Author Interview 107 – Dean Mayes – Paranormal/Thriller

Welcome to Dean Mayes.

Where are you from and where do you live now? I was born and raised in country Victoria, Australia. In the mid 90’s, after I completed my degree in Nursing, I moved to Adelaide in South Australia and I’ve been living there ever since.

Please tell us a little about your writing – for example genre, title, etc. My writing has crossed genres since I was first published back in 2010. My debut, “The Hambledown Dream” (2010, Central Avenue Publishing) was a romantic fiction novel with a paranormal undercurrent that explored reincarnation. My follow up novel “Gifts of the Peramangk” (2012, Central Avenue Publishing) was a more literary fiction/coming of age story about an Aboriginal child prodigy living here in Adelaide. For my upcoming novel “The Recipient” (2016, Central Avenue Publishing), I have gone in the direction of an action oriented psychological thriller but I have reintroduced a paranormal theme relating to organ donors and their recipients.

Where do you find inspiration? Inspiration comes from many places and it is usually unexpected. I find that if I go looking for inspiration, it is rare that I find it. “The Recipient” was actually inspired by a very intense and vivid nightmare where I was witnessing a violent assault and then, at one point, I couldn’t discern between whether I was witnessing it or whether I was actually experiencing it myself. When I woke from the nightmare, I madly began scribbling as much as I could remember down in a notebook I keep beside my bed. Before too long, I had the rudimentary beginnings of what has become “The Recipient”.

Do you have a favourite character? If so why? I think that all my characters have been favorite – especially when I have been in the thick of writing them. Casey Schillinge, my protagonist in “The Recipient” has definitely been the most interesting character to write because there are several facets to her persona that make her complex. She is highly intelligent and technically savvy and she is also stubborn and dogged. When she latches onto something – a suspicion or a gut feeling – she will follow it through to the end, despite encouragement from others to slow down. She is also pragmatic and empirical which makes the nightmares she experiences at the beginning of the novel so frightening for her. She cannot quantify them so they knock her off balance.

Do you have a character you dislike? If so why? I actually don’t. All of my characters are created in service to whatever story I am telling and their roles are important. If I infuse my characters with a certain level of evil or “badness”, there is a context to that which I value.

Are your characters based on real people? Some of them are. Over time, I have infused some of my characters with the qualities and mannerisms of people who have been and are important in my life. I like to be able to do that because I think it gives them more gravitas, it makes them more real to life and tactile.

Have you ever used a person you don’t/didn’t like as a character then killed them off?Maybe peripheral characters but, in the main, all of the characters I have created have remained integral to my works.

Research can be important in world-building, how much do you need to do for your books? Do you enjoy this aspect of creating a novel and what are your favourite resources? I do! Even with the more fantastical story writing I have done, the importance of creating a real world feel cannot be understated.

“The Hambledown Dream” featured the dual settings of Chicago in the United States and the South Coast of New South Wales here in Australia. I’m familiar with the South Coast because I spent a lot of time there growing up so it wasn’t a stretch to recreate that in the novel. For Chicago, I did a lot of visual research into things like the architecture and the socio-economics of the inner northern suburbs which is where a lot of the early part of that novel takes place. I also have friends living in that part of the city so I had eyes and ears on the ground there and they were great in helping to visualize the feel of the city. And then there were subjects like cancer which required me to refresh my knowledge about disease process and treatment modalities. I have been an Intensive Care Nurse for over a decade now so I was able to tap into a lot of resources in order to bring that to life in the novel.

For “Gifts of the Peramangk”, I spent about a year on pure research into the White Australia policy and the Stolen Generations of Aboriginal Australians. These remain sensitive subjects in our national conversation and I didn’t want illustrate anything in the novel that would disrepect the gravity of those issues. Additionally, I spent a lot of time researching the Peramangk people. This is a nation state in our Aboriginal nation for which not a lot is known, so I needed to ensure that I could present them in such a way that was respectful and authentic.

In “The Recipient” I have returned to a more medically oriented story so here I tapped into a number of resources in the field of transplant surgery and after care. Getting that aspect of the story right was important because it allowed me to introduce the paranormal elements seamlessly. Some of the early feedback I’ve had from medical professionals has been really positive in that they were totally convinced of the possibilities of what I was throwing up. Police procedure also featured heavily in the novel and so here I talked to a number of law enforcement agencies here in Australia and they were really grand in helping me to portray procedures accurately.

Is there a message conveyed within your writing?  Do you feel this is important in a book? I don’t set out to convey a message in my writing. I am more compelled to create a really good and satisfying story. If I were to consider it though, “Gifts of the Peramangk” probably contains the most powerful message that says no matter who you are, if you apply yourself and you work hard, you can achieve anything. It’s not a conscious message on my part though. I think it depends on the topic and the motivation of the writer as to whether a message is important to impart in a work of fiction.

Sort these into order of importance: Great characters; great world-building; solid plot; technically perfect. Can you explain why you chose this order? (Yes I know they all are important…) For me, great characters are the kernel of great story writing. If I can believe in the characters then I can believe in the story. How they see the world influences the world building aspect so I guess world building is the next most important aspect. The plot has to be solid of course. For me, the plot of my stories is set out in a rudimentary fashion when I begin and I allow my characters and their motivations – to an extent – to drive the story forward. Technical perfection comes afterwards but it is no less important for me than any of the others. It is just that this is how I write and how I edit so I guess I am setting out my process in the steps that I follow. I won’t release a product until I know that it is technically perfect.

In what formats are your books available? (E-books, print, large print audio) Are you intending to expand these and if not, what is the reason? Presently – print and digital. My publisher and I have focused on these two branches of the market primarily because of production costs and the obvious reach of those branches. Audio is attractive to me but the production costs are prohibitive right now. If I were to attain significant success that would allow me to invest in audio production, I would definitely consider it.

Do you self-edit? If so why is that the case? Do you believe a book suffers without being professionally edited? I do! It’s one of my OCD quirks! I have gotten better at focusing on pure writing, getting the words and the ideas onto the page but I still go back often and review and refine. I really enjoy the editing process and regard it as one of the most important aspects of writing. Professional editing is essential to a good end product and I do believe a book that has not been professionally edited suffers in the long run. That is a lesson I have learned through experience.

Do you think indie/self-published authors are viewed differently to traditionally published authors? Why do you think this might be? I think they are. It comes down to the sad fact that, with the explosion in self publishing, we’ve seen all manner of people producing works featuring varying levels of quality. It is a sad fact that many of those works have come from self published authors who have not invested the time and the money in having their work professionally edited and proofed before proceeding to publication and they do themselves a disservice because of it. That said, poor editing and proofing is not confined to self published authors. I was reading a book just last month (January, 2016) from one of the major publishing houses and I came across several instances of grammatical errors, poor sentence construction and confusing paragraphs. So poor editing is not confined to self published authors by any stretch.

Do you read work by self-published authors? I have. There are several self published authors whose work I really admire and have returned to subsequently. It is clear to me that they have invested in their work to ensure they have produced the best product possible.

What are your opinions about authors commenting on reviews? How important are reviews? When I started out, I did read and comment on reviews but I don’t anymore. I think an author runs the risk of being misinterpreted in their responses to reviews and I have seen cases where and author has responded in a respectful manner to a review and it has been totally taken out of context. I keep myself at arms length from reviews now.

When buying a book do you read the reviews? No. I usually pick up a book based on a recommendation or if something about the title or the liner notes strikes me as interesting. I’ll avoid reviews because many of them will contain spoilers and that it definitely a killer for me.

What are your views on authors reviewing other authors? I’m really not sure about that one so I’ll just say that I don’t have a view.

What experiences can a book provide that a movie or video game cannot? Books work on a subconscious level and they fire our imagination in ways that a video game or movie can’t. I requires effort and engagement to ‘see’ the world an author has created whereas a game or movie presents it to you in all its technicolour glory. That said – I am a casual gamer and I love movies  soooo…does that cancel my answer out?

What three pieces of advice would you give to new writers? Keep a notebook with you to jot down ideas and notes as they come to you – and only write in pencil. Forget about social media, word counts, group discussions and marketing advice and just write.

Have a basic story structure but don’t be dictated by it. The is more than one way to get from Point A to Point B.

What are your best marketing/networking tips? What are your worst? Marketing should be all about the Pull. In the first instance, you should a have product that is professionally edited and proofed. You should have a website that is simple but engaging. It should reflect a little bit about you and the information there should be concise and easy to find. Pick three social networking platforms and stick to those. Don’t allow yourself to be overrun by the false notion that you have to be everywhere and across everything. It will not make you happy and you’ll end up resenting it.

Don’t Push! Don’t Facebook or Tweet or G+ incessantly with “BUY MY BOOKS” You will find yourself muted or blocked or even reported. Social Networking/Marketing should be all about building relationships and, in the first instance, you shouldn’t even mention your works. If you’ve structured you platform correctly, you’ll have relevant links that are easy to see and find. If your connection wants to discover more about you, they will.

Most authors like to read, what have you recently finished reading? Did you enjoy it? I just finished a gorgeous romance novel set here in Australia called “Summer Harvest” by Georgina Penney. It was just a joy to read.

Can you name your favourite traditionally published author? And your favourite indie/self-published author? I keep returning to the works of John Jackson Miller who has writted a lot in the Star Wars universe. He is a really great author. I don’t have a favorite indie but I do read a lot of them.

What are your views on authors offering free books? I think it is an essential part of an author’s marketing strategy and I will often do giveaways. This should be dictated by cost/benefit considerations as each author will have flexibility in what they can offer as to what they can’t.

Do you have a favourite movie? Two words = Star Wars.

Do you have any pets? My writing partner is a spaniel named Sam.

Can you name your worst job? Do you think you learned anything from the position that you now use in your writing? I’m not sure if I should answer that question. I will say that I did learn a lot from it and I did use it in my writing.

Can you give us a silly fact about yourself? I love romance novels.

Links to Dean Mayes:


Official Website:

Publisher’s Website:





Doctors in Hell – Review

5 Stars

Everyone knows Hell is a pretty awful place to spend eternity. It just got worse. Not only are the auditors in, which is bad enough, but now a terrifying new plague stalks Old and New Dead alike. Rumours abound on its source, be that Erra and his mighty weapons personified, Old Nick himself or something else. Whatever the answer might be cures are sought, bought, sold and bold. Hell being Hell, of course it does not go entirely smoothly….

Dr Frankenstein, Polydory, Dr Neill Cream, Shakespeare, Kit Marlow, Calamity Jane, Napoleon, Wellington, nurses and physicians from civilisation’s birth, gangsters, poets and even artificial life in the form of Galatea, and Adam Frankenstein, battle against a foe they don’t understand, have no clue how to beat and yet, as Heroes in Hell, fight they must and endure the twisted half-life in Satan’s domain. Truly mythic, where myths get turned on their heads and characters you thought you knew live (or unlive) again.

Filled with diabolical machinations, intrigue, courage, dark humour, and even searching questions about the nature of the soul – particularly from Joe Bonadonna in Hell on a Technicality this collection of Hell themed tales from a mix of talented writers from science fiction, fantasy and historical fiction. Janet Morris, has yet again, produced an anthology which flows from one scenario to another, despite the varying styles and stories. There were stories I didn’t want to end, and some which made me chuckle (Napoleon and Wellington always crack me up), some which were tragic, some vengeful (Grim) and some which were extremely clever.

This is a world of darkness, but it is a shared world across time, across history, across the good and great and the weak and pitiful and the characters reflect that. There is something for die-hard fans of the series and new authors to discover, and an exquisitely crafted greater whole for those new to the series.

The eighteenth Heroes in Hell is, perhaps, darker and bloodier than its predecessors. It’s not for the faint-hearted, but then again – this is Hell, what do you expect?

#Fantasy #mythic #historical #Heroes in Hell.