Audiobook Narrator Interview – Matt Jenkins

Tags

audio book narrator interviews, audiobook, interviews, narrator

*Name: Matt Jenkins

*Tell us a bit about yourself: Born and raised in a church (literally, in a church – the graveyard was my playground…) I have been reading in public since I was able to see over the lectern. Then I got dragged down the dark path of technology and computers consumed my soul. At least for a while. Then, thankfully, I escaped. Now I’m a Buddhist (much to the chagrin of my Christian folks) and a freelance electronic designer. One side-effect of all the technology is an understanding of audio production, and I am the chief audio engineer for the local Talking Newspaper for the Blind. I also sing in a number of local choirs.

How did you become involved with audiobook narration and production? One of our reading team at the Talking Newspaper mentioned ACX to me one day, so I thought I’d look it up and see what it was. Sometimes when reading a book I’d secretly visualise myself producing it as an audiobook, and ACX has opened that door to me.

Is this your day job? Nope.  As I mentioned above I am a freelance electronic designer. I spend my days sat in front of my computer drawing lines on the screen. Industrial control and monitoring systems are my thing.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? This is a tough one to answer: I have only produced two books so far – The Watcher: A Jack The Ripper Story, and Beyond The Vale, by Kerry Alan Denney.  I’m not sure which is my favourite, as they are like chalk and cheese.  Both have been enjoyable to produce, and good stories that I enjoyed reading.  I hope for many more to come.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? Not really a preferred genre. I do, though, think it’s important to enjoy the stories you read. If you’re not enjoying the story it comes across in your reading. You have to enjoy the story to take a proper interest in it and bring the story to life. There’s no genres that I won’t touch, but if the book doesn’t appeal to me I won’t bother with it. Mostly I gravitate towards fantasy and science fiction, but I’m not fixated solely on it.

What are you working on at present/Just finished? Just finished The Watcher. Nothing lined up at the moment, but I do have a few auditions out there – one I’d really like to get selected for is Among The Dead – a Zombie book.

*Tell us about your process for narrating?  (Be as elaborate as you like.) My first book was produced all manually. Lots of reading and re-reading, then cutting up, splicing together, etc afterwards. The editing took longer than the reading. That was the worst part of reading, actually – the editing. So, being a technofreak, I decided to do something about it and wrote my own software to do it all for me. Now the editing is done while I’m reading by the program itself at the press of a key and afterwards is just a brief cleanup to make it sound as good as possible. The editing for The Watcher (it’s only a short story) took about 30 minutes, and 25 of that was just listening through.

What aspects do you find most enjoyable?  Getting to read books I’d otherwise never think to read – and (hopefully) getting paid for it 🙂

What do you find least enjoyable? The post-reading editing. Hence the spiel above….

Have you ever found an author you couldn’t continue to work with? How was this resolved? Not yet. But that’s only after 2 books…

Do you consider royalty share when looking for books to narrate? If not why is this? Yep, I do. Being a freelance designer my income tends to come in lumps, with vast expanses of poverty in between.  With royalty share, I’m hoping to get a little bit of regular income to help smooth over those dearths.

Do you listen to audiobooks? Indeed I do. They’re great to keep the right side of my brain occupied while I’m working with the left.

*With many people owning MP3 players do you think this is the future of storytelling? I don’t know if it’s the future, but it certainly has a prominent place in the future.

Why do you think audiobooks are becoming so popular? They’re great for when you’re commuting, jogging, working, whatever it is you do. You can listen and do other things (which is important in this fast-paced, need it yesterday, world).

Can you remember the first audiobook you owned? Probably a Terry Pratchett (read by my hero Tony Robinson). Sourcery + The Colour Of Magic I think it probably was. On cassette.

If you are an author, do you produce your own audiobooks or do you prefer to look for an independent narrator? Why have you made this choice? I’m not an author (yet).

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) I’ll let you know next year 🙂

Have you ever had a negative experience producing a book? Not as yet.

What is the best piece of advice you’ve had? Pause. Just that. Pause. The silence is as important as the words.

What is the worst piece of advice you’ve had? Is there such a thing as bad advice? If you learn from the experience it’s still positive, yes?

If you could narrate any book you wanted which would it be and why? Well, there’s The Wheel of Time series (Robert Jordan). That’d keep me in work for the rest of my life. I am (of course) a Terry Pratchett fan, but there’s no way I’d be able to match up to Tony Robinson’s readings. I quite like Tom Holt’s works – they combine fantasy with the kind of warped humour that appeals to my twisted psyche. Plus doughnuts.

Please tell us a silly fact about yourself. I spent 3 months living in Sweden when I was 4. When I came home, and started school, the teacher asked: “Who can count to 10?”. I put my hand up, stood up, and counted to ten, perfectly. In Swedish. Ett, två, tre, fyr…

Where can we learn more about you? I keep my personal life off the internet. But you can check out my company site if you like: https://majenko.co.uk

Social Media links: Social media is a mug’s game. You won’t find me on there. Twatter, Basefook, etc – not for me. I value my sanity, and I don’t need the rest of the world to tell me I’m fat: I already know.

 

 

 

 

 

 

 

 

 

 

 

 

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Tales of the Golden Mask – Audio – Spotlight #Eroticromance #shortstories

Tags

Audio books, audiobook, book spotlight, Erotic fantasy fiction, Erotic Romance, erotica

Tales of the Golden Mask – An Initiate’s Tale 

by Alexa Lynsey and Belle De Ver

Sultry and sensual adventures to warm your cold winter nights or steam up your long summer days. Set in a fantasy world where nothing is quite what it appears, an old book and a strange golden mask bring power and pleasure.

The first instalment in the Tales of the Golden Mask

Adult rated.

 

Amazon audio

Amazon UK audio

 Audible UK

Audible.com

E-book available here Universal Link (Amazon, Kobo, Nook, Smashwords, Thalia, Bol.de, Angus and Robertson, Monadori).

Print edition – Amazon UK http://amzn.to/2okGYFt

Print edition – Amazon.com http://amzn.to/2pexUGn

Bundle Rabbit https://bundlerabbit.com/products/detail/tales-golden-mask

Goodreads https://www.goodreads.com/book/show/33977537-tales-of-the-golden-mask?from_search=true

Review – The Day of the Triffids – audio

Tags

audiobook, Classic Sci fi, Reviews, Science fiction

The Day of the Triffids – Audible UK

I’d forgotten what a great book this is, and the radio adaptation was splendid. This post-apocalyptic tale of plants, the destruction of civilisation and the human spirit is told in a series of episodes. The cast was well-chosen – and I especially liked the lady playing Josella. There is a good deal of suspense and fear. As civilisation rapidly crumbles the hero (Masen) questions everything.

The book – although written in the 1950s this tale is also (as they so often are) a tale for today. Genetically modified plants – the titular Triffids – are bred from an assortment of other plants (and it hints not just plants) and produce oil which surpasses other types of oil. Of course, humans need this oil and merrily breed these plants – which not only are rather aggressive but also mobile. When a comet (is it a comet or something brought about by the Triffids?) brings world blindness to anyone or anything who saw the impressive light show the triffids now have the advantage. They are tough, mobile, poisonous, aggressive, can communicate and are ruthless.

As with many of the sci-fi books written around that time, there is a good deal of classic horror – expect a body-count, and the majority of humans don’t come out so well. Civilisation is only a veneer – and as soon as the comforts and safety of it disappear the fighting, the looting, the backward steps start. Our heroes have to review their moral code. Decent folks who would not, under normal circumstances steal, or cause harm, are now looting, shooting and uprooting.

There are many facets – GM crops (as we would call them today), bio-warfare, the fall of civilisation and a good deal of survival of the fittest. But of course, the human spirit, and brain will find a way to survive.

It’s a great book and a great audio rendition.
5 stars

Narrator Interview – Andrew J Pond

Tags

audio book narrator, audiobook, dragons, Indie Promotion, kids books, narrator interview

Name: Andrew J Pond

*Tell us a bit about yourself: I’m a professional actor and drama teacher with over 20 years experience. I also have an eclectic set of skills, such as accents, Muppet voices, magic, juggling, balloon artistry, and Elvis impersonation. I also have a degree in philosophy so I can sound smart at parties.

How did you become involved with audiobook narration and production? I’ve always loved reading, and the sound of my own voice, so…

Is this your day job? It’s one of several. As an actor, you cobble together multiple jobs to avoid the 9-5. I am hoping it becomes lucrative enough to take the sole position.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? Authors of Science Fiction/Fantasy seem most responsive to me. This is a genre I personally enjoy reading, so that’s helpful. I think it’s because of the fact I have a facility for character voices and, as an actor, storytelling is something that’s second nature to me.

What are you working on at present/Just finished? I’ve just finished a wonderful book for young people called Jinx and the Faerie Dragons by Victoria Zigler. It’s a great adventure for young readers. Lots of fun characters. I’m presently recording The Waters of Nyra by Kelly Michelle Baker, which is also about dragons. I’m sensing a theme…

*Tell us about your process for narrating?  (Be as elaborate as you like.) I’ve built what is essentially a blanket fort in my office to help with acoustics, because I am a giant child. I like to read through the chapter I’m going to record to make sure I’m aware of any difficult to pronounce words or names, as well as figuring out voices for characters I’ve not recorded yet. So I do spend a good amount of time talking to myself. Then, once I’ve gotten a rough idea, I sit down to record. If I make a mistake, I don’t stop, I snap my fingers and then repeat what I messed up. This makes editing later one much quicker.

What aspects do you find most enjoyable?  The performance, honestly. Especially if I have a bunch of dialogue with multiple characters, which allows me to switch back and forth between voices quickly.

What do you find least enjoyable? Editing. Not because it isn’t interesting (I love learning new skills) but mostly because it’s tedious.

Have you ever found an author you couldn’t continue to work with? How was this resolved? Luckily, no.

Do you consider royalty share when looking for books to narrate? If not why is this? I do consider it. It’s great if you feel confident the book will sell well, and of course, that means passive income. The only times I don’t consider it is if the book is exceedingly long or technical, because it means the amount of work is significantly higher. For that kind of job, I like to get payment at the end of the job.

Do you listen to audiobooks? I used to listen to them all the time, on cassette, which shows just how old I am. I used to have a job that required a lot of driving, and they were awesome for that. I am a bit old-fashioned and like having books in my hands, but I have started listening to audiobooks again, and it really is a lovely way to experience books.

*With many people owning MP3 players do you think this is the future of storytelling? At this point, I wouldn’t bet against anything online or digital. I have an embarrassing history of not understanding technological trends…

Why do you think audiobooks are becoming so popular? I think it’s a combination of ease of use, since everyone’s so on the go, and free time nowadays is limited (not to mention everyone lives on their phones), and the performance aspect. People enjoy hearing a book performed.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) It’s definitely fulfilled my expectations as far as amount of work. I’m amazed by the selection.

Have you ever had a negative experience producing a book? Thankfully, no.

What is the best piece of advice you’ve had? The technology isn’t that hard. You can do this. Anything that deals with the tech side of it was always intimidating, but the entire recording/editing process turned out to be surprisingly simple.

If you could narrate any book you wanted which would it be and why? Watership Down, by Richard Adams. It was my favorite book as a kid, and I read it multiple times. It’s an incredible adventure story, and has a plethora of opportunities for voices. That or Zen and the Art of Motorcycle Maintenance. Love that title.

Please tell us a silly fact about yourself. I watched Sesame Street daily until I graduated from college.

Where can we learn more about you? http://www.andrewjpond.weebly.com

Social Media links: www.facebook.com/andrew.j.pond

Instagram: @thadhel1

If you would like to learn more about Jinx and the Faerie Dragons look here:

Audible: https://www.audible.co.uk/pd/Children/Jinx-and-the-Faerie-Dragons-Audiobook/B079NMXF6R
Smashwords: https://www.smashwords.com/books/view/447528
Barnes & Noble:
https://www.barnesandnoble.com/w/jinx-and-the-faerie-dragons-victoria-zigler/1119744836
iBooks https://itunes.apple.com/us/book/jinx-and-the-faerie-dragons/id890071985
iTunes: https://itunes.apple.com/gb/audiobook/jinx-and-the-faerie-dragons-unabridged/id1347211105
Amazon UK: Amazon UK
Amazon US: Amazon US
Amazon Canada: https://www.amazon.ca/Jinx-Faerie-Dragons-Victoria-Zigler/dp/1512360074/
The Book Depository:
https://www.bookdepository.com/Jinx-Faerie-Dragons-Victoria-Zigler/9781512360073
Goodreads: https://www.goodreads.com/book/show/22460426-jinx-and-the-faerie-dragons

Audiobook Narrator Interview – JD Kelly and Spotlight for Cubby and the Beanstalk

Tags

audio book narrator, audiobook, kids books, narrator interview, Tori Zigler, voice actor

*Name: JD Kelly

*Tell us a bit about yourself: This is always a tough question to answer. I am a full-time voice actor,  however, I’m also the lead singer and rhythm guitarist for a rock and blues band, as well as well as writing and recording my own solo music.

When I’m not using my voice for singing or acting, I try to share as much as possible on my YouTube channel, where I play Video Games and go to conventions across the country. See my answer to the ‘silly fact’ question below for one of my achievements!

Having my own YouTube channel also gives me the opportunity to film and edit video, as well as photography. I love meeting people in cosplay at conventions to create montage videos, I’ve also filmed music videos for bands and solo artists too.

One of my more recent interests is running, I’d never considered myself a runner before but now I’ve completed two half marathons (one was at Disneyland Paris) I think it’s safe to call myself a runner. In all honesty, I use it as a great way to get out into the countryside, a change from my recording studio!

How did you become involved with audiobook narration and production? Before becoming a full-time voice actor, I worked in the industry part-time working on radio productions and audio plays. A friend of mine actually runs a production company so after working with them on a couple of small projects and really enjoying it I discovered ACX/Audible. I started to complete short projects in my spare time and immediately loved it, I quickly realised I wanted this to be my full-time career.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? I really enjoyed ‘Norse Mythology by Matt Clayton’ it was fun finding out about the myths and legends. ‘Summary of “The Happiness Advantage” by Shawn Achor’ was great too as Shawn Achors TED Talk was a huge influence on me, his book on positive psychology is fascinating!

But I am really looking forward to the next chapter of ‘The Fall Of Centuria by James A. Harris’ it was great to do the first book in this fantasy series!

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? I love narrating Fantasy novels, it’s a genre I read often. Sci-Fi is great too but I guess because the first book I really got into was The Hobbit, fantasy novels have kind of stuck with me.

I don’t produce erotic fiction, I don’t mind some raunchy romance tales but, when it gets too explicit, I can’t keep a straight face.

What are you working on at present/Just finished? I’m currently working on Alice In Wonderland and the third book in a series called 101 SNES Facts!

I have just completed Cubby and the Beanstalk an adorable kids book! (see links below)

*Tell us about your process for narrating?  (Be as elaborate as you like.) I’m very lucky that I have a recording studio set up home so it makes it really easy for me to get stuck into a project. The process begins with my audition, I look for roles that interest me, books about a subject I’m interested in and other projects in genres I’ve perhaps not worked in before, I love to challenge myself.

The audition is usually a few lines or the first 5 minutes of a longer project – this is usually enough to give me some insight into the writing style so I can adapt my tone as needed. I sometimes record a couple of versions so the end producer or author has some choice.

Once hired, I then like to get some direction from the client, writers often have a tone of voice in mind for a character and it’s important to me that I stay true to that. This is also a great time to confirm any unusual pronunciations or dialects – which happens quite often in fantasy books!

Once I’ve recorded everything, I then use various programmes to edit my takes and upload them as a final audio file.

What aspects do you find most enjoyable?  The thing I find most enjoyable is becoming the character, it keeps my job diverse and interesting. One day I can be playing the role of a Military Commander, and the next a Welsh Polar Bear cub! I enjoy portraying these different characters, knowing that the end listener will use this to help paint the images in their mind while they listen to the books.

Do you consider royalty share when looking for books to narrate? If not why is this? This really depends on the project and the length of time involved. Royalty shares mean I get paid after the work is completed, when the project makes money. This can work well for shorter projects where I can complete the work fairly quickly, but for longer projects, I do charge a ‘per finished hour’ rate.

Do you listen to audiobooks? Sometimes for non-fiction I’ll listen to an audiobook, but I can’t quit the written word when it comes to fiction. I suppose I like to hear the voices in my head using my imagination.

*With many people owning MP3 players do you think this is the future of storytelling? I think it is a storytelling media that will continue to become more popular as time goes on.

However, do I think that physical books (Digital too) will become extinct? Not really, I think we will find some kind of equilibrium.

Why do you think audiobooks are becoming so popular? With media/work taking up so much of people’s time these days, and people looking for ways to continue learning and being told stories I think it allows people escapism and learning on the move. During travel, in the bath and at night before bed seem to be good moments for most people.

Can you remember the first audiobook you owned? The first audiobook I owned was The Hobbit, I had it on cassette tape when I was about 8 years old, I remember getting it when I was living in America and I listened to it countless times. I’m not sure where the cassette is now, however, I recently went on holiday to stay in some hobbit huts in the UK and downloaded The Hobbit on iTunes – listening to it while sitting next to the fire brought back some great memories from my childhood.

If you are an author, do you produce your own audiobooks or do you prefer to look for an independent narrator? Why have you made this choice? I am not an author…yet. But I think in the future it would depend on the project, and if my voice would be suitable. I hope that I have enough humility to keep perspective and make a good casting call on whether my voice is right or not.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) Oh definitely, it’s a system that has allowed me to forge a career out of a hobby!

Have you ever had a negative experience producing a book? Only one I can think of, the script I had received was not that well suited to audio production, so I just did the best I could with it. It is extremely rare that this happens but sometimes you just have to make the best of a script you are given.

Each difficult project you get teaches you something new, lets you know what your strengths and weaknesses are and allows you to get better!

Please tell us a silly fact about yourself. I have held a Guiness World Record for the Longest Marathon Time Playing Minecraft, I live-streamed it on my YouTube Channel raising over £2500 for Cancer Research UK!

Where can we learn more about you?

www.JDKelly.info

Social Media links:

https://www.facebook.com/JDKellyVA/

https://twitter.com/jd_kelly

https://www.youtube.com/themajikelone/

Cubby and the Beanstalk is available at the following retailers.

Audible: https://www.audible.co.uk/pd/Children/Cubby-and-the-Beanstalk-Audiobook/B078THHWBL/
Smashwords: https://www.smashwords.com/books/view/459061
Barnes & Noble:
https://www.barnesandnoble.com/w/cubby-and-the-beanstalk-victoria-zigler/1120001996
Kobo: https://www.kobo.com/us/en/ebook/cubby-and-the-beanstalk
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/cubby-and-the-beanstalk/9781310906428-item.html
iBooks: https://itunes.apple.com/us/book/cubby-and-the-beanstalk/id902823470
iTunes: https://itunes.apple.com/gb/audiobook/cubby-and-the-beanstalk-unabridged/id1333112178
Amazon UK: https://www.amazon.co.uk/d/Books/Cubby-Beanstalk-Victoria-Zigler/1512360104/
Amazon US: https://www.amazon.com/d/Books/Cubby-Beanstalk-Victoria-Zigler/1512360104
Amazon Canada: https://www.amazon.ca/d/Books/Cubby-Beanstalk-Victoria-Zigler/1512360104/
The Book Depository:
https://www.bookdepository.com/Cubby-Beanstalk-Victoria-Zigler/9781512360103
Goodreads: https://www.goodreads.com/book/show/22798929-cubby-and-the-beanstalk

Cover art atatched.

Audiobook narrator interview – Jerry Fischer

Tags

audiobook, Audiobook narrator interviews, Children's Books, Christmas, kids books, Winter Books

 

*Name:  Jerry Fischer

*Tell us a bit about yourself:

How did you become involved with audiobook narration and production? Studied voice-over technique with Ginny Tyler (voice of Minnie Mouse), Joanie Gerber (voice of one of the Smurfs & various commercials), & Julie Kliewer (voice of Robecca Steam in “Monster High”); was an elementary public school teacher for over 28 years & always read to my students utilizing different voices; past reader for The Learning Tree (Hollywood production studio for reading for the blind)

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? Fairview Felines (written by Michele Corriel, exhibiting 20 different voices), Ulrike’s Christmas (MY FAVORITE, written by Victoria Zigler), Hokey Pokey Pirates (written by Peyton King, Kristi King-Morgan), Why Are There Bullies … (written by Rich Linville)

Do you have a preferred genre?  Yes, Kids!    Do you have a genre you do not produce?  Yes, Adults. Why is this? The books are too long and boring

My preferred genre is: Of course, Kids

What are you working on at present/Just finished? Just finished Home Squeak Home (another wonderful book written by Victoria Zigler)

*Tell us about your process for narrating?  (Be as elaborate as you like.) It takes tremendous patience and practice, practice, practice. A voice-over artist is always honing his/her skills. Knowledge of various software programs and mics is a must, along with clear diction, high energy, and a vivid imagination. And, for sure, a love for reading!

What aspects do you find most enjoyable?  Getting into the characters and becoming “them” as I narrate. Being able to bring the books “alive”.

Do you consider royalty share when looking for books to narrate?  Yes, it tends to be much better than price per hour. That is, if you have a great writer and publisher who promotes and networks.   If not why is this? NA

Do you listen to audiobooks? Used to, more in the past than present, since I’m busy with narrating and producing, now that I’m retired (well, from teaching).

*With many people owning MP3 players do you think this is the future of storytelling? Perhaps; however, my grandson encouraged me to stop narrating for anyone over 12 years old, because most teens don’t want to sit down today and listen to an audiobook. Sadly, many adults don’t seem to want to take the time to listen to stories anymore either. I really think we still need to hold onto the old-fashioned style of live storytelling.

Why do you think audiobooks are becoming so popular? Maybe people would rather listen to books that are recorded as they drive in their cars or do things around the home. Sitting down and reading has basically become a thing of the past, even in public schools. Although every year I’m asked to return to my last school and read to different aged students for a special day of reading.

Can you remember the first audiobook you owned? It was a Christian fictional book, This Present Darkness, by Frank Peretti.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) Earnings, not yet… Ease of use, definitely. Workload, you betcha, and I’m thoroughly enjoying the children’s books.

Have you ever had a negative experience producing a book? Yes, my first one, which cost me money. The writer was horrible with his grammar and I was continuously correcting the manuscript. Having been an elementary school teacher sure came in handy with all the corrections. Unfortunately, the experience caused me to doubt the validity of continuing as a narrator. Yet, I persevered and came into my own, especially with the last books written by Victoria Zigler. I really can’t say enough about this prolific children’s writer. “Mother Goose” move over!

Please tell us a silly fact about yourself. My grandchildren think I’m the silliest Grandpa in the world and I love it! They can’t believe it when I walk up to little children and start having a conversation with my “Donald Duck” impersonation.

Where can we learn more about you? Ask my grandkids or friends, or go to Audiobook Creation Exchange (ACX), or Facebook, or see me as “Cowboy Jerry 1” on YouTube (Yes, I’m even a prestidigitator.)

Social Media links: Facebook

Jerry has recently narrated – Ulrike’s Christmas

Audible: https://www.audible.co.uk/pd/Children/Ulrikes-Christmas-Audiobook/B076KWWL6Y/
Smashwords: https://www.smashwords.com/books/view/689169
Barnes & Noble:
https://www.barnesandnoble.com/w/ulrikes-christmas-victoria-zigler/1125333618
Kobo: https://www.kobo.com/us/en/ebook/ulrike-s-christmas
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/ulrikes-christmas/9781370858835-item.html
iBooks: https://itunes.apple.com/us/book/ulrikes-christmas/id1186265503
iTunes: https://itunes.apple.com/gb/audiobook/ulrikes-christmas-unabridged/id1299897702
Amazon UK: https://www.amazon.co.uk/Ulrikes-Christmas-Victoria-Zigler/dp/1541259998/
Amazon US: https://www.amazon.com/Ulrikes-Christmas-Victoria-Zigler/dp/1541259998/
Amazon Canada: https://www.amazon.ca/Ulrikes-Christmas-Victoria-Zigler/dp/1541259998/
The Book Depository:
https://www.bookdepository.com/Ulrikes-Christmas-Victoria-Zigler/9781541259997
Goodreads: https://www.goodreads.com/book/show/33358687-ulrike-s-christmas

Narrator Interview – Danny Letham

Tags

audible, audiobook, Audiobook narrator interviews, Battle of Hastings, Battlefield 1066, History, history for kids, kids books, narrator interview, Victoria Zigler

*Name: Danny Letham

*Tell us a bit about yourself: Raised on a Scottish moorland farm, I spent much of my adult life in various Scottish and English cities and now live near the North Wales Coast.  My work background is software development and systems analysis, specialising in commercial, financial, and manufacturing systems. Born into a musical family whose other stock-in-trade was teaching, I was a mobile deejay in my teens, and these days I can gossip for Britain about many musical genres.

How did you become involved with audiobook narration and production? While I’ve always liked to talk, the impetus came in the form of the usual story: suggestions from friends and relations. I was very aware that merely being the “natural” that those good folks suggested was not enough, and indeed the well-intentioned encouragement might not even have been true. So, from about 2012 onwards I researched and self-trained with the help of Patrick Fraley’s tutorials and a few other sources. Meanwhile, before my wife’s death in 2016 I had gradually withdrawn from the world of I.T. to become her full-time caregiver, and since then I have reinvented myself as a narrator, video maker, and digital artist. I first encountered ACX through Mr. Fraley.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? You’ll have worked out from the foregoing that I have only just taken the plunge. So, for the time being I don’t have much to say here. I have a computer full of material that will never be seen or heard in public, kind of like those early Beatles recordings made in Hamburg. (Dream on, Danny!)

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? I’m a non-fiction kind of a guy really, who aspires to biography, history, the education sector, and corporate reads. I have a high regard for the better fiction narrators and am not averse to characterisation, but not every title is an Agatha Christie mystery and although I have my moments and can run the gamut of SATB timbres (baritone and mezzo are my best) I’m not quite in the same league as David Suchet. What folk tend to overlook, though, is that within the vast tract that is non-fiction there is every bit as much of a need for nuance and sense of scene. Which isn’t to rule out the right novel, of course; never say “never”. That said, I am minded to avoid so-called “Adult” material but I’d not reject an otherwise suitable title just because it had some adult content; however it would have to be very good read. On the other hand, given that I have a well-developed avuncular style for kids’ books there is an obvious conflict, so “Adult” is not a market I would target.

What are you working on at present/Just finished? I have just arrived on Audible as narrator of a kids’ title written by Victoria Zigler, called “Eadweard: a Story of 1066”. That title attracted me partly for its historic interest but significantly also because of its ethic; as a lad who never wanted to be a soldier myself I identified with its busting of the myth. The ten-year-old Danny repulsed by the “It’s a Man’s Life” TV recruitment campaign would have loved that book.

Ongoing, from a business perspective I am looking at ethical advertising both in sound and on video more so than audiobooks, but additionally in the medium term I have my eye on a couple of older works which are now in the Public Domain and for which I would assume the role analogous with rights holder as well as that of narrator.

*Tell us about your process for narrating?  (Be as elaborate as you like.)  Step One is, sample it and improvise reading one or two previously unseen passages. See how it FEELS. That instinct is important, and I try to carry it with me throughout the creative process at the same time as balancing it with self-directing. Next, read the thing end to end; if you don’t do that you can paint yourself into a corner either with a wrong characterisation as the plot unfolds or, in non-fiction, with a compromised counter-argument. Try a few more passages as you go along, and revisit former ones. Note how different the passages you improvised feel when they are re-encountered. Rehearse. Mark the text with cues and emphases while progressing, considering any surprise inflections that might work to keep the audience engaged. Rehearse again. Set milestones. Go on the mic, for no more than half an hour at a time; after that amount of time mistakes will multiply. Avoid becoming a slave to the punctuation, especially if that punctuation is mechanised. Repeat whole sentences or at least clauses where you notice at the time there has been a blooper, without pausing. Then get technical with NR, EQ, and all that stuff. When editing bear in mind that sometimes it’s better to splice than merely to cut. Sometimes there is no option but to overdub, but don’t do that yet. Open a list of overdub requirements. Listen back, repairing any pops or clicks etc, while identifying any more overdubs. Listen again, following the text closely looking for misreads. Rely on it; there will be some, and consequently more overdubs. Each overdub is a miniature run of the “mic NR EQ pop click etc.” cycle.  Cry, scream, and yell, when the sound palette of the overdub doesn’t match the main body of your narrative. Rinse and repeat. FINALLY (um, not really finally) submit your Thing Of Beauty. Cry, scream, and yell, some more when the rights holder sends a list of …. overdub requirements! Rinse and repeat. Oh, and that other chap who waves his arms? Me too.

I didn’t mention mixing just now. I always record vox in mono but where music or SFX is involved I will decide based on the specifics of the case whether or not to mix in stereo. If it’s narration only, it stays in mono unless I need to emulate physical activity. However, they never needed a stereo mix in the days of Steam Radio, did they? We have lost a lot these days, with the “live” imperative supplanted by all this tech, and yet I am mindful of babies and bathwater. I prefer to use Adobe Audition. Some freeware is absolutely magnificent, but Audition’s visualisations and its brush and lasso repair tools in particular are all but indispensable. In the end you get what you pay for.

What aspects do you find most enjoyable? In a sentence? I like the sound of my own voice! No, in all seriousness, performing is the buzz; I can’t say that I love the technical aspects. I did discover recently when invited to do a live reading that the dynamic is entirely different from studio work, so now I am looking to add that to the repertoire on a permanent basis.

Do you consider royalty share when looking for books to narrate? If not why is this? I certainly do. I think it unwise to dismiss either royalty share or finished-rate. Every project has its own business case. It depends on what balance you need to strike from time to time between visibility, prestige, and cash flow.

Do you listen to audiobooks? Not very often because in my limited leisure time I tend to read, looking for performance material! I spend more time listening to podcasts online. The audiobook that I have enjoyed the most – ever! – is David Suchet’s reading of “Death on the Nile”. Such characterisation! He is especially able when “doing” the women, and then there is all that over-the-top emoting, and excellent timing resulting from the great sound editing and audio engineering. What’s not to love? It is a lesson in the proper use of tech to give an enhanced performance experience. One of my bugbears is that the unavoidable pauses in “he-said-she-said” dialogue passages go unedited because of production time constraints. And people have been trained to like it, even to consider it best-practice. For me, while it’s fine in a live situation on a recording it just jars.

*With many people owning MP3 players do you think this is the future of storytelling? Yes and no. It’s unfortunate in some respects that the old way is almost extinct, of Wise Old Heads occasionally reading from a book but frequently improvising around a detailed memory. There is nothing quite like a live performance in which the narrator responds to the audience’s cues and maybe interacts with them. The best stories can be retold with near-infinite variation – consider how folk music works. In my dreams at least, I foresee that style of performance returning as ordinary people’s reading comprehension skills continue to diminish – which I believe they are doing regardless of the A-level statistics. For now, though, as a society we are going through a “more of the same” loop in which hearing the same story repeatedly in exactly the same formulaic way is the “four legs good” of our era, and whether we like it or not the playback device is king. Equally, the playback device is an ideal medium for disseminating listen-once material, superior to radio because of its on-demand nature. In that context word-of-mouth, social media ads, and the Infernal MP3 Machine are the narrator’s best friends. Just as the phonograph paved the way for excellence in musical performance we must hope the MP3 does the same for narration, although in my view we aren’t quite there yet.

Why do you think audio books are becoming so popular? The commuter lifestyle has a lot to do with it. The world of the past that I have described has largely been mechanised out of existence, and indeed that is the case even away from the urban cycle – in agriculture, for example, productivity demands shackle us to our tractors and our milking machines more than ever before. Changes in the popular music scene have made recorded music significantly less attractive to many than it has been previously, so the advent of affordable and – importantly – portable technology with which to hear something interesting is bringing the audiobook to the masses just like the Dansette did popular music half a century ago.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) It’s too early to say as regards earnings, but actually, I think it more realistic in my situation at least to seek prestige and visibility than it is to expect Big Bucks directly. It is an easy platform to use in the technical sense, while in another respect it falls somewhere in between an effective hiring fair and a useful additional networking tool, not so much with peer-to-peer networking (to steal an I.T. term) as in the wider literary community. Having said that, I think the signal-to-noise ratio in terms of networking opportunity is less than ideal.

Have you ever had a negative experience producing a book? Every experience is a learning opportunity. If you don’t see it that way, that is a negative in itself.

Please tell us a silly fact about yourself. People perceive me to be fearless but… while obviously, I wouldn’t choose to do so I would wrestle a Rottweiler (and probably lose), and yet I have an irrational fear of chickens.

Where can we learn more about you?

Website with onward links is here: http://www.thevoiceofdaniel.com/

For repertoire and samples , go straight to soundcloud: https://soundcloud.com/dannyletham

If you want to check out Victoria and Danny’s work – please use the links below.

Audible: https://www.audible.co.uk/pd/Children/Eadweard-A-Story-of-1066-Audiobook/B0778V7XDC/
Smashwords: https://www.smashwords.com/books/view/652726
Barnes & Noble:
https://www.barnesandnoble.com/w/eadweard-victoria-zigler/1124182601
Kobo: https://www.kobo.com/us/en/ebook/eadweard-a-story-of-1066
Chapters-Indigo:
https://www.chapters.indigo.ca/en-ca/books/eadweard-a-story-of-1066/9781370587865-item.html
iBooks: https://itunes.apple.com/us/book/eadweard-a-story-of-1066/id1137551399
iTunes: https://itunes.apple.com/gb/audiobook/eadweard-a-story-of-1066-unabridged/id1313336363
Amazon UK: https://www.amazon.co.uk/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon US: https://www.amazon.com/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon Canada: https://www.amazon.ca/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
The Book Depository:
https://www.bookdepository.com/Eadweard-Story-1066-Victoria-Zigler/9781539534471
Goodreads: https://www.goodreads.com/book/show/31199382-eadweard—a-story-of-1066

Narrator Interview – James Watkins

Tags

animals, audiobook, Children's Books, kids books, narrator interview, Victoria Zigler, voice artist

*Name: Hello, my name is James Watkins

*Tell us a bit about yourself: I live in sunny San Diego California, which has been my home since 2011.  I took a long time to find my home in voice work, but this year has seen the completion of my home studio, and I’m never looking back!  I love reading, singing and writing songs, hiking, and playing in the ocean.

How did you become involved with audiobook narration and production? I am a lifelong lover of reading.  I really enjoy being able to explore through words and ideas.  Because I am a bit of an amateur musician, I ended up with some simple recording equipment at home.  When it first occurred to me to combine reading and recording it seemed natural and perfect.  I am so glad to be living in this time where I am able to bring these things together in such a simple way. I have had a learning curve, too, but it’s a good thing that I also love to learn new things!

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? I recently narrated a series of four short books for kids, called “Degu Days”, written by Victoria Zigler.  They are short but wonderful tales written in the voice of pet degus.  They are small South American rodents who are amazing jumpers, and extremely charming little creatures.  Victoria Zigler is a talented writer whom I think is well worth reading.  Her stories beautifully capture the simple perspective of the young, but there are serious matters she deals with powerfully in the space of a very short story, too.  Degus are cute fuzzy little creatures, but a lot of kids learn some of their earliest lessons in caring for a pet from small animals like these, and are even introduced to their first experience of what death is through living with these lovely, innocent animals.  A lot of people say that reading stories really helps develop children’s capacity for empathy, and seeing things from another perspective, and Victoria has a nice touch with this stuff. Her books are true literature, aimed at meeting children where they are, and gently, kindly, lovingly helping them to grow and understand.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? Being able to do lots of different stuff is a big part of what keeps things interesting!  I like to do kids stuff, science fiction and fantasy, history, business, self-help, Christianity, medicine and life sciences, earth sciences, criticism, meditation.  These are just some examples of things I’ve worked on recently.  What’s really important to me is good writing.  Good writers are a treasure, and I am excited to be able to help take something great and bring it to a wider audience.

What are you working on at present/Just finished? I’m pretty excited to be putting together a podcast of spooky stories right now, called the bonefire.  The first episodes are going to be ready to go in the next few weeks.  It’s exciting to have my very own project.

*Tell us about your process for narrating?  (Be as elaborate as you like.) First, I’ve got to read and understand.  I take notes, use a highlighter, draw little pictures and maps, so that I have a really strong sense of the voices, the arc of the story or the structure of what is being written about, and what the tone of the writing is.

Then it’s time to read and record.  I like to read in the later part of the day.  For some reason my voice gets more and more limber as the day goes on.  I like to be active when I read, and probably look very silly waving my arms around.  Taking lots of little breaks is important, too.  Focusing and refocusing, so that I’m always fresh. Between what the writer has done and what I can do, there’s a lot of life you can give to a piece of writing.  It’s important to pay close attention to that aspect, and give it what it really deserves.

The last step is editing, taking out any mistakes or things that don’t sound right.  Then I process the signal.  There’s not much processing an audiobook reader has to do compared to what some other kinds of voice artists have to do.  This work is technical and procedural, but the truth is that it’s more about finesse than anything. It’s all about trying to get the best sound you can.

What aspects do you find most enjoyable? So many things!  I have the attitude of a craftsman.  The pursuit of perfection is what really gets me excited more than anything.  Making something well is time well-spent, and being engaged with great material inspires me.  Being able to read and really explore other people’s ideas and stories is pretty wonderful, too.

Do you consider royalty share when looking for books to narrate? If not why is this?Of course I consider royalty share!  Like anybody else, I’ve got to pay my bills and make money.  But if a project comes along that I really want to do, and I believe in it, then for me, it’s worth it.  I’m doing a job, and work is not all about fun and games.  But I’m blessed to be able to do a job that gives me the opportunity to do a wide variety of things that I can get excited about, and to make choices about what kinds of projects I take on.

Do you listen to audiobooks? I started listening to audiobooks at the same time I realized how much is becoming available, how many great books there are being produced in audio format, which was also the same time I decided I wanted to do it myself.

*With many people owning MP3 players do you think this is the future of storytelling? It certainly is an exciting storytelling form today.  And I think it will be even more interesting tomorrow.  There is a lot of room for growth and development in audiobooks, and we are just starting to scratch the surface now.  Human beings will always find new and exciting ways to tell stories.  It’s what we do.

Why do you think audio books are becoming so popular? It’s easy to understand why on a practical level people like them so much.  We like to have something that engages our minds when our hands are busy.  We have the opportunity to learn, to be engaged, and entertained while we are driving, or doing chores, or working, or we want something to keep the kids’ attention.  But it’s also great to realize that as this art form emerges, we are hearing better and better storytellers all the time.  The audience that writers can reach is a lot bigger, and the narrators who produce these books are honing their craft.  It’s an art form that has a lot of room for creative people to really show what they can do, and people love to be engaged by something that fits into their lifestyle.

Can you remember the first audiobook you owned?  I sure can!  It was The Death and Life of Great American Cities, by Jane Jacobs.  I knew my love affair with audio books was going to be a long one, and I thought it was only right to start out with a classic that I had been meaning to read for a long time.  I have lived in a number of different cities, and had a lot of things to compare as I listened to Jane Jacobs eye-opening insights into urban planning.  Donna Rawlins was such a fantastic narrator for this book.  From the beginning, I was listening to it thinking, “I want to do this”, so I listened very carefully to her consistency, her tone, the cleanliness of her enunciation and production.  I chose my first audiobook carefully.

 

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?)  Well, I’m not making a living from it (yet?) but I have had really nice interactions with everybody I’ve dealt with from authors to the folks at ACX.  They have created an effective and well-made interface that puts authors together with narrators.  There is a range of quality that is available, but it puts tools in the hands of people, allowing them to create something for their audience. It’s a lot of work to produce an audiobook, but it’s hard to imagine that there’s anything ACX/Audible could do to make it any easier!

Have you ever had a negative experience producing a book? Nope.  I’ve found myself overwhelmed, certainly.  But so far it’s been all positive.

Please tell us a silly fact about yourself. I have a tuxedo cat named Clarence who workshops my voices with me.  Every new voice I try gets run by him first of all.  He doesn’t give much feedback, but he’s a great listener.

Where can we learn more about you?

Social Media links:

Coming soon!  Homemade, chilling and scary audio stories!  Keep your eye on thebonefire.com for the first ones to appear in the near future!

If you are interested in having your project narrated and produced by James Watkins, you can find my profile on acx.com or email jameswatkinisvo@outlook.com

 

A noob’s guide to audio books with ACX – part 1 #audio #writers #writingtips

Tags

ACX, audiobook, How to make an audio book, writing advice.

I love having audio books, and I love listening to audio books. Recently I was helping another author with advice on getting her books converted to audio. I thought I’d share my notes.

A quick guide on turning your book into an audio book with ACX – part 1

• Why should I turn my book into an audio edition?

Audio books are very popular – they are great for the commute to work (which is usually when I listen to them), around the house, in bed or just about anywhere. Many people don’t have the time to sit and read, but as an audio book can be playing whilst you do other things a listener can hear and appreciate the story and not need to put time aside to look at a book. They are also, of course, a great format for people with restricted sight, who might find it difficult or impossible to read from a book or e-reader.

As an author, it is also very useful to have your books in as many accessible formats as possible. More avenues of sale = more potential sales.

 

• What is ACX and how do I sign up?

https://www.acx.com/help/authors/200484540 – author help and advice

ACX distributes to Amazon, Audible (an Amazon company) and I-books and if you have an Amazon account then you can use that to log in. Otherwise, it’s a case of setting it up. ACX has a reasonable set of help pages https://www.acx.com/help/about-acx/200484860 and it’s useful to start there. Do read the TOS and the FAQ, it will save a lot of heartache later if something goes wrong or you don’t understand something.

You have to provide your bank details, tax info and all the usual legal and financial malarky otherwise you won’t get paid. And yes, if you aren’t a US citizen you still need to provide your tax details – the IRS states that ANY goods sold in or through the US are subject to tax. This is NOT Amazon’s rule – it’s the law. If you are not a US citizen and your country has a withholding agreement hopefully you will not actually have to pay the tax – it still gets declared though. Anyway enough of that tedium.

‘Anyone who holds the rights to an audiobook (a Rights Holder) can connect with the people who can get those audiobooks made (the Producers).’

https://www.acx.com/help/a-marketplace-for-you/200487070

Basically, if you are the copyright holder you can turn your book into an audio edition.

https://www.acx.com/help/how-it-works/200484210

• What are the royalties?

ROYALTY SHARE it will 20% for you and 20% for the narrator. ACX sets the price so you won’t necessarily know what you’ll get.

NON ROYALTY SHARE means you’ll get 40% but you will have to pay the narrator up front. Narrators will state their fee (expect to pay out quite a bit for a novel) but of course, once it’s paid then any royalties are all yours.

Some narrators only work for money up front so royalty share does restrict your pool of talent – but it still quite large.

There is also $50 bonus scheme – put simply this means if yours is the first book a new customer buys with their audible credits you get a bonus ($25 if royalty share).

Royalties are paid monthly, at the end of the second month (So Jan paid in Feb, Feb in March etc). Personally, I find the payments confusing – as there are payments for:

AL: Audible Listener – purchases made by members with membership credits.

ALOP: Audible Listener Over Plan – purchases made by members with cash (not with membership credits).

ALC: A la carte – purchases made by customers, not in an Audible Listener membership.

Basically, members buying with credits, members without credits and non-members with cash.

Thus far I have not managed to work out how ACX defines the separate payments for these.

You’ll be sent an email saying royalties are now payable. Log in to your sales dashboard and this will show you how many of each title you’ve sold.  Below this is the earnings report page – you can download a summary report (says how many you’ve sold of each title per month) and a royalty report (how much money is coming your way).

 

More information to follow on how to upload your book, and finding a narrator.

Book Spotlight and Release Blitz for Mean Girls – Erotic Romance/Audio

Tags

audiobook, BBW, book spotlight, Erotic Romance, new release, Sexy big girls

Mean Girls by Lucy Felthouse Now Available in Audiobook Format! #audiobook #audible #romance #BBW #Rubenesque

Lucy Felthouse’s Rubenesque erotic romance novella, Mean Girls, is now available in audiobook format. Narrated by voice artist Xanthia Bloom, you can now listen to this sweet and sexy curvy girl tale on the go!

Mean Girls Blurb:

Adele Blackthorne is a big girl, a curvy chick. She knows it, and she’s been picked on all her life because of it. But she’s gotten to the stage where she doesn’t care. She may be Rubenesque, but she’s healthy, too. Much healthier than the mean girls at the leisure center that point and stare and say spiteful things about her. Adele rises above it all, and simply enjoys her secretive glances at the center’s hunky lifeguard, Oliver.

As the bullying of Adele becomes worse, Oliver finds it increasingly difficult not to intervene. He doesn’t want to get into trouble with work, but equally he can’t stand to see Adele treated in such a horrible way. Especially since he doesn’t agree that she’s fat and unattractive. He thinks she’s a seriously sexy woman, and would like to get to know her better. Much better.

Audio links:

Amazon UK: http://amzn.to/2sFENhc
Amazon US: http://amzn.to/2szphZ8
Audible UK: http://adbl.co/2spsB4I
Audible US: http://adbl.co/2tIoBQX
iTunes UK: http://apple.co/2tpm9vW
iTunes US: http://apple.co/2upu64o

eBook available here: http://lucyfelthouse.co.uk/published-works/mean-girls/

*****

Author Bio:

Lucy Felthouse is the award-winning author of erotic romance novels Stately Pleasures (named in the top 5 of Cliterati.co.uk’s 100 Modern Erotic Classics That You’ve Never Heard Of, and an Amazon bestseller), Eyes Wide Open (winner of the Love Romances Café’s Best Ménage Book 2015 award, and an Amazon bestseller), The Persecution of the Wolves and Hiding in Plain Sight. Including novels, short stories and novellas, she has over 160 publications to her name. She owns Erotica For All, and is one eighth of The Brit Babes. Find out more about her writing at http://lucyfelthouse.co.uk, or on Twitter or Facebook. Sign up for automatic updates on Amazon or BookBub. Subscribe to her newsletter and get a free eBook: http://www.subscribepage.com/lfnewsletter

 

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