much longer than I had expected, but building the list organically is a slow burn.
To start out, ask yourself: What value can you give to readers that will make your emails stand out?
How does one actually do that with readers? It’s pretty simple if you stop and think about it.
- Ask people what they want.
- Provide good and useful content on a regular basis.
- Open up to your readers: Be authentic (and sometimes vulnerable)
I like to think of things this way: If I meet someone for the first time and they shake my hand and say: “Would you like to buy my book? It’s on sale for $.99.” Well, I’d slowly walk away from that person.
Just because someone gives you their email address doesn’t mean that they want to be spammed by you.
Not only is that type of marketing unsuccessful, but most readers tune that out. Especially in the area of social media, there’s the 90-10 rule:
90% of the time, share content that’s helpful and useful to people. The other 10%, you can promote your own work.
I highly recommend that you sign up to Seth Godin’s email list and read his books if you haven’t already. His marketing style is honest, helpful and is a great model for what works. Every single day I read the short email he sends out. Over time, I’ve come to look forward to his emails because I learn something and find them useful. It’s not just him trying to sell me a book or a class. Yes, he does do that (very infrequently), but he provides not only good content, but writing that causes me to question why I’m doing what I’m doing. He’s upbeat, personable and extremely relatable with his posts.
When I first started my email list, I sent out emails when I remembered. I was scattered, had no editorial plan and no idea what to write about. I’ve come a long way in the last year. I now send an email out every two weeks (I chose this because the majority of my readers picked this option in a survey I had sent to them) and I share updates on my creative process, but have found that the most popular emails are those that relate to my brand—personal stories about my upbringing that I share with readers.
I’ve had people from all over the world respond with their own stories and it allows me to see how interconnected we all are. I’m not alone and neither are those who also went through difficult childhoods. That commonality is a thread that binds us together and by sharing our stories, we own them and can heal rather than being poisoned and trapped by the difficulty we grew up with as kids. That’s a heavy topic to sometimes discuss and share, but it’s also what I believe is needed in today’s world. I was tired of feeling ashamed and decided to talk about my past in a way that was not only healing for myself, but for others. The benefit is that I not only get to connect with people from around the globe, but readers get a glimpse into what my writing style is like and what I write about. It’s honest and true.
I once believed that if I just wrote my heart out that my book would be “discovered” and I’d be selling copies easily. That didn’t happen. Yes, some authors have had success like that, but that’s not happened to me and to thousands like me. The reality is that authors need to juggle multiple hats and not only need to know how to write, but we need to also market our books.
Today we have Amazon (AMS), Facebook, Google, Bookbub and dozens upon dozens of other options out there. Some authors swear that this one technique on this certain platform works. Others say it doesn’t work.
Unfortunately, the only way to know what does (or doesn’t) work for you is to experiment. I’ve not had success with Facebook ads, but know that others have. The possibilities are tremendous because we can target people by demographic, location and interest. You could even send an email to your readers and then retarget them via Facebook, so that they’d see an ad for your book that way as well.
The big question is: How much are you willing to invest in marketing?
And when I say invest, I don’t refer just to money, but also to time. If you have unlimited funds, then you can hire a virtual assistant to run this all for you. And if you have that type of money, you probably aren’t in need of this article.
The biggest benefit is that authors can (and do) help each other. Email swaps, webinars, blog posts with actual sales numbers, there’s more information out there than there is time. I find that to be my biggest challenge. As I learned back in 2015, I can’t work full-time, raise two kids with my wife, be an author popping out books every few months and learn everything I need to know about marketing. I tried that and nearly imploded. I failed because I tried to take too much on. I need sleep, mental rest, time to have fun with my family and friends, and room to breathe. I can’t have every second of every day scheduled for work. That type of commitment nearly broke me and wasn’t healthy for me or my family.
It’s the dark side to being an indie author that many don’t talk about. We read and see all the success stories, but what about the failures? That’s where I come in. I share what I’ve been through because I think it’s important to give a true rundown of what I’ve experienced (and what many others are experiencing as well).
In my book, How to Become a Successful Author While Working Full-time: The Secret to Work-Life Balance, I go into detail about my personal experiences from the last six years of trying to figure out how to be an author in today’s vastly changed publishing landscape. I share it all—the highs and the lows.
Even if you have had success, maintaining that over years and decades will be hard. The challenge is being flexible and continuing to learn.
In 2017, without a sound marketing strategy, I think it’s extremely rare that a new indie author will find financial success. For me personally, I had some success in the early years, but as I’ve needed to grow my business, I’ve had to spend more on services to keep my business running.
Now I need to pay for website hosting, editing, covers, Mailchimp, advertising, and a bunch of other fees. I track how much I spend and how much I earn and there’s no shame in my sharing that I’m struggling. It’s the truth because I’m making choices to invest in my business and those expenses need to be spent or I cannot grow to where I want to be. I’m investing in my future because I see great potential in the long term.
No matter if you’re extremely successful as an indie author or just starting out, all of us will need to adapt and change. Maybe Amazon will change KNEP again or another service will rise up while others go extinct (I see your days numbered, Nook). We have virtual reality, augmented reality and who know what other “reality” is coming down the pike. Change will continue to happen and disrupters (like the Amazons of the world) will continue to affect the publishing industry.
The challenge for us as authors is to hold two incongruent ideas in our mind at the same time: We need to be as creative and inspiring as we can with our fiction but also need to understand marketing and its implementation in the real world.
Sometimes those two ideas will war with each other. I personally don’t believe that we only write to market. Someone will need to take a risk and try something different. Remember Harry Potter? The Twilight Series? Fifty Shades of Gray? Times and tastes change and I don’t always want to be following the herd. I need to write what moves me and inspired me to be an author from the start. The honesty that I write about in my books is what enables me to get up at 5:30 a.m. to write. Sometimes my main characters make mistakes, just like me. I like displaying the truth and complexities of my characters’ lives. But everything can’t just be about creation. I also need to take my author career and treat it like a business. I need to show up, write regularly, publish books and market them well. Having the tension between creativity and selling can be a challenge sometimes, but I choose to see it as a healthy struggle. I hope you do as well. Have questions? Feel free to contact me.
Ron Vitale is a fantasy, science fiction and nonfiction author. He’s written the Cinderella’s Secret Witch Diaries series, the Witch’s Coven series, book one in the Jovian Gate Chronicles, and the Werewhale Saga. His first nonfiction book, How to Be a Successful Author While Working Full-Time: The Secret to Work/Life Balance is also now available. When not writing, Ron loves spending time with his kids even when they beat him in the fun card game Kittens in a Blender.
So, you joined BundleRabbit… great! You’re just another hopeful author waiting to be picked up! And when you do get picked up, all you have to do is follow Diane’s advice – she is one of the authors of my first bundle and I couldn’t have said it better. She explains everything about how BR works for authors.
But wait, months go by and nobody requests anything. You see dozens of other great authors and start thinking… why not? Maybe I should become a curator! How hard can it be?
Putting bundles together at BundleRabbit is great fun, but it’s also exhausting. Not very hard, but there is a small learning curve.
First of all, you apply for “curator” status. Create a draft with your vision (it can include your book or not) and choose a release date, but check what else is coming out that month.
Try to book a release date that is not already taken. When too many bundles come out at the same time, even though they’re not in the same genre, it kind of clutters even BundleRabbit’s page… So please take a look at the calendar and select a date – and keep in mind it takes at least a couple of weeks for the whole publishing process, so it can’t be tomorrow because you’re so excited and just can’t wait!
Then you start browsing the marketplace. Since not all authors upload a preview, if you’re not already familiar with their work, I suggest you read at least an excerpt before choosing someone for your awesome bundle.
Even though BundleRabbit allows bundling from a minimum of 5 to a maximum of 25 books, try to stick to 10, especially if it’s novels, and don’t price them too low. You can always make a sale for a holiday, a special occasion, etc.
Create a Sales Blurb telling about all the great stories included and in the About section write some kind of curator’s note – like how fun it was to gather these people together and things like that. Don’t just repeat the Sales Blurb or the Vision! And don’t forget to fill the Thank You note!
You only need to provide a 2D cover and a background image – BR will take care of making the 3D cover, cover fan and… contributor’s copy, plus the “ads” for each title. You can use the forum of the bundle at first to communicate with authors (I did it with the fantasy bundle to ask their world’s name), but then you better create a mailing list, since not everyone wants to check the BR forums (or gets the email notifications).
And when your bundle is publishing, and you see the contributor’s copy is ready, please tell the authors they can download their own copy by going to their dashboard – bundles you’re in – and to the book in the bundle (where they will also find the “ad” a few days later).
It’s up to you or not to make a Facebook page for the bundle(s). I made just one for all my SFF bundles, both the ones I curate and the ones I’m in. Send out clear messages to the authors: when the bundle will go live on BR (it goes on pre-order on Amazon, Apple, Kobo and Barnes&Noble), when you do a sale on BR – and if you have a bundle that allows coupons, ask the authors if they need any for their giveaways.
Try to coordinate the efforts to boost the signal! And have fun!
Originally posted on Ruth Nestvold – Indie Adventures: I am finally (finally!) compiling my “Starting Out as an Indie Author” series into a book, and since I started this weekend, I’ve noticed a couple of things I still need to add. Since the first part of the book revolves around the question, “Is Self-Publishing For…
It never ceases to amaze me how people (often quite intelligent people) don’t bother to read things beyond what they want to see. Where I work (won’t mention the name) I’m forever yelling things like RTFM (read the f*cking manual) as no one has bothered to read past the first line of the email telling them what is needed, and more importantly how and when. And public wise – honestly – read the bloody info!
KDP-wise – check out the forums BEFORE you ask that question that has been asked a thousand times before. I’ve said it before READ THE FAQ. PLEASE. Years ago when I ventured on the Lulu forums as a noob I got totally roasted as I asked noobie questions and certain folks there really were NOT helpful. Anyway general the KDP folks are but it becomes very tedious with newbies asking the same questions as the person 30 seconds before.
Also if you want advice – then don’t fly off the handle if you’re given it and don’t like what you’re told. There are hundreds of threads asking about why books don’t sell, why the reports are ‘lying’, why the big bad Zon are diddling hardworking authors out of their money and mostly it’s bollocks. There are a number of active forum members who are happy to offer advice, point people towards the relevant FAQ area and try and help, but bitching to them as they’ve told you your book needs more work, or you haven’t registered your bank account etc, and getting snarky is likely to piss people off and remove said advice in the future.
So why isn’t your book selling? There are millions of books available on Kindle, and thousands more are uploaded every day. Why should anyone look at, or even find your book, or mine for that matter?
Promoting and marketing are not Amazon’s job – it’s yours. And it’s hard work, it takes time, patience and a certain degree of luck. There are tons of threads asking for advice on how to go about this. What works for one person might not work for another so there is a lot of trial and error. Here are some of the tactics I use and have used but there are plenty of others:
Author interviews. Get yourself on blogs and spotlights. There are hundreds if not thousands of blogs that will offer interviews, features and spotlights either free or at low cost. (This one for a start). Obviously, there is some effort in this – you have to search around to find suitable blogs – genre related is better but some people do offer to any genre. Ask the host what their following is – what you get – especially if you are expected to pay.
https://princessofthelight.wordpress.com/ – is a great promotional site. The hosters are friendly and although the author does have to pay, it’s worth the money. At roughly $11.50 a shot, it’s within the budget of newbies.
Get your own blog/website. Currently, we are working on a website to companion the blog and promote my books. It’s useful to have a website – especially if you have more than one book. You can pay, or try and make your own for low cost Try WordPress.com, Wix.com or squarespace.com. I think a blog of some sort is a must. For a start it allows you to network – and this is really important. Generally, indie authors are a supportive lot and will reciprocate. Also, a blog is a space for readers and followers to get to know you (ditto author interviews). It’s not just about the books. Some people say it takes time away from writing – well yes and no. It does take time away from stories but you are still writing, and honing skills. It makes you think about what to write, who your audience is, what is interesting, what isn’t. Of course, many bloggers use their space to share research or topics that interest them. I’m big on research and I think this also gives the reader some confidence that the author knows what they are talking about.
Facebook: It’s worth getting an author/book page on Facebook.
Here’s mine https://www.facebook.com/LightBeyondtheStorm
Recently I took a foundation diploma in social media marketing and one of the modules dealt with Facebook and ads. I haven’t used a paid ad there yet (I may next year) but there are plenty of free groups that allow promotion. Some people say FB isn’t a good platform – I disagree. I’ve bought books directly from FB promotions and I’ve made good friends and good contacts from FB.
Twitter: I wasn’t a fan of Twitter and held off getting an account for some while. Does it help? Yes, I think so. It’s a good platform to get the word out.
Why else might the book not be selling?
It’s crap. Of course ‘crap’ is a relative term but generally, I mean it’s badly formatted, badly written and well, bad. We’ve probably all seen them: those books in which the English language and grammar are distinctly lacking and a plot is absent or scraped from the internet. Now every author thinks their book is great, but it’s worth making sure it’s well written, formatted properly and (preferably) edited. Do you have a decent cover? A decent synopsis?
KDP don’t have a quality check – that’s your job as well, at least in part. Formatting guidelines can be found here: https://kdp.amazon.com/help?topicId=A12NQC9HQPI9CA
I find formatting for Kindle a lot easier than the other formats but with a decent knowledge of MSword it’s not that tricky. If you don’t have a good grasp you may be better to hire a formatter. (That might be a service on offer from us next year) or search the interweb for sites.
It’s worth remembering it takes time to build a following. Very few indie authors release a book and it’s a best seller in a week. It can take years.
There’s a particular poster on the KDP forum who tells newbies to write what sells. If you’re like me you can’t simply sit down and say ‘ah romance is hot this week – I’ll write a romance novel’. Well, I can but no one would want to read it. Besides what is popular changes. Tastes change.
It annoys me – substandard ‘popular’ trash uploaded quickly with no care for the reader. There’s a reason indies have a bad rep. Grr.
What I’m rambling about is basically – it takes time, patience and works to sell books. The writing is easy (sort of). Do the best you can with the resources you can spare.
KDP Support Contact https://kdp.amazon.com/contact-us
An author friend mentioned https://www.bundlerabbit.com/ to me.
Basically it’s a site where an author can upload his or her book and ‘curators’ can bundle books together to sell as a package. Each author gets a share of 70% royalty and the reader gets five, ten or so books to read for a bargain price.
So if the individual book is 1.99 and there are 5 at that price that’s 9.95 but the bundle might be on sale for, say, 7.50. The authors get 5.25 split between them. That may be a sale they wouldn’t have got for the stand alone.
Currently I’m only putting short books in – to see how it goes. It’s a wee bit fiddly, and obviously one has to register and have a paypal account (for royalties).
Readers can look at bundles they want – and either pay what they want or the set price – then the books are downloaded to their Kindle. They can opt to donate some of the price to charity
Copyright stays with the individual authors and they can be sold elsewhere. (Unless you’re in KDP Select – but that’s another case.
Some of you may have heard of Kindle Scout, I have but not in much detail. Today I welcome Erin McGowan, who has her book Mage Awakening in the programme and she’s here to talk about the process.
Over to you Erin.
The Kindle Scout program benefits Kindle publishing, authors, and readers. An author submits an unpublished book to the Scout program for thirty days of public viewing, during that time the author can promote the book any way he or she chooses. Readers can save the book for later or nominate it if they are interested in that book based on the cover, title, blurb, summary, and sample of the book. The sample is around 5,000 words, and usually shows the reader around three or four chapters. There is also an author bio, and the author can choose to answer some questions, mainly about reading, writing, and their book.
Kindle Scout shows the author daily stats on page views and how many hours a day the book was on the Hot and Trending list, but not how many nominations the book has. Those reports are updated once a day around 5:30 in the morning. At the end of the thirty day campaign the Kindle Scout team has up to fifteen days to decide if they will award a five year contract to the author for that book. If the book is picked up by Kindle the author receives a $1,500 advance, and has the promotional power of Kindle backing that book. A lot of authors hear back from Kindle after 48 hours, but there are some instances where the wait is longer.
Personally, I have found the people at Kindle Scout to be very nice, professional, and accommodating. The campaign requires more promotion than I was expecting, and I think that I would have been in a better position if I were a more established author, but this has been a great learning opportunity and has given me a chance to reach more potential readers.
My book, “The Mage: Awakening” is about a thirteen-year-old girl who discovers her magical powers when she is four. Her disastrous home life turns unbearable, and she uses her talent for channeling emotions right before she runs away from home. A fully trained mage tracker, Cadence, feels her use that talent and tracks her down. He informs her that she is a mage and can go to school to learn more magic and develop more facets of her magical talent. Her new school is in the in Faerie realm, and Katrina quickly makes friends with other mage students and Fae students, alike. Katrina has a lot on her plate, juggling her old family, a new family, friends, school, and a new romance, when accidents start happening to the Fae students. People start questioning whether the accidents are all that accidental, or if someone has an agenda to make the Fae pay.