Adventures in Self-Publishing – 1.3 – the basics – Smashwords 1.1

https://www.smashwords.com/

I like Smashwords – but uploading the MS is a bit of a pain. The meatgrinder as it’s known is notoriously fickle. On the plus side, it will throw the MS back and tell you what to fix. It can take several attempts before it goes through. The help pages on Smashwords are good and will offer advice.

One of the benefits of SW is the Premium Catalog https://www.smashwords.com/dashboard/channelManager/

You can submit your book, and have it distributed to a multitude of other sites – including Barnes and Noble, Kobo, I-books and many others. The most useful aspect I have found for Smashy is the coupons. You can produce a coupon to reduce a specific book, for a specific time. It’s great for gifts, review copies etc.  Smashwords pay monthly (sort of). But the distribution stores pay at different times so it’s a little fiddly to keep track. That said it all goes through Smashwords and they pay via Paypal in USD.  Or you can just stick with SW.

SW add your book.PNG

https://www.smashwords.com/upload

I have only added the pic for the first bit (as it’s quite long), but pretty self-explanatory.

You can also have a publisher account with SW. So, if you write under a pen name or publish on behalf of others then that works out nicely. It’s far more awkward on KDP – where you can publish under a pen name. The publisher account is helpful.

The dashboard for SW is reasonably easy to fathom and it’s easier to make changes to a book than on KDP and it’s better for readers as it offers Mobi, Epub and other formats (Amazon only offers the Amazon Mobi and it’s Kindle/Kindle app only).

SW Dashboard.PNG

sw dashboard help

Smashwords requires an ISBN but will provide one free if you don’t have one. This is required for access into the premium catalog, but not solely publishing on SW.

If you can manage the meatgrinder then Smashwords is a great way to get that wider reach.

It’s more accessible than KDP (see the other posts about this).

Adventures in Self-Publishing – Marketing 1.1

One of the primary skills needed to sell your book is marketing. Many people don’t like pushy sales people – so don’t be pushy. If little and often works then go for it but if someone doesn’t want to buy your book then, they don’t. Don’t pester folks.

  1. Marketing
  • Marketing (no one is going to buy your book if they don’t know it’s there. Many people don’t like the pushy salesperson (I certainly don’t), but there are ways and means. I took a course (Diploma in social media marketing) with Shaw Academy. This was a bargain – the course is usually a couple of hundred pounds but a friend put me onto Living Social which offers all sorts of stuff at real bargain prices. It has everything from weekend breaks, to courses, to laptops or whatever. As I understand it – they have a small amount at the low price and when they are gone they are gone.  Check out these bargain sites – you’d be surprised what you find.
  • Facebook – There are zillions of pages and groups on FB. Set up an author page (you can do this from your main account). If you have somehow managed to avoid FB then I’m sorry it’s a good idea to get an account. There are lots of groups devoted to blogging, genre books, author groups, writing groups, promo groups – you name it there will be  FB group for it. Join a few – and CHECK THE RULES. Some let you promo, some let you promo with restrictions (once a week/once a day), and some are non-promo but good for advice and networking. Facebook really wants you to spend your money and buy ads. I haven’t as yet – and I have heard mixed reviews on whether it’s useful. But I understand you can spend a small amount to have a small ad. You can promote in some groups for free – but the reach is limited. Prepare to spend a lot of time on social media…
  • Twitter/Tweetdeck – If you are going to use Twitter to promote then get Tweetdeck. It’s free and it makes managing your Tweets much easier. You can schedule tweets, add graphics, and see what you’ve booked in and when. You can attach more than one Twitter account to it.  Does Twitter help? Probably – there are a lot of cross-tweeting groups, and many people follow there.
  • Linked-in – This is more of a professional site – many employers look there. I’ve been contacted via LI more than once about jobs (all of which were utterly unsuitable), but it’s another forum. 
  • Pinterest – I love pinterest. I set up a page for all the interviews and promo from the blog, but mostly I use it for pics of animals, Phantom of the Opera, and random interesting stuff.  Again there are reader and author groups.

There are countless others but keep in mind how many sites you’re going to have to manage. Even with Hootsuite (for FB, Linked in, Tumblr and Twitter) and Tweetdeck it’s still a couple of hours a night for me. That’s two hours not writing…

You could ignore the marketing, do less than I do and it MIGHT work, but then again it might not. Promotion of your book will get you sales. No one knows it’s there – no one buys it. Simple as.

Blogging/Website. 

Set up an author website if you can – again if you aren’t very good at that kind of thing then look for a course or watch You-Tube. There is plenty of free/cheap advice about if you look. WordPress is fairly easy (and free for the basic package), Wix, Squarespace, Blogger etc are other options. Also, set up a blog. My website is the ‘official’ author site – it lists the books, about me and is updated when there is something new. The blog is more informal (and gets more traffic). You can blog about anything – books you’ve written, books you’ve read, your cat/dog/rabbit/degu, plants, recipes or whatever. It’s good writing practice – builds a network of followers who might check out your book(s) and it’s fun. I will say this – pick what you blog about carefully. If you want to go rant about some reviewer leaving your book a 1-star review on Amazon; politics; what someone famous has or hasn’t done then go ahead but keep in mind what goes on the internet stays on the internet. It’s easy for a reader to misunderstand a comment, and if you start bitching then someone will notice and it’s likely to end up with a slanging match – which is public. You’re the author, you’re the brand. Being a jerk can harm this brand. You can’t undo it. I’ve seen authors behave badly – slagging off readers who rated a book low, or making some derogatory comment about a reader’s opinion or intelligence. It didn’t end well.  You have been warned.

 

 

 

Writer Wednesdays – Tips for New Writers – revisited

This is a little cheeky as some of was taken from an old post (2013) – but have I changed my views? The origin post was written not that long after I started self-publishing.

So let’s revisit my old post – Old in RED, new comments in black.

Link to original post

Share your most helpful writing tips and advice. What do you know now that you wished you had known when you started writing?

New writers are given an awful lot of information, much of it contradictory and it is very difficult to know the good advice from the bad. Experience is a great teacher!

Yep – it’s still true there is information overload. There is some great advice, and some lousy advice. Working out which is which can be a challenge. Indie authors, in my experience, support each other, offer advice and suggestions and understand the challenges. Listen to the advice, good and bad. After all if it hasn’t worked for one person that doesn’t mean it won’t work for you. The bloody awful advice will become self-apparent.  Free advice is always worth taking in. What you choose to do with it, that’s up to you.

Here are my top 6 tips:

1)    Keep writing. This is seems to be consistent advice from all the sources I have seen. A single book is great but it is hard to build a fan base with just one title and if readers like your work they may well look out for other articles and stories. I do as a reader. As your writing experience grows you will learn what works and what doesn’t. Write for anthologies, write for your blog or someone else’s or write for research. Yahoo Voices have many interesting blog-type articles and it is a way to build a fan base. Researching for your novel? Great, use that research to help others. There are lots of anthologies looking for submissions (see links below) and some pay, although some don’t. Even the free ones are useful in getting your name out there and are writing practice.

Yahoo Voices no longer exists, but there are thousands of blogs/e-zines and groups who will happily take guest posts. Writing for anthologies – yes, I’d say it was helpful but as you get more experienced then you can pick and choose. The first few I did didn’t pay – and that’s a good way to promote yourself initially – but of course, most authors want paying for their work. Free has its place – don’t get me wrong – but it’s good to be able to pick and choose. There is also the consideration – anthology stories are varied in quality, length and style. Try and read some of the other stories, if that’s possible, or check out the author’s work. I’ve read (and been in) anthos where some of the stories need….more work. Make sure your own entry is good, well presented and not riddled with errors. 

Research – yes, yes, yes. Post up on your blog, or share on forums.

2)    Have a thick skinyou will need it. There will ALWAYS be someone who doesn’t like your book, will be offended by it, hate the characters or simply not get it. We do not all like the same things, if we did the world would be boring indeed.  Bad reviews hurt, but most books have at least one and unless the reviewer has a personal issue with the author (which occasionally happens) then it is one opinion. Reviews are just that – opinions, which can be as varied as the books they discuss.

Still agree with this. You can’t please all of the people all of the time. Shit happens. If you don’t want bad reviews – don’t publish. That said they can be helpful. Every writer thinks his or her work is the best thing ever. Usually it’s not (sorry – and I include myself in that). There is always something which doesn’t quite work, or could have been better – but that is generally true of life. And what that is depends on perspective. I like great world and character building, for example. I’ve read books with awesome reviews only to put them aside after three or four chapters because I didn’t give a damn about the characters. It’s a matter of opinion.

No writer likes to be told their book sucks and it can be hard to deal with. One of the best pieces of advice is ‘don’t comment’, or if you feel you must then be polite, thank the reviewer for their comments and move on. Commenting, especially negatively will do far more harm, go and rant to your best friend, yell at the wall, go for a walk and release that is one person’s opinion only. The next reviewer may love the book. Even negative reviews, except the spiteful ones, have useful advice.

Don’t comment on reviews. Really. Not ever. Don’t bitch, tell the reader they are wrong, or slag them off on social media. Just don’t. That will do your brand FAR more damage than a bad review.

It is hard to work out how much store readers put on reviews, many do look and most simply filter out those which either say nothing or the obviously spiteful or overly gushing ones, but in a couple of studies I have done reviews are surprisingly low on the scale. A good cover, a synopsis which pulls in the reader and recommendations from friends seem more important. If the book is selling don’t worry too much.

Agreed – to an extent. Personally, I don’t put that much store by book reviews – but I do write them. I’m odd like that. Partly I write them because I have a terrible memory and it’s a way to remind me of a book, but also because I like talking about books. People review for many, many reasons and in many many ways. All of them are right.

3)    Write the book you want to write. Now I am sure other writers might disagree with this tip but not all. Forcing a story to work, editing out important plot ideas or making characters do something they wouldn’t do may well make the story weaker. Write the book YOU want to read. Would you enjoy it? If the answer is yes then go with it. A forced plot will show itself to be just that.  It may depend on whether you are intending to self-publish or whether you are intending to submit to a publishing house of course and whether you intend to get an editor.

I’d rephrase this as write the book you want to READ. 

4)    Write the best book you can. No book is perfect. Even bestsellers have typos which slip through, weak plots or naff characters. However, if you are an indie the threshold seems to be higher…there are plenty of posts and threads berating indie self-published books as being substandard. In some cases this is true, we have all seen them but there are very many books which are great, yes some may be a little rough around the edges but the good stories and talent are out there. There are plenty of traditionally published books which are awful. That said releasing a book full of typos, terrible grammar and weak plot/characters is not advisable. Spellcheckers are useful but invest in a dictionary, a thesaurus and a writing guide. If you can find beta readers or critique groups then do so.

If you can afford an editor, then get one. Ask around, there are various authors who edit, or know them. I found a couple of free/cheap online writing courses. Write, write, write. 

If you decide to self-edit then put the manuscript aside for a while and write (or read) something new. You will see the work with fresher eyes. I know from experience I see what I think is there not what IS there. If you can afford an editor then it is advisable to consider it, but there are great books which have been self-edited. If you choose this route be thorough, it may take several passes through. Although earlier I said write the book YOU want you do need to be strict when editing. It is easy to get carried away and go off on a tangent. Does the scene add to the story/characterisation/world-building? No – then lose it.

5)    Research and plausibility. This is rather dependent on genre of course but willing suspension of disbelief only goes so far. Fantasy gives a lot of scope, especially magic but it still needs to be consistent. Research gives the writer credibility, if you say something works which we KNOW doesn’t work in that way then at the least back it up in the story with some plausibility, or better still find something which people know does work that way. Gravity is gravity. Research medieval battle, weapons and armour, field medicine, herb-lore and such like if you are planning a fight. Movie fight scenes look great visually but aren’t really that accurate. What damage DOES a long sword do? What IS the range of a longbow. You needn’t go into too much detail in the book, but knowing if your archer can hit that bad-guy lurking in the Dark-lord’s tower is helpful. Books can educate, and encourage people to research for themselves, especially if set in a certain time period but accuracy is the key. Of course, many readers won’t go on to research or have any interest in the origins of the longbow, the war horse but some might. Besides research is great, it is amazing what you can discover!

Yep, pretty much. I spent a while looking up ancient Greek curses the other day, and I’ve researched flora and fauna, weaponry and armour, the potential airworthiness of dragons, whether salamandars are edible, poisons and herblore, giantism and all sorts of other things.

6)    READ THE DAMN MANUAL! Really I mean it. Spend a bit of time not only reading writing guides but the FAQ of KDP, Smashwords, Lulu or wherever it is you choose to publish. It will make life a lot easier. There are several free books available – ‘Publish your work on Kindle’, ‘How to Publish on Smashwords’ for example. Most of the sites have extensive guidelines and forums. That is another thing most people have struggled with whatever it is you are struggling with so search the forums for answers. You are now a business person as well as a writer and it helps to know what to do.

What do I wish I had known at the beginning? Marketing is HARD. Where is the line between being a spammy needy author and promoting in such a way that people will check out your books and not be annoyed? Well that depends on who you ask…some people hate any mention of the product, some don’t mind a small amount and some say as much as you can do is the way to go. If I find the right level I will let you know.

World Building:

http://audenstreasury.blogspot.co.uk/p/writing-fight-scenes-resources.html?showComment=1369324942695

http://cbmccullough.wordpress.com/2013/04/30/domesticating/

http://mythicscribes.com/world-building/adding-depth-to-a-fantasy-world/

http://audenstreasury.blogspot.co.uk/2013/01/dark-fantasy-world-building-names.html

http://profantasy.com/

Writing generally:

http://www.telegraph.co.uk/lifestyle/9764931/The-101-best-pieces-of-advice-ever-received.html

http://robbgrindstaff.com/2013/01/why-are-verbs-so-tense/

http://lissywrites.com/2013/06/28/back-cover-text-book-blurbs-and-other-fun-stuff/

http://venturegalleries.com/blog/writing-short-stories-for-anthologies/

http://www.writingforward.com/writing-tips/tips-for-self-editing?utm_source=rss&utm_medium=rss&utm_campaign=tips-for-self-editing

http://www.indiesunlimited.com/2013/07/13/rethink-advice-to-writers/#more-41613

Writers Digest

Princess of the Light Blog

 

Guest Post – How to Get Rich in Indie Publishing: Marketing Tips for Authors – Ron Vitale

Today we welcome author Ron Vitalie – who brings with him some awesome tips for indies.

How to Get Rich in Indie Publishing: Marketing Tips for Authors

By Ron Vitale

 Catchy title, right?Unfortunately, only a tiny number of indie authors have cracked the $100,000+ club on Amazon. In his May 2016 report, Data Guy reported that “1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors.”

With millions of ebooks competing for readers’ attention, there is a lot of supply, and demand is hot or cold—depending on your genre. A literary memoir? Probably isn’t going to earn you $100,000. Putting out one military science fiction book every month over the next year, odds are better that you’ll earn money with this strategy (for the short term).

I’ve been an indie author since 2011 and continue to struggle to make a profit off of selling my books. With my full-time day job, I release a book once or twice a year. My strategy has been to slowly build up my backlist and increase my readership over time.

I only know a few people who have struck gold being an indie author and many of them have since left the industry. Fads come and go. But writing good books and learning effective marketing strategies will help you succeed for the life of your author career.

Long gone are the gold rush days of indie publishing. The market has matured and what worked then (free days on KDP select), does not work today. Instead of getting frustrated, you have three options:

  • Adapt and learn new skills
  • Give up
  • Or worse: keep doing the same things and don’t change

 

Write and Keep Writing

The best advice that I can share is for an author to keep writing. This advice is often given, but I don’t know if authors take it to heart. Writing means that: Keep writing books. Devise series, different genres, experiment and allow your creativity to fly free. If the only reason why you’re writing is to make money, well, there are much easier ways to be successful.

Writing novels or short stories is great, but an author also needs to know how to write effective book descriptions, ad copy, email autoresponders and other marketing promotional materials. If you can’t do that, then hire a virtual assistant, learn how to do it or barter with another author.

In my experience, the authors who are doing the best (yes, this is a generalization) are those who are publishing books on a regular basis.

For me, this means that I don’t just write when I feel like it. No. I have a schedule and stick to it no matter what. If I’m sick or something comes up with the kids, I make the time up. To hold myself accountable, I do two things:

1. I tell my family and friends that I’m writing a book.

2. I track all the words I write in a Google sheet.

I used to write when the “muses came to me.” Then I wised up. I don’t go to work at my full-time job when I feel like it. I go because I want to be productive and earn a paycheck to provide for my family.

It took me a long time to understand this and to wrestle with not wanting to put my butt in the chair and do the work. But now I have 8 novels published and 2 more in the works.

 

Writing, like tennis or running, is all about mind over matter. It’s like a mental game.

If you believe you can’t do it, then you’ll fail. But if you work hard, get better, keep plugging away, chances are that you’ll still fail (since few authors earn back the money they put out to make the book), but that’s where marketing comes in.

First step is to write books and to keep on doing that.

 

Be a Unicorn

Now that you have a book ready to share with the world, what do you do?

Write the next book and then the third.

Seriously.

If I could pass anything that I’ve learned to new authors, it would be to think like a marketer.

When I published my first book, Lost (Cinderella’s Secret Witch Diaries), I fantasized that I would release it and I’d be raking in the money. Everyone would love my book. I worked hard, published the book and my dream fell flat. I think I tried to fly without wings and hit the concrete hard. Thankfully, I could still pick myself up, learn from my mistakes and keep writing.

The mistake I made is a classic one: I only had one product to sell. I used my five free days on KDP Select to give my book away and there was nothing else for readers to buy. I didn’t have an email list, I didn’t have autoresponders created, a funnel, an editorial calendar or email strategy that would help promote my brand.

I had none of that.

I only had a desire to write, but no idea how to get there. For the last five years, I’ve read, studied, experimented and watched more training sessions than I can remember. And that learning is never going to end. I need to keep evolving, learning and growing.

I like that because that fits nicely with my personality. I love learning.

 

To succeed, I recommend becoming a unicorn: An author who not only can write good books, but knows how to connect with people and apply that to marketing.

 

Email Equals Love

If you’re looking where to spend your energy, then the choice is simple: Build your email list. I use Mailchimp, love it (though it does get expensive) and I took the time to build out a 6 part autoresponder chain.

Either through Instafreebie or my website, I offer a reader a free book if they sign up on my email list. Once they signup, they receive (over 6 weeks) an email every week on topics related to what my brand is.

My mission (branding statement) is simple:

I believe that, no matter how difficult our childhood, we can use imaginative stories to heal ourselves and lead lives filled with love and hope.

The characters in my books reflect and live that theme. After users receive my emails, I then start sharing my bi-monthly newsletter. Some readers love it and write to me while some unsubscribe. But that’s a good thing because I want to make certain that my list contains people who are into what I stand for and what I write about.

It’s taking much longer than I had expected, but building the list organically is a slow burn.

To start out, ask yourself: What value can you give to readers that will make your emails stand out?

 

Build Trust

How does one actually do that with readers? It’s pretty simple if you stop and think about it.

  1. Ask people what they want.
  2. Provide good and useful content on a regular basis.
  3. Open up to your readers: Be authentic (and sometimes vulnerable)

 

I like to think of things this way: If I meet someone for the first time and they shake my hand and say: “Would you like to buy my book? It’s on sale for $.99.” Well, I’d slowly walk away from that person.

Just because someone gives you their email address doesn’t mean that they want to be spammed by you.

Not only is that type of marketing unsuccessful, but most readers tune that out. Especially in the area of social media, there’s the 90-10 rule:

90% of the time, share content that’s helpful and useful to people. The other 10%, you can promote your own work.

I highly recommend that you sign up to Seth Godin’s email list and read his books if you haven’t already. His marketing style is honest, helpful and is a great model for what works. Every single day I read the short email he sends out. Over time, I’ve come to look forward to his emails because I learn something and find them useful. It’s not just him trying to sell me a book or a class. Yes, he does do that (very infrequently), but he provides not only good content, but writing that causes me to question why I’m doing what I’m doing. He’s upbeat, personable and extremely relatable with his posts.

When I first started my email list, I sent out emails when I remembered. I was scattered, had no editorial plan and no idea what to write about. I’ve come a long way in the last year. I now send an email out every two weeks (I chose this because the majority of my readers picked this option in a survey I had sent to them) and I share updates on my creative process, but have found that the most popular emails are those that relate to my brand—personal stories about my upbringing that I share with readers.

I’ve had people from all over the world respond with their own stories and it allows me to see how interconnected we all are. I’m not alone and neither are those who also went through difficult childhoods. That commonality is a thread that binds us together and by sharing our stories, we own them and can heal rather than being poisoned and trapped by the difficulty we grew up with as kids. That’s a heavy topic to sometimes discuss and share, but it’s also what I believe is needed in today’s world. I was tired of feeling ashamed and decided to talk about my past in a way that was not only healing for myself, but for others. The benefit is that I not only get to connect with people from around the globe, but readers get a glimpse into what my writing style is like and what I write about. It’s honest and true.

 Advertise

I once believed that if I just wrote my heart out that my book would be “discovered” and I’d be selling copies easily. That didn’t happen. Yes, some authors have had success like that, but that’s not happened to me and to thousands like me. The reality is that authors need to juggle multiple hats and not only need to know how to write, but we need to also market our books.

Today we have Amazon (AMS), Facebook, Google, Bookbub and dozens upon dozens of other options out there. Some authors swear that this one technique on this certain platform works. Others say it doesn’t work.

Unfortunately, the only way to know what does (or doesn’t) work for you is to experiment. I’ve not had success with Facebook ads, but know that others have. The possibilities are tremendous because we can target people by demographic, location and interest. You could even send an email to your readers and then retarget them via Facebook, so that they’d see an ad for your book that way as well.

The big question is: How much are you willing to invest in marketing?

And when I say invest, I don’t refer just to money, but also to time. If you have unlimited funds, then you can hire a virtual assistant to run this all for you. And if you have that type of money, you probably aren’t in need of this article.

The biggest benefit is that authors can (and do) help each other. Email swaps, webinars, blog posts with actual sales numbers, there’s more information out there than there is time. I find that to be my biggest challenge. As I learned back in 2015, I can’t work full-time, raise two kids with my wife, be an author popping out books every few months and learn everything I need to know about marketing. I tried that and nearly imploded. I failed because I tried to take too much on. I need sleep, mental rest, time to have fun with my family and friends, and room to breathe. I can’t have every second of every day scheduled for work. That type of commitment nearly broke me and wasn’t healthy for me or my family.

It’s the dark side to being an indie author that many don’t talk about. We read and see all the success stories, but what about the failures? That’s where I come in. I share what I’ve been through because I think it’s important to give a true rundown of what I’ve experienced (and what many others are experiencing as well).

In my book, How to Become a Successful Author While Working Full-time: The Secret to Work-Life Balance, I go into detail about my personal experiences from the last six years of trying to figure out how to be an author in today’s vastly changed publishing landscape. I share it all—the highs and the lows.

Even if you have had success, maintaining that over years and decades will be hard. The challenge is being flexible and continuing to learn.

In 2017, without a sound marketing strategy, I think it’s extremely rare that a new indie author will find financial success. For me personally, I had some success in the early years, but as I’ve needed to grow my business, I’ve had to spend more on services to keep my business running.

Now I need to pay for website hosting, editing, covers, Mailchimp, advertising, and a bunch of other fees. I track how much I spend and how much I earn and there’s no shame in my sharing that I’m struggling. It’s the truth because I’m making choices to invest in my business and those expenses need to be spent or I cannot grow to where I want to be. I’m investing in my future because I see great potential in the long term.

Summing Up

No matter if you’re extremely successful as an indie author or just starting out, all of us will need to adapt and change. Maybe Amazon will change KNEP again or another service will rise up while others go extinct (I see your days numbered, Nook). We have virtual reality, augmented reality and who know what other “reality” is coming down the pike. Change will continue to happen and disrupters (like the Amazons of the world) will continue to affect the publishing industry.

The challenge for us as authors is to hold two incongruent ideas in our mind at the same time: We need to be as creative and inspiring as we can with our fiction but also need to understand marketing and its implementation in the real world.

Sometimes those two ideas will war with each other. I personally don’t believe that we only write to market. Someone will need to take a risk and try something different. Remember Harry Potter? The Twilight Series? Fifty Shades of Gray? Times and tastes change and I don’t always want to be following the herd. I need to write what moves me and inspired me to be an author from the start. The honesty that I write about in my books is what enables me to get up at 5:30 a.m. to write. Sometimes my main characters make mistakes, just like me. I like displaying the truth and complexities of my characters’ lives. But everything can’t just be about creation. I also need to take my author career and treat it like a business. I need to show up, write regularly, publish books and market them well. Having the tension between creativity and selling can be a challenge sometimes, but I choose to see it as a healthy struggle. I hope you do as well. Have questions? Feel free to contact me.

Bio:

RVitaie-bio-photo

Ron Vitale is a fantasy, science fiction and nonfiction author. He’s written the Cinderella’s Secret Witch Diaries series, the Witch’s Coven series, book one in the Jovian Gate Chronicles, and the Werewhale Saga. His first nonfiction book, How to Be a Successful Author While Working Full-Time: The Secret to Work/Life Balance is also now available. When not writing, Ron loves spending time with his kids even when they beat him in the fun card game Kittens in a Blender.

 

Editor Interview Number Ten – Mia Darien

Hi, welcome to the Library of Erana and thank you for talking to us today.

Please introduce yourself. I’m Mia Darien. I’m a self-published author, as well as an editor, cover artist and book formatter. I also work for a book blog tour company. Outside of the literary world, I’m a New England Yankee living in Alabama, a wife and a mother, a geek, and general lunatic.

How did you get into this line of work? As I got into the publishing world, I became interested in helping other authors. I’ve experience in areas that helped me edit, so I edited. Eventually, I realized that I couldn’t give away all this time for free, and it became a profession.

Are there genres you refuse, if so why is that? Do you have any you love? I don’t accept or refuse based on genre, but non-fiction is rare. I always love fantasy, though.

Are you also a writer?  If so do you self-edit or do you use the services of another editor? I’m also a writer. Presently, I self-edit, but I apply the same standards, which means I go over every book twice.

What are your opinions of self-edited work by authors? Honestly, if you can avoid it, you should. I don’t have a lot of choice presently, but most authors don’t have the editorial background to be able to edit their own work. So I would always recommend finding an editor if you can.

Have you ever refused a manuscript? No. The closest was one book where I did my first “pass” on it (I always do two), but there were elements that disturbed me and I cut my fee in half and didn’t do the second pass. That’s very rare, however. In fact, it’s only happened once.

Have you ever had an author refuse your suggestions/changes? If so how did you deal with it? Typically, I return the edited manuscript and then let them do as they will. I’m sure that most authors don’t take all my changes. I’m fine with that. My edits are suggestions, not laws. The author is the end word on any story.

Editors often receive a bad press in the writing community, what are your thoughts on this? Honestly, I can’t say I’ve heard much press about editors one way or the other. Every group gets bad press at some time or another. Just have to keep working and keep doing the best job you can.

Please could you tell us about the process involved with editing for, say, a 100k word Manuscript. I don’t do full content editing, but I do offer notes about any large problems I see or inconsistencies. Otherwise, I edit. Every book is read over twice to make sure I catch as much as possible. I don’t always catch everything, but I get most of it. (No one can catch 100%, really.)

What is the difference between proof-reading and editing? To me, proof-reading is the very basics: punctuation, grammar, and spelling. Editing, which is what I do, will fix awkward passages and word choices, make sure that the reading flow of the story is the best it can be.

Do you have part of the process you really enjoy? Is there a part you don’t? It’s very tedious work, if I’m being honest. But I love to work with other authors, be able to delve into their worlds for a while and help make them shine.

Outside of your work as an editor do you read for pleasure? What genre do you enjoy the most? Oh, of course. I love all kinds of genres, but epic fantasy always has a strong place in my heart.

If so do you find yourself editing the work as you go or are you able to “switch off?” There is no switching off once you’ve done it for long enough. I can step away from a given project for a time, but the brain is always in Edit Mode. I find myself editing everything. Family’s facebook posts, closed captioning, traditionally published novels, my own text messages…

What advice would you give to someone starting out as an editor? Be thorough, be cautious, and be kind. You’re handling someone’s hard work, so even if there are lots of problems, don’t be nasty. Be thorough and cautious. Educate yourself about the process.

What advice would you give to someone who wants to self-edit? Educate yourself. Try to put time between the writing and the editing. If you edit immediately, you’ll be too familiar with the words and won’t catch things. Go slow.

 …otherwise, don’t do it unless you have to.

Tell us a silly fact about yourself. I still like “Sailor Moon” and even made up my own Sailor Scout for Halloween once when I was a teenager.

 

Please add any links to your blog/website etc.

http://www.miadarien.com

Author Interview Number Sixty – Laurel A Rockefeller revisited – Sci-fi/Historical

I’d like to welcome back author Laurel A. Rockefeller

Please recap briefly about your books. What has changed since you last visited? Tell us your news! A lot has happened since we last spoke thirteen months ago.  For one, it has now been two years since I released the first edition of The Great Succession Crisis (“GSC”) which I have since taken out of print in favour of the extended edition from January, 2013.

Also when last we spoke, I had just released the QR interactive editions on both GSC and its sequel, The Ghosts of the Past (“Ghosts”).

Today, those are still the only two Peers of Beinan Series novels, but in 2014 I added to the series two novellas (The Poisoned Ground and Good-bye A672E92 Quintus), another companion book (The Lost Tales), and the flash fiction story, “The First King.”

In March, I started a new series of short biographies for the entire family called “The Legendary Women of World History” (LWWH).  LWWH came about when I discovered that over 95% of Americans cannot name even ten women from history – including contemporary British royals.

LWWH aims to inspire and educate with the true stories of women who have made a difference, offering positive role models to girls and young women especially. I researched, wrote, and published book one “Boudicca:  Britain’s Queen of the Iceni” in March.  Book two “Catherine de Valois” came out in June, just as audio production on Boudicca with gifted UK actor Richard Mann commenced.  I am pleased to announce to everyone that by the first week of September, “Boudicca” will be live on audible, itunes, and listed with its kindle edition on Amazon websites worldwide.

Finally, Yahoo discontinued Yahoo Voices in July.  Across the last five years I wrote around 160 articles for YV.  Across July, I transferred the best of that content to my new blog, http://peersofbeinan.wordpress.com/ where I also have some really nice posts designed to guide independent authors through ACX.

Do you think indie/self-published authors are viewed differently to traditionally published authors? Why do you think this might be? I think this is starting to change over the last few months.  A year ago I believed that traditional published authors had a credibility edge.  It is interesting that Fifty Shades of Grey has helped independent authors by showing that traditional published books can be poorly written and very poorly edited.  Traditional published works no longer have this edge.

What they do seem to have over independent authors is access to marketing resources.  Traditional publishers have their own little cliques, a network that they work with, that is more difficult for independent authors to access.

Do you read work by self-published authors? Sometimes.  Most of what I read is non-fiction as part of my research for my books.  So if I find a great independent non-fiction writer writing on a subject I’m researching, I absolutely will look at the work.

What are your opinions about authors commenting on reviews? How important are reviews? Commenting on reviews rarely works in the author’s favour – not that I was not tempted when a UK reviewer gave Boudicca only three stars simply because the book (which is typically found under juvenile fiction or non-fiction) is short.  Yes, that bothered me because I think it was not fair to pick on a children’s or young adult book for being focused on the needs of that demographic.

I didn’t post a comment however because the point of reviews is to offer honest opinions, opinions I am bound to disagree with sometimes.  Readers too can see through critical reviews or fewer stars, deciding for themselves if they think the review’s remarks are appropriate or biased.

How helpful reviews are really depends on the review.  Ultimately, it’s a matter of trusting the process and trusting your readers to recognize quality

When buying a book do you read the reviews? Always.

Looking back what do you wish you’d known when you started writing? Ask questions before you sign a contract or agreement of any type and don’t agree to anything until you fully understand everything.  There is a lot of fine print and dizzying legal jargon in these things that most of us have difficulty understanding in full.  But if you don’t read and fully understand it all – or you just forget some of the finer points—it can really get you.

Do you have any unpublished novels under the bed/in a folder anywhere which you thought were awesome at the time, but now will never see the light of day? As a teenager I wrote a lot of fan fiction.  When I found those again on a visit back to Nebraska to my mother’s house, I promptly destroyed all of them, along with my diaries from my teen years.

What I have kept are most of my poems dating back to the 1980s & 1990s.  I also have both my student screenplay called “Daughter of Starlight” (based on my Dungeon’s and Dragons character – the last time I really wrote fantasy) and my student one act play, “HuangDi Eve” which was written before I took any Chinese history classes or studied Chinese language at the University of Nebraska.  Both I hope will never see the light of day – but I might trust a close friend to flip through.

How have you progressed as a writer since you started? If you asked me to write another story like “The Great Succession Crisis” I honestly do not think I would be able to do it.  GSC was written when I still held onto young adult romantic notions of happily ever after and the perfect, archetypal knight in shining armour.  When I wrote its sequel, Ghosts of the Past, I had to access memories of a very dark time in my life.  The writing process literally gave me nightmares the entire time I wrote that book as I confronted memories of unspeakable violence that I had long repressed from my childhood.  I witnessed the murders of five or six other little girls sometime before the age of five along with the violence personally directed at me.  Though the memories allowed me to create the dark, supernatural villains that readers really love about the book, I think going there in my mind took away some of my innocence and maybe some of my optimism regarding the intentions of other people towards me.

That said, I noticed my romantic heart still feels hope—the things that King Prasutagus says to Boudicca, the way that they love each other before his early death (no spoilers; you will just have to read and/or listen to the audio edition of “Boudicca” yourself) reflect what part of me still believes is ahead of me in my life.  I believe in love, in the magic of true love’s kiss – even though I’ve never been honourably kissed in my life.

What aspect of writing do you least enjoy? Why might this be? I would rather write than promote, actually.  I don’t like messing with contracts, legalese, and so forth and look forward to the day when I can just write then hand off the rest of the process to an agent and/or marketing firm.  I’ve located a PR firm I really like in London and cannot wait for the day when I can delegate all the PR and marketing to them.  I write; they promote!  Problem solved!

What are your views on authors offering free books? Funny you ask that because all SIX active Peers of Beinan Series books are free on Smashwords through 31st August, 2014 with just one – the flash fiction story “The First King” permanently free.

To a lot of people this sounds nuts – why give away my hallmark series in full? Well let’s be clear:  this is a two week free book promotion exclusively on Smashwords.  On September 1st, everything goes back to regular prices.

The promotion is just that:  a promotion designed to celebrate reaching the two year mark as a self-published author.  It’s also all about back to school and my support of schools and school libraries.  Literacy is important.  With nearly all my titles age appropriate for the entire family, this is my way of helping families get their children and teens reading.  So download all six books on Smashwords at https://www.smashwords.com/books/byseries/2371, then check out my other books on my author profiles on Amazon (http://tinyurl.com/LARAmazon) and Smashwords (http://tinyurl.com/smashLAR).

In other words, it really does matter whether free is permafree or if it’s a promotional offer.  The reason why The First King is free is because it is flash fiction and because it offers readers a no-strings-attached introduction to the Peers of Beinan Universe.

The First King is also set right in the middle of the novella Good-bye A672E92 Quintus (written later and structured to accommodate The First King as a separate title), so I’m hoping that readers downloading the story will enjoy it enough to want to read what happens before and after the action.

Do you have a favourite movie? Since my sight is limited, I prefer to watch movie adaptations to help me decide if I want to commit my limited visual resources to reading a book.  I actually aspire to bring Good-bye A672E92 Quintus to youtube as a short film if the people I’m interested in hiring for the film are interested and have the technical abilities to handle the futuristic, science fiction elements to the story.  So keep watching! I may pop up on the dying planet in a cameo!

As for existing films, I really enjoy a short film starring Richard Mann called “Shot in the Forest” (http://youtu.be/k2gPq5W4k0M).  More commercially, I love a lot of biography films like “The Iron Lady,” “Lady Jane,” “Luther,” and the classic “That Hamilton Woman” starring Vivian Leigh and husband Laurence Oliver.  I also love musicals and film adaptations of Broadway shows like Les Misérables, Chicago, Mamma Mia, Moulin Rouge, Holiday Inn, A Star Is Born (Judy Garland), and so forth.

If your book was produced as a film who would you like to see play the lead? Richard Mann, of course!

Seriously, sometime in June I stumbled upon a black/white photo of Mr. Mann from a professional website for actors.  To my shock, Mr. Mann looked EXACTLY what I’d pictured in my head for Lord Knight Elendir of house Ten-Ar from the Peers of Beinan Series.  Completely uncanny resemblance!  So to me, Mr. Mann is the only person who can play that character.

If Good-Bye A672E92 Quintus is produced, as I very much desire, I also want to cast Mr. Mann as the lead, Lord Malvyn.

Of course it is also my desire to continue to work with Mr. Mann on more audio books.  I actually wrote some of Catherine de Valois with Mr. Mann’s voice and abilities in mind.  For example, knowing now that he fronts the tribute band “Rolling Stones Now” as Mick gave me the confidence to put music into Catherine’s story; she sings “Veni, Veni Emmanuel” one Christmas morning. Hearing him sing that is likely to be amazing if the videos from RSN concerts are any indicator..

What are your plans for the future? When will we see your next book?  Tell us about it. Keep writing, of course!  I really want to do more audio editions over the next twelve months with Mr. Mann because he is so talented and conveys my literary visions skilfully.  As a low vision person, I tend to close my eyes when I listen to a book so I can really attend to the voice.  His is the voice that I most enjoy listening to of all the narrators I’ve heard.

Beyond that, I really want to travel to England in 2015 on a sort of working holiday for my writing—and of course, finally meet in person my British friends.  I also aspire to immigrate to the United Kingdom once I satisfy the requirements for doing so—hopefully very soon because I love England so much and feel this inevitable pull to be where so much history happened, history I am sure most people born and raised in the United Kingdom never learned.

Next book?  Make that BOOKS!

I have FOUR books in process right now!  Ambitious, I know!

Princess Anyu Returns (part three of the Legacy of Princess Anlei Trilogy) is still on hold, in part because I’m meticulous about my world building and need to do more research with it.  The other reason for the delay is that I’ve re-written it about eight times and is one reason for the Lost Tales volume where I offer readers material that did NOT make it into the book.  I haven’t been idle with the book; just picky about the direction the story goes and picky about the quality of my writing.

Book three of the Legendary Women of World History Series is about Empress Wu Zetian, the only woman to rule China in her own right.  I hope to finish this before the end of the year.  The prologue is already written, set in 1861 in the British Concession in Beijing.

A third series focusing on American history is in the works.  I am currently working on (tentatively titled) Charlotte’s Vote which is about the women’s suffrage movement and told through the life of Charlotte Woodward Pierce, the only signee at the Seneca Falls Convention (1848) to survive to see women cast their ballots in 1920, even though she herself was too ill to vote.

Finally, I’m working on a non-fiction book called “American Poverty: Why America’s Treatment of the Poor Undermines Its Authority as a World Power.”  This is a somewhat intentionally controversial look at poverty in America.  Controversial because for many Americans, a frank talk about poverty is taboo.  Somehow the 99% are not supposed to mind their living conditions nor want things to be better.

This book is structured in three parts. Part one is a collection of five essays, most of them written for and published by Yahoo Voices, looking at real experiences living in poverty.  In part two, I take each essay and offer analysis and suggestions for how we can make the key issue (like empathy and prejudice against the poor) better for those living in similar situations.  Finally part three looks at the larger issue of how parts one and two affect how people in other countries look at the United States and the whole question of America’s sphere of influence.  This is of course a hot-button issue and the one that really set this book into motion in early August 2014 after watching it debated on NBC’s “Meet The Press.”  So I’m jumping in feet first and really hoping to get a serious international dialogue going.  As I always say, “we can and must do better.”

I hope to release American Poverty by the end of October at the absolute latest.

Finally and more personally, I plan on playing with my cockatiels (I have a new baby bird named Arwen), watching some great BBC programs I’ve found, and getting to know my friends and colleagues across the Pond better.  I want to immigrate, earn UK citizenship, buy a nice house with a garden, and enjoy all that life has to offer—live theatre included.  And of course, I want to see Rolling Stones Now in concert. I think that would be a gas, so to speak, lots of fun!

Find Laurel here:

Amazon author page: http://tinyurl.com/LARAmazon

Smashwords author page: http://tinyurl.com/smashLAR

Barnes & Noble: http://www.barnesandnoble.com/s/Laurel-A-Rockefeller

Goodreads author page: https://www.goodreads.com/laurelarockefeller

The Peers of Beinan Series website: http://www.peersofbeinan.com/

The Legendary Women of World History website:
http://www.legendarywomenbooks.com/

Social Media:

pinterest: http://www.pinterest.com/peersofbeinan/

twitter: https://twitter.com/laurelworlds

facebook pages:  https://www.facebook.com/legendarywomenofworldhistory
https://www.facebook.com/PeersOfBeinan

youtube:  https://www.youtube.com/playlist?list=PLYzZwv6hhUwZ2vramRL6ogucFNmknMpR

Indie Block Party Post 7 – Writing Tips and Advice

Indie block party small

This week focuses more on sharing advice and resources than actively promoting our own books. Hopefully we can all learn from these tips and find useful links and suggestions. Most of the authors I meet are a supportive and helpful lot, which is just as well as writing itself can be quite lonely and frustrating. I have learned a great deal, and made new friends within the writing community. Shared information is valuable, knowledge is power.

Share your most helpful writing tips and advice. What do you know now that you wished you had known when you started writing?

New writers are given an awful lot of information, much of it contradictory and it is very difficult to know the good advice from the bad. Experience is a great teacher!

Here are my top 6 tips:

1)    Keep writing. This is seems to be consistent advice from all the sources I have seen. A single book is great but it is hard to build a fan base with just one title and if readers like your work they may well look out for other articles and stories. I do as a reader. As your writing experience grows you will learn what works and what doesn’t. Write for anthologies, write for your blog or someone else’s or write for research. Yahoo Voices have many interesting blog-type articles and it is a way to build a fan base. Researching for your novel? Great, use that research to help others. There are lots of anthologies looking for submissions (see links below) and some pay, although some don’t. Even the free ones are useful in getting your name out there and are writing practice.

2)    Have a thick skin, you will need it. There will ALWAYS be someone who doesn’t like your book, will be offended by it, hate the characters or simply not get it. We do not all like the same things, if we did the world would be boring indeed.  Bad reviews hurt, but most books have at least one and unless the reviewer has a personal issue with the author (which occasionally happens) then it is one opinion. Reviews are just that – opinions, which can be as varied as the books they discuss.

No writer likes to be told their book sucks and it can be hard to deal with. One of the best pieces of advice is don’t comment, or if you feel you must then be polite, thank the reviewer for their comments and move on. Commenting, especially negatively will do far more harm, go and rant to your best friend, yell at the wall, go for a walk and release that is one person’s opinion only. The next reviewer may love the book. Even negative reviews, except the spiteful ones, have useful advice.

It is hard to work out how much store readers put on reviews, many do look and most simply filter out those which either say nothing or the obviously spiteful or overly gushing ones, but in a couple of studies I have done reviews are surprisingly low on the scale. A good cover, a synopsis which pulls in the reader and recommendations from friends seem more important. If the book is selling don’t worry too much.

3)    Write the book you want to write. Now I am sure other writers might disagree with this tip but not all. Forcing a story to work, editing out important plot ideas or making characters do something they wouldn’t do may well make the story weaker. Write the book YOU want to read. Would you enjoy it? If the answer is yes then go with it. A forced plot will show itself to be just that.  It may depend on whether you are intending to self-publish or whether you are intending to submit to a publishing house of course and whether you intend to get an editor.

4)    Write the best book you can. No book is perfect. Even best sellers have typos which slip through, weak plots or naff characters. However if you are an indie the threshold seems to be higher…there are plenty of posts and threads berating indie self-published books as being substandard. In some cases this is true, we have all seen them but there are very many books which are great, yes some may be a little rough around the edges but the good stories and talent are out there. There are plenty of traditionally published books which are awful. That said releasing a book full of typos, terrible grammar and weak plot/characters is not advisable. Spellcheckers are useful, but invest in a dictionary, a thesaurus and a writing guide. If you can find beta readers or critique groups then do so.

If you decide to self-edit then put the manuscript aside for a while and write (or read) something new. You will see the work with fresher eyes. I know from experience I see what I think is there not what IS there. If you can afford an editor then it is advisable to consider it, but there are great books which have been self-edited. If you choose this route be thorough, it may take several passes through. Although earlier I said write the book YOU want you do need to be strict when editing. It is easy to get carried away and go off on a tangent. Does the scene add to the story/characterisation/world-building? No – then lose it.

5)    Research and plausibility. This is rather dependent on genre of course but willing suspension of disbelief only goes so far. Fantasy gives a lot of scope, especially magic but it still needs to be consistent. Research gives the writer credibility, if you say something works which we KNOW doesn’t work in that way then at the least back it up in the story with some plausibility, or better still find something which people know does work that way. Gravity is gravity. Research medieval battle, weapons and armour, field medicine, herb-lore and such like if you are planning a fight. Movie fight scenes look great visually but aren’t really that accurate. What damage DOES a long sword do? What IS the range of a long bow. You needn’t go into too much detail in the book, but knowing if your archer can hit that bad-guy lurking in the Dark-lord’s tower is helpful. Books can educate, and encourage people to research for themselves, especially if set in a certain time period but accuracy is the key. Of course many readers won’t go on to research or have any interest in the origins of the long bow, the war horse but some might. Besides research is great, it is amazing what you can discover!

6)    READ THE DAMN MANUAL! Really I mean it. Spend a bit of time not only reading writing guides but the FAQ of KDP, Smashwords, Lulu or wherever it is you choose to publish. It will make life a lot easier. There are several free books available – ‘Publish your work on Kindle’, ‘How to Publish on Smashwords’ for example. Most of the sites have extensive guidelines and forums. That is another thing most people have struggled with whatever it is you are struggling with so search the forums for answers. You are now a business person as well as a writer and it helps to know what to do.

What do I wish I had known at the beginning? Marketing is HARD. Where is the line between being a spammy needy author and promoting in such a way that people will check out your books and not be annoyed? Well that depends on who you ask…some people hate any mention of the product, some don’t mind a small amount and some say as much as you can do is the way to go. If I find the right level I will let you know.

World Building:

http://audenstreasury.blogspot.co.uk/p/writing-fight-scenes-resources.html?showComment=1369324942695

http://foilandphaser.wordpress.com/2013/06/27/tips-and-tricks-for-using-science-in-fiction/

http://cbmccullough.wordpress.com/2013/04/30/domesticating/

http://mythicscribes.com/world-building/adding-depth-to-a-fantasy-world/

http://voices.yahoo.com/world-building-costs-benefits-writing-outside-12007265.html?cat=38

http://audenstreasury.blogspot.co.uk/2013/01/dark-fantasy-world-building-names.html

http://profantasy.com/

Writing generally:

http://www.telegraph.co.uk/lifestyle/9764931/The-101-best-pieces-of-advice-ever-received.html

http://robbgrindstaff.com/2013/01/why-are-verbs-so-tense/

http://lissywrites.com/2013/06/28/back-cover-text-book-blurbs-and-other-fun-stuff/

http://venturegalleries.com/blog/writing-short-stories-for-anthologies/

http://www.writingforward.com/writing-tips/tips-for-self-editing?utm_source=rss&utm_medium=rss&utm_campaign=tips-for-self-editing

http://www.indiesunlimited.com/2013/07/13/rethink-advice-to-writers/#more-41613

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