Dirty Dozen Author Interview – L L Thomsen #Meetanauthor #Fantasy

Author name: L. L. Thomsen

*Please tell us about your publications.

I write character-led high medieval fantasy with a good slash of epic. I am working on a series titled, The Missing Shield – originally one large book that has been split into 11 episodes in order to make the workload more manageable. The 8th book (titled: All in a Day’s Work) is out now, and I am currently working on book 9. What you get in my books is lots of flawed characters that you may not feel quite sure about in the beginning. There’s magic, mystery, darkness, crime, plots, romance, backstabbing, manoeuvring, different races, and an end-of-the-world kinda deadline & quest.  I enjoy painting an immersive picture of the world I write about, so expect lots of depth and world-building. I try not to hold back and I try to write as close to real life as I can get. I also wanted to write something a little different from the mainstream so the story has quite the lyrical slant, but it is written with an adult/mature market in mind. This is not YA.

What first prompted you to publish your work? To begin with I wasn’t really sure that I would publish. I started writing my high fantasy book as I somehow got inspired – but it was always just something I considered a pastime whilst the kids were babies and I was at home anyway. Then I realised that I was getting more and more passionate about the job and I felt that I ought to publish at the end of the day because I wanted to share my work with an audience and I wanted to award myself by proving that I could complete the process.

What have you found the most challenging part of the process? Going it alone. Everything was a learning curve. Particularly when it came to figuring out the Amazon instructions and uploading my manuscript. Formatting is not as straight forward as I always imagined it to be. Furthermore, once you’re on the other side, and have successfully published your book, I cannot believe how difficult it is to get anyone to even look your way. I guess I never really got the ‘build yourself a social media following’ – I’m a little too private and old school.5 book promo picture.jpg

What piece of advice do you wish you’d had when you started your publishing journey? Be tenacious! I knew it would not be easy, but I gave up on finding myself an agent way too soon and in return, it left me literally on my own with the whole load. Don’t get me wrong, there’s a freedom in being your own boss and maybe that’s partly why I went my own way so soon, but having said that, I think there’s lots to be said for getting yourself aligned with someone who’s on your side, has your best interest at heart and who knows the business: where to go, how to do it, and when.

If you could have dinner with any literary character who would you choose, and what would you eat. I’d love to treat my character Solancei to a meal – she’s in for a bumpy ride and I think she deserves some TLC. I’d also love to quiz her about everything that happens and the world she lives in.  I know a lot (wink – of course) but there are always secrets! I think we’d have pizza and wine, and I’d try and stop her from killing me for writing her such a hard, complicated destiny.

Sort these into order of importance:

Good plot

Great characters

Awesome world-building

Technically perfect

For me there is no question of ranking these in order. They are each an integral part of the book you write and I feel that the author should pay equal attention to each.  Since I write fantasy – and epic at that – I’m very much for world building because that’s a must for the genre, but that in itself is nothing if it’s not backed by the other three.  What’s a good plot with flat/un-inspiring characters and vice versa? A technically perfect book is what we all strive for (as in a professional end-product) but I do believe that the interpretation of ‘perfection’ may vary depending on who you ask. Also, it may be technically perfect, but what good is that if the readers cannot engage with the story or the characters. It’s the snake that bites its own tail. It must come full circle.

How much research do you do for your work? What’s the wildest subject you’ve looked at? I research as and when. It may be just a small thing like the components of a saddle or the belief system of various ethnic groups. I try and keep it factually correct even though I write fantasy – this means that even if the herb is made up, I’ll still look up how to brew tinctures for headaches, for example – or I might watch a YouTube video on sword fights.  The most extreme I’ve looked up will probably be stuff to do with injuries and the effects of various weapons/conditions.

How influential is storytelling to our culture? I think it’s hugely influential but maybe not through the original media anymore. I do feel that we love a good tale, whether it be a story is reported in the papers, or how TV channels adapt historical events to create entertainment.  We are always looking for something to catch and hold our interest – particularly after the rise of social media – and stories speak to us. They help us feel part of society and may sometimes even give us a sense of belonging too.

What’s the best advice you’ve received about writing/publishing? Keep at it.  Keep growing and developing.

What’s the worst piece best advice you’ve received about writing/publishing? Don’t write your story like that – write it like this.

If you could be any fantasy/mythical or legendary person/creature what would you be and why? Maybe a phoenix. I like the idea that you can rise from the ashes and be reborn.  That you can try again.

Tell us about your latest piece? Around 6 weeks ago I released my 8th book in The Missing Shield series. It carries on from number 7, where one of my main characters – the rather naive and slightly annoying Princess Iambre – has decided to try and locate her missing friend and bodyguard despite her security chief and beau having told her that she must take heed and leave it to them.  In book 8 she finds herself alone and lost after a string of unfortunate events almost killed her and worse – but as luck would have it, she finds the very place she’d been looking for.  She wants to attend a clandestine meeting that might shed light upon her missing friend and now follows a series on incidents that has the Princess quaking in her boots.  Nevertheless she is reunited with certain other characters only to learn some devastating news.  However, before she can process this, she and her group are betrayed and they must flee or fall into the very hands of the enemy they are investigating and fear.

Are indie/self-published authors viewed with scepticism or wariness by readers? Why is this?

I’ve found that indies are very much considered ‘the second-hand citizen’ of the author world. It’s unfair but I guess that the indie route has given rise to many poorly executed books – and unfortunately people remember the bad ones far longer than the good ones. I’ve talked to readers who do not consider indie books ‘real’ works of writing. Fortunately, there are also those who have delved into the fray and have found gold, so swings and roundabouts. The common reason that readers list for not wanting indie works are: poorly formatted, bad grammar, no edits or badly edited, homemade, cheap covers, poor storylines, rip off storylines, over-priced, they should be free…

I think it worth mentioning that it’s not always because the indie books are not worthy that they have not been traditionally published. Agents are very fickle with what they are looking for (and rightly so).  In 9:10 times you need an agent to approach a publishing house, so it does mean that some decent manuscripts may be overlooked because the agent may feel that they are in the market for ‘something else’. It cannot be helped, but readers rarely see that side of the industry.

Links

llthomsen@themissingshield.com

https://www.amazon.com/L.-L.-f/e/B07B8K4J6S

https://books2read.com/u/47xdvR

https://www.facebook.com/linda.thomsen.12979

https://www.facebook.com/themissingshield/

https://twitter.com/LLThomsen1

https://www.instagram.com/llthomsen/?hl=en

https://www.pinterest.co.uk/llthomsen7589/

https://www.goodreads.com/LLThomsen

 

Bio

Armed with a love of fantasy, a slightly geeky mindset, and an unleashed wild muse, L. L. began the new journey into writing relatively late in life but was inspired by her long-repressed urges to write ‘something’ – and once she began, she never looked back.

“I regret I took so long to find my ‘calling’. The truth is that when you have an idea it just has to be set free,” she says, adding, “My somewhat unorthodox approach to style and flow has been a way for me to test my personal, individual voice. It’s a fluid thing, however. In the future, it might alter to match the shape of new projects.”

Linda currently lives in the UK, Nottinghamshire, with her husband, two kids, a cats and one dog. As with her writing, she approaches life with a nod to the saying: ‘fear nothing, respect everything’. She enjoys horse riding, sci-fi movies, travelling, reading fantasy (but not exclusively), Pilates, and has a strange fascination with swords.

Her first published fantasy novel, ‘A Change of Rules’, kick-starts the 11 ‘episodes’ of The Missing Shield – a new adult high fantasy series, with a touch of mystery, intrigue, romance and darkness. ‘The Missing Shield’ is the forerunner to ‘The Veil Keepers Quest’ series.

Me and Leo (2).jpg

Dirty Dozen Author Interview – Judith Starkson #Histfic #Hittites #Meetanauthor

Author Name: Judith Starkston

  1. *Please tell us about your publications.

I’m the author of three books of historical fantasy based on the Bronze Age Hittites—an empire of the ancient Near East nearly buried by the sands of time. My books take “a quarter turn to the fantastic,” to borrow Guy Gavriel Kay’s phrase, and give full expression to the magical religious beliefs of these historical people. My first book, Hand of Fire, is set in the Trojan War and told from a woman’s viewpoint, Briseis, Achilles’ captive. Currently, I’m writing a historical fantasy series based on a Hittite queen. The first book in that series Priestess of Ishana is available FREE Oct 2-6. The second book, Sorcery in Alpara, launches Oct 14.

  1. What first prompted you to publish your work?

When I was researching my first book and figuring out the Trojans, I made a startling side discovery—a queen I’d never heard of who ruled for decades over an empire I’d barely heard of, despite my training and degrees as a classicist. It was the Hittite empire, of which, it turns out, Troy was a part. The queen was Puduhepa (whom I call Tesha in my fiction–the Hittite word for “dream” because she had visionary dreams). I’m particularly interested in the theme of women as leaders, so I was hooked. The Hittite empire could be called the forgotten empire, but fortunately, recent archaeology and the decipherment and translation of many thousands of clay tablets have filled in parts of the lost history. We now have many Hittite letters, prayers, judicial decrees, treaties, religious rites and a variety of other documents, but overall our knowledge still has huge gaps in it. I use shifted names in my series, such as Hitolia for the Hittite empire, to cue my readers to how much I have to fill in imaginatively from those fragmentary records. It also gives fair warning to the magic that I give free rein to, the rules of which derive from Hittite practices, but I do let the story go where a good story should and that means a lot of fantasy. It was that juicy primary source material, an extraordinary female ruler, and an intriguing ancient world that prompted me to write Priestess of Ishana and Sorcery in Alpara.

  1. Are you a ‘pantser’ or a ‘plotter’?

I outline my novels in a couple different ways before I start writing, but those outlines are subject to change whenever the story and characters take me into new realms I hadn’t imagined at the start.

I use a couple approaches to outlining and organizing my manuscripts. One is very character/theme/pacing driven, Libbie Hawker’s book Take Your Pants Off. The other, very plot and pacing driven, is a storyboarding technique that means I’ve got each of my books laid out on a three-sided board like we used for our school science projects. It’s explained in Alexandra Sokoloff’s Screenwriting Tricks for Authors. You’ll notice in both the word “pacing.” I found as I learned the craft that pacing was both the hardest part to get right and the most essential. If readers aren’t compulsively drawn through my story, it doesn’t matter how beautiful my writing is and all the rest (though I work hard to get all that nailed). A good story is hard to put down—that’s something we all intuitively know. The corollary is that if a story is hard to get through, it isn’t very good!

  1. What piece of advice do you wish you’d had when you started your publishing journey?

Write at least a little bit every day and give yourself permission to write “bad words.” What do I mean by that? Just write and don’t worry whether it’s crap or not. Later you can go back and edit or trash if need be. I find that it is often the days when I think I’m writing the worst that I discover on later read, I’ve written some of my best. And you can only fix words that are actually on the page.

  1. If you could have dinner with any literary character who would you choose, and what would you eat.

I’ve never gotten over my fascination with Achilles in the Iliad. He’s maybe legendary rather than literary, but I’d like to sit down and listen to him (probably admire his physique also…). He’d probably want lamb roasted on spits spiced with garlic and cumin, and I love that also, so I’ll go with that. Some fresh flatbread right off the hot stones to go along with it!

  1. What are your views on authors offering free books? Do you believe, as some do, that it demeans an author and his or her work?

I’m using this technique—offering free my first book in the series, Priestess of Ishana, from Oct 2-6. I’m doing it right before the second book comes out, so I’ll see buy through and get paid that way. I think it’s a viable marketing strategy. I don’t think reaching new readers is demeaning. It’s what you do as an author, and putting books into people’s hands seems like a good thing overall. If I was expected to give away books for free all the time, that would be silly. But accessing a lot of new readers I wouldn’t have any other way? That sounds smart to me. So do download a copy of Priestess of Ishana, and then if you really enjoy it, buy Sorcery in Alpara.

  1. What are your views on authors commenting on reviews?

I spread the word when I get a particularly strong review, especially from someone I really respect. When someone writes a bad review, I see no reason to react one way or the other, certainly not comment on it. I let my fiction, my author notes, all the background material on my website speak for itself when someone has a wrongheaded idea in a review. Reality has a way of coming through over time, so I don’t sweat it. If someone points out a perceptive way to improve in a review, I go to work in my next book and make sure I fix that. I’m happy to learn from all sources.

  1. How much research do you do for your work? What’s the wildest subject you’ve looked at?

I have gone deep into the research, both the book/reading part (years of that) and the travel. I’ve gone to the archaeological sites, landscapes, and museum collections in Turkey that are the source material for my world-building. I contact the dig directors and museum curators so that I can talk with them and learn first-hand from the people who really know. I spent a whole day at the site that we think was Tesha’s hometown that I call Lawaza, but was called Lawazantiya by the Hittites. It’s the archaeological site of Tatarli near the city of Adana in Turkey. The key reason they think it’s her hometown is that the dig mound (with Bronze Age ruins of the right kind) is surrounded by seven springs. The Hittite records from the capital of the empire describe this town as having seven springs. The dig director took me to each of the springs–one of them appears in a key scene in Priestess of Ishana and I could never have gotten the atmospherics of that scene right if I hadn’t been there. One of the wildest subjects I’ve run across is the Hittite magical rite to remove a curse that I use in Priestess of Ishana. It involves chickpeas. Who knew that the way to get the demons out was via garbanzo beans? The Hittites were obsessed with curses and they believed sorcerers caused all kinds of evil with them. If you had to remove a curse from someone, you baked a loaf of bread with chickpea paste in the middle (basically humus) so that when you touched the bread to the cursed body while saying the right spell, the paste would absorb the pollution. I couldn’t make up this stuff in a million years, but the Hittite culture hands it to me. I just have to write it into compelling page-turners.

  1. If you could be any fantasy/mythical or legendary person/creature what would you be and why?

I’m having a lot of fun writing griffins into my series, so I’ll choose that mythical creature to be. It turned out, much to my surprise as I wrote, that griffins, or at least the ones in my books, have a very dry sense of humor. And they are wickedly good warriors and can soar into the heavens, and yet they have a big soft spot for their cubs who are allowed to climb all over the grownups, so I suspect hanging out as a griffin for a while could be very entertaining.

  1. What is your writing space like?

I’m very lucky and have a big window in front of my workspace that looks out on my garden. I write on a lovely inlaid wooden writing table with a comfortable armchair. So I’m all set to keep my butt in that seat for a good stretch every day.

  1. Is there a message in your books?

My fictional Tesha, based on the historic Queen Puduhepa, provides a worthy model for leadership—particularly the value of female leaders, which we’ve been thinking about lately, so this seems timely. She certainly wasn’t perfect, and some of her actions are hotly debated among historians as possibly self-serving or politically motivated rather than ethically driven. She gave me nuanced material to work into my hero’s character. But, despite that human complexity, or perhaps because of it, she had brilliant skills as queen in many areas: diplomatic, judicial, religious and familial. Most famously, she corralled Pharaoh Ramses II of Egypt into a lasting peace treaty. The surviving letters to Ramses reveal a subtle diplomat with a tough but gracious core that made her able to stand up to the arrogant Pharaoh without giving offense. She also took judicial positions that went against her own citizens when the truth wasn’t on their side. Fair justice wasn’t something she was willing to toss overboard when it was politically inconvenient. Her equal partnership with her husband was a much-admired model even in the patriarchal world of the ancient Near East. I’m enjoying working in these themes from a real woman into my historical fantasy series, one book at a time.

  1. How important is writing to you?

I love the long hours at my desk spent lost in the world that I write and in the company of my characters. I enjoy it every day. It’s my fulltime occupation.

Links

Newsletter sign up (for a free short story and book deals): https://www.judithstarkston.com/sign-up-for-my-author-newsletter-for-books-news-special-offers-and-freebies/

Website  https://www.judithstarkston.com/

Priestess of Ishana  https://amzn.to/2DXpdXt

Sorcery in Alpara  https://amzn.to/319vuIj

Hand of Fire  https://amzn.to/2KOb6a0

 

Bio

Judith Starkston has spent too much time reading about and exploring the remains of the ancient worlds of the Greeks and Hittites. Early on she went so far as to get degrees in Classics from the University of California, Santa Cruz and Cornell. She loves myths and telling stories. This has gotten more and more out of hand. Her solution: to write historical fantasy set in the Bronze Age. Hand of Fire was a semi-finalist for the M.M. Bennett’s Award for Historical Fiction. Priestess of Ishana won the San Diego State University Conference Choice Award.

 

Dirty Dozen Author Interview – Abbie Johnson Taylor #Uniqueauthors #Memoir #Poetry

Author name: Abbie Johnson Taylor

Please tell us a little about yourself. What makes you a #Uniqueauthor (or artist)? I’m the author of five books: two novels, two poetry collections, and a memoir. My stories and poems have appeared in various anthologies and journals. I’m visually impaired and live in Sheridan, Wyoming, where for six years, I cared for my totally blind late husband who was partially paralyzed by two strokes three months after we were married. Before that, I was a registered music therapist and worked for fifteen years in nursing homes and other facilities serving senior citizens. I taught braille, facilitated a support group for blind and visually impaired adults, and served on the advisory board to a trust fund that allows the blind and visually impaired to purchase adaptive equipment. To learn more about me, please visit my website at http://www.abbiejohnsontaylor.com.

Please tell us about your publications/work.

My latest book, The Red Dress, a novel, was published in 2019 by DLD Books. In 2016, my memoir, My Ideal Partner: How I Met, Married, and Cared for the Man I Loved Despite Debilitating Odds, was released, also by DLD Books. In 2014, That’s Life: New and Selected Poems, was published by Finishing Line Press. In 2011, another poetry collection, How to Build a Better Mousetrap: Recollections and Reflections of a Family Caregiver, was published by iUniverse. In 2007, my first book, another novel, We Shall Overcome, was released, also by iUniverse.

As a disabled author, how do you overcome the extra challenges involved with producing your work? Because of my visual impairment, I use text-to-speech software on my computer that reads to me what’s on the screen and tells me what I’m typing. I also use a braille tablet, both as a display with my computer and as a stand-alone device for email, word processing, and other tasks. I read print with the help of a closed-circuit television reading system.

What have you found the most challenging part of the process? Do you think the publishing world is disability-friendly? For me, the most challenging part of being a writer is marketing my work. Because I don’t see well enough to drive, I can’t just hop in my car and drive around my state or country, selling books. I have to rely on others to take me places. So, I’m limited in what I can do to promote my work.

However, I’m fortunate to have discovered Tell It to the World Marketing, a business that promotes authors mostly through social media. I recommend them to any writer or business owner needing help with publicity.

The publishing industry is not friendly toward disabled authors. Many sites like Amazon are a challenge to navigate for a visually impaired person with screen reading computer software. Traditional publishers like Finishing Line Press have proofs in formats that are not accessible and stringent requirements that make publishing a book difficult for a visually impaired writer.

Thank goodness for DLD Books. They help authors with editing and format manuscripts for publication through Amazon, Smashwords, and other online retailers. Their rates are reasonable, and they do great work. What’s more, they contract with Tell It to the World Marketing so you’re not paying extra for those services. I recommend them to all authors.

What piece of advice do you wish you’d had when you started your publishing journey? Too late, I learned that if a piece is published on a website or blog, it’s considered previously published, and most journals and anthologies don’t accept such work. If I’d known that when I first developed an online presence in 2005, I would never have posted so many of my short stories and poems on my website and blog.

What’s your greatest networking tip? Start a blog and post regularly. I post to mine at https://abbiescorner.wordpress.com three days a week. It’s also important to categorize and tag your posts so readers can find topics of interest and search engines can more easily discover you. You’ll be amazed at how much traffic you’ll draw when you do this.

What’s the best advice you’ve received about writing/publishing? I’ve been told to eliminate adverbs and elaborate dialog tags when writing fiction. Although other authors, even bestselling ones, don’t follow this advice, I’ve discovered, over the years, that my writing flows more smoothly as a result.

What’s the worst advice you’ve received about writing/publishing? Get an agent. In the summer of 2005, when I was ready to publish We Shall Overcome, on the advice of my sister-in-law and a writer she knew, I researched agents and sent queries. Most were rejected, and I didn’t even hear back from some of the agents I queried. I also contacted some publishers directly with similar results. A year later, I decided to self-publish the book with iUniverse.

If you really want to be a bestselling author, find an agent or traditional publisher. Good luck. If you just want to get your work out there, don’t bother. Self-publish instead.

Which authors have influenced you the most? Danielle Steel has influenced me but not in a positive way. After reading her work, I’ve figured out how not to write. Although she tells compelling stories, and I’ll continue to enjoy her books, her habit of providing too much description in her narrative drives me up the wall sometimes.

What is your writing space like? My office contains a three-corner desk which holds my computer, printer, closed-circuit television reading system, and other odds and ends. Behind me is a smaller desk I use for labelling and stamping envelopes. In one corner is a stereo I rarely use. I play music on a smart speaker while working. I sometimes write in my recliner or outside when the weather’s nice.

Tell us about your latest piece. The Red Dress is a work of women’s fiction about how such a garment is related to the lives of three generations of women. Here’s the synopsis.

When Eve went to her high school senior prom, she wore a red dress that her mother had made for her. That night, after dancing with the boy of her dreams, she caught him in the act with her best friend. Months later, Eve, a freshman in college, is bullied into giving the dress to her roommate. After her mother finds out, their relationship is never the same again.

Twenty-five years later, Eve, a bestselling author, is happily married with three children. Although her mother suffers from dementia, she still remembers, and Eve still harbors the guilt for giving the dress away. When she receives a Facebook friend request from her old college roommate and an invitation to her twenty-five-year high school class reunion, then meets her former best friend by chance, she must confront the past in order to face the future.

What’s your next writing adventure? Several years ago, I started a collection of short stories set in my home state of Wyoming. Reading a similar collection by Ann Beattie inspired me to do this. Her stories are set in Maine.

Links

Blog: https://abbiescorner.wordpress.com

Facebook: http://tinyurl.com/ybmouz5y%20

Website: http://www.abbiejohnsontaylor.com

Amazon Author Page: https://www.amazon.com/Abbie-Johnson-Taylor/e/B00GDM1BWK/#nav-tophttp://

 

Bio

Abbie Johnson Taylor is the author of two novels, two poetry collections, and a memoir. Her work has appeared in various journals and anthologies. She lives in Sheridan, Wyoming. Please visit her website at http://www.abbiejohnsontaylor.com.

Dirty Dozen Author Interview – Robert D. Sollars #Uniqueauthors

Author name: Robert D. Sollars

Please tell us a little about yourself. What makes you a #Uniqueauthor (or artist)?

I want to save lives and entertain people. My personal belief is that if I can help save someone’s life through my training and consulting or achieve success by getting published as a writer themselves…my mission is complete and accomplished.

Do you think the written word (or art) bring power and freedom? Absolutely it does, depending on the political persuasion and how well it is documented, without omissions or lies, then a work of non-fiction or fiction can literally change the world. Having said that, you must research and discover for yourself what is being said and the facts presented and not necessarily take the given facts as the facts…statistics and facts can be massaged by omissions and not reporting of the entire set of facts.

As a disabled author how do you overcome the extra challenges involved with producing your work? I am very fortunate that I have several people who can help me with technological issues with the computer, which is usually the only issues I have. My wife, best friend, and others all help me get over the inaccessible websites and when I can’t access websites and other items I need for the books.

What have you found the most challenging part of the process? Do you think the publishing world is disability-friendly? The publishing world is definitely not disabled friendly. They have tried, but despite federal laws that require that websites be accessable many, far too many, are not…still. There are numerous barriers in submitting your work such as one popular site where it is nearly impossible for a blind writer to submit their own work…someone has to help us do it or do it completely themselves…and then there are other issues with trying to sign up for webinars and stuff and the sites won’t let you do it…coming back to forcing you to have someone else do it for you if you want to listen.

What piece of advice do you wish you’d had when you started your publishing journey? Write what you want when it comes to fiction and with non-fiction write what you are passionate about. I would far more successful if I had learned that before going blind in 2003.

And how hard it was to raise the greenbacks to self-publish books like mine and how hard it is to get people interested in your topics. Most of the media outlets, I’m sorry to say, are mired in their own sensationalism to report real facts and research.

What’s your greatest networking tip? Get out there and mingle with other writers, editors, publishers, publicists, and the myriad of others who may be able to push you forward with your career.

How much research do you do for your work? What’s the wildest subject you’ve looked at? The wildest subject I’ve ever looked at? I’m not a wild and crazy guy in my non-fiction, LOL. I’ve researched BDSM and other fetishes for fiction

As for my speciality…I look at all the pertinent facts, papers, reports, and etc. for anything I put into my books. The only one I didn’t do any research for was my customer service book in 2018…it was all based on personal experience and things I’ve learned in 40 years in the security field.

I don’t generally have to do a lot of research for my non-fiction books, since it is my work speciality. As for fiction, I create my own worlds and fill in the blanks along the way and if I have to, I’ll go back and revise it to keep a proper perspective on it so it doesn’t distract.

How influential is storytelling to our culture? Everyone tells stories, whether they believe they do or not. Story-telling is a tradition that dates back hundreds of thousands if not millions of years. It is a way to pass along information and to entertain. If we stop telling stories, usually for entertainment purposes then we as a culture will die of asphyxiation.

Our culture began with storytelling. Long before language, the written word, and alphabets, we had storytellers. They were known by different names to whatever culture you were in but they were all storytellers. It was a way to stay abreast of the news, stories from far away, and entertainment.

What’s the best advice you’ve received about writing/publishing? Write what I want to write and don’t worry about the critics.

From Tim Allen “Never give up. Never Surrdender!”

What’s the worst piece best advice you’ve received about writing/publishing? You’re not a college graduate. Go to school and learn the book way of doing things and you’ll be better off.

No one wants to read that crap (speaking of security). Write something interesting if you’re smart enough. This from a former publicist.

*Please tell us about your publications.

 I have 4 books out since 2009. The first one was so poorly edited I won’t even discuss it.

The 2nd one was “One is too Many: Recognizing & Preventing Workplace Violence” (Amazon 2014)

“Murder in the Classroom: A Practical Guide for Prevention” (Amazon 2018)

“Unconventional Customer Service: How-to Break the Rules to Provide Unparalleled Service” (Amazon 2018)

What first prompted you to publish your work?  I’ve been writing for nearly 40 years, ever since high school. I’ve published innumerable articles and blogfs but never a book, which was always my dream. I started working on the One is too Many & Unconventional Customer Service nearly 2 decades, but after going blind…I had the time, expertise, and knowledge I decided now as the time to do it.

What have you found the most challenging part of the process? Knowing when to stop writing and say enough is enough so as not to confuse the reader! All experts in their field can talk all day about it but the trick is to know when to leave without the reader wishing they’d picked it up…in other words, make it readable and not like a textbook.

Are you a ‘pantser’ or a ‘plotter’? I would have to say a pantser with fiction but not really a plodder with non-fiction. I pick out the facts and research I need to utilize, not hiding anything of course, and then decide where in the book it needs to go. Sometimes the same facts appear in several plaes in the books…just depends on the topic.

Fiction is definitely pantser…I get my ideas from my dreams and let the characters tell me what the story is, including their names. When I get up in the morning…voila the story nearly writes itself and is, most of the time anyway, not bad.

If you could have dinner with any literary character who would you choose, and what would you eat. Al Giordino or Dirk Pitt from Clive Cussler…the beer and burger guys, not the fancy smancy cuisine that they can eat.

What are your views on authors offering free books? Do you believe, as some do, that it demeans an author and his or her work? Well, while it is expensive, if the author is proud of their work and think that people will enjoy it…then give away a few free copies! You don’t want to break the bank doing it, but if you get it into the community and around your region, state, or city, then people will start talking about it and hopefully, it will generate sales. I try to give away copies to those who helped me in some way during the proves…whether it be advice, computer issues, or anything else. Others I give away and have gotten some sales from doing. I just have to remember that talking about death & destruction in real life is not a sexy topic and people don’t like discussing it in ‘polite company’.

What are your views on authors commenting on reviews? If an author doesn’t comment on a negative review, then they can open themselves up for even more ‘abuse’ from the reviewers. If they respond without getting nasty and refuse the ‘invitation’ to be as nasty as the reviewer, eventually those trolls will go away and you can delete their reviews.

If the comment are good, a simple “Thank you. I appreciate your review on my book.” (and you could add if you desire…Please pass your comments along to friends & family)

How do you deal with bad reviews?Answer them with politeness, courtesy, and professionalism.

Sort these into order of importance:

  1. Good plot
  2. Great characters
  3. Awesome world-building
  4. Technically perfect

If you could be any fantasy/mythical or legendary person/creature what would you be and why? Jim Qwilleran on the “The Cat Who” series by Lillian Jackson Braun. The reasoning is this simple. A simple man who happens to be a reporter falls into billions of dollars because of an obscure family relationship. He then stll lives simply but begins benefitting the small rural community and county he is now a resident of.

I want to give away that kind of money to help innumerable organizations but alas…no billions for me!

Which authors have influenced you the most? Rod Serling, Clive Cussler, Lillian Jackson Braun, John Scalzi, Diane Carey, & A.C. Crispin.

 What is your writing space like?  I have my desk in a spare bedroom against the wall, a window on my left, where my cat spends her time watching me and the birds. The door is on my right, my wife’s desk behind me and surrounded by filing cabinets & shelves…some would call it cramped but why do I care? As long as I can type…

Tell us about your latest piece? I am in the process of doing the final editing on several pieces, including “Murder in the Office: A Practical Guide for Prevention” and a series of novellas based on sci fi and fantasy “Three for Victory” & “The Cat”

What’s your next writing adventure? After I finish those above, I intend to begin finishing all of the other writing projects I’ve had hidden away since getting cancer last winter…a ton of novels, novellas, and other things that are just languishing at this point.

What was the last book you’ve read?“The Cat Who Blew the Whistle”

Is this the age of the e-book? Are bricks and mortar bookshops in decline? Yeah, well, but the brick & mortors are still there and probably will be for a very long time. I worry about the possibility of an EMP and the fact no one knows to read a book without a screen any more.

With the influx of indie authors do you think this is the future of storytelling? Absolutely, so many wonderful stories out there. Fantastical worlds filled with wonder, awe, & cataclysmic destruction. Then it resets and you can read another!

Are indie/self published authors viewed with scepticism or wariness by readers? Why is this? They used to be, but with the advent of so many independent publsihers such as bookbaby, and several others, anyone can write and hae a bookpublished. I do have to say though a quote from Ambrose Bierce is very appropritate in these times “The covers of this book are too close together!”

Is there a message in your books? I would like to say that, even in my security books, everything has hope to it and you just have to keep working towards it is all. I try to convey that but whether I succeed or not…

How important is writing to you? Let me put it this way…I’ up and at the computer by about 3:30 every morning (mon-fri) and usually don’t quit until about 4:00, taking time for the news and lunch if necessary.

Links

www.facebook.com/robertdsollars

dldbooks.com/robertdsollars

@robertsollars2

Bio

A somewhat strange 58-year-old blind guy with what has been called weird, unique, quirky, and ddown right stupid ideas, Robert has been blind since moving to the Phoenix area in 2003, 6 weeks after getting there. He lives with his wife, lover, a cat, and a volatile sense of volcanic anger and hostility.

Irritating the hell out of most people. he follows his grandfather’s habits of going to bed early (by 1800 hours) and rising between midnight and 0200. Coffee is drank black and he has more than a few health issues to fight along the way…cancer, kidney transplant, intestinal issues, and too many to mention.

Dirty Dozen Author Interview – Joan Myles/Poet #Uniqueauthors #Meetanauthor

Author name: Joan Myles

Please tell us a little about yourself. What makes you a #Uniqueauthor? I am a poet. But poetry is not just what I do. Poetry is how the world speaks to me–musically, in “pictures” of the heart, in whispers of insight, and throbbings of connection. And if I succeed, the words I configure will do more than relate what I perceive. They will nudge readers to experience these marvels for themselves.

Please tell us about your publications/work. My first book, One With Willows is a collection of what I call “spiritually playful” poetry.  You see, childlike wonder is my lens for viewing the world, childlike wonder and a sense of the Divine. And all my writing is meant to be a kind of footpath for readers into that place of delight, to help them awaken their own childlike wonder, perhaps to find Divinity for themselves.

What first prompted you to publish your work?  I started publishing by way of my blog, http://jewniquelymyself.com

At first, however, creative writing was not my focus. My blog was an attempt to spread the word about Yismehu, the nonprofit I founded in 2010 to bring free distance Jewish learning to blind adults nationwide. Until Yismehu closed in 2017, I wrote about being a blind Hebrew teacher of sighted 6th graders, of learning yoga, of life with a guide dog–all meant to highlight the abilities of people like myself, people who live and work and have families even as they deal with issues related to blindness. 

As my teaching responsibilities shifted, I used the blog to share other things such as book reviews, and eventually, original poetry.

One With Willows came about because friends read my work, and nudged me to publish.

Do you think the written word (or art) bring power and freedom?  Oh, yes. Words have magical power, you know. They create and destroy worlds, inspire and teach, and sometimes even reveal what we already know. The freedom to share words is vital currency between people.  Words are the soul’s breath, the expression of the heart’s yearning, the means for bringing people together, or sadly, of dividing them.  

As a blind writer, words may take a different, more tangible, shape on the page for me, but they are no less magical. In fact, beneath my fingers, Braille words reinforce the wondrous nature of Creation. I can hold words in my hand, touch them, experience their curves and angles–yet these are the flashes of sound and thought which bubble up and seem to fly away into space!  So what is the true nature of reality after all? Is human existence spiritually rich and multi-layered as I perceive, as words demonstrate to me?

As a disabled author, how do you overcome the extra challenges involved with producing your work?  Putting words on the page is not a problem for me. When inspiration comes, I gather ideas with my Braillewriter or my ChromeBook. The ChromeBook has a wonderful screen-reading feature, and even stores my writing. When it comes to other matters, like problems with my blog or uploading my book, I am fortunate to have sighted help from family members.

What have you found the most challenging part of the process? Do you think the publishing world is disability-friendly? Navigating the ins and outs of social media is quite challenging to me. But I am not sure whether this is due to the mechanics of social media, or the nature of marketing itself. 

I think publishing these days is much easier for writers with disabilities. Computers and the internet provide tools of connection and information which were inaccessible before.  Social media has helped connect disabled writers and broadened the discussion to include parents and other family members, even spilling over into more general social circles.  The unique perspective of writers and characters with disabilities is being heard, and that is good for everyone.

What’s your greatest networking tip? My best advice is to write. Write something every day and don’t be afraid to have others read what you write. Writers need to share their work, their ideas, their inspirations.  They need to find other writers, other readers, anyone who is open to the world of ideas and creativity. But this is not just to sell their work. Writers must keep their creative juices flowing, and immersing oneself in idea-sharing does just that.

If you could have dinner with any literary character who would you choose, and what would you eat? I would love to have dinner with the White Rabbit from Alice in Wonderland. We would dine on a few fresh greens–spinach and broccoli, perhaps–munch on carrots and tomatoes, and delight in berries galore for dessert. And I would remind him to chew slowly, thoroughly, and hopefully, at last, I would nudge him to slow down, to take notice of the world around him, to breathe deeply, consciously, and to experience each moment. And I wonder, what shifts in Alice’s adventures might result from such a dinner?

How much research do you do for your work? My poetry is born of silence, of meditative moments spent in my garden, of breathing in the sweetness and bitterness of Life, of time spent interacting with loved ones and friends.

How influential is storytelling to our culture? Storytelling is vital to bringing people together, and even to self-discovery and development. Human beings constantly “talk” to themselves about what they perceive in the world, about the people they encounter, and what befalls them. And it’s not only the impressions upon our physical senses that build these stories. It’s what we tell ourselves about these impressions, whether we interpret them through the lens of ego and self-centered interests, or with wonder and compassion. Because these interpretations affect everything we say and do, story-telling  is important to culture and social progress.  

Which authors have influenced you the most? I love discovering new poets, but my absolute favorites are  Mary Oliver and Roberto Juarroz. Somehow they manage to find simple, accessible language to relate the mysterious and spiritually intimate aspects of human experience. In fiction, I read those who speak deeply from their hearts and souls such as Pearl Buck, Victor Hugo and Fyodor Dostoyevsky.

What is your writing space like? Naturally, my writing space reflects who I am so books are a prominent feature. Braille books and print books fill my shelves with thoughts on religion and spirituality,  as well as works of poetry and biography. The room’s large window looks out on the garden where day lilies and irises sweeten the air, and hummingbirds flitter just outside at one of three feeders. My desk is small to keep things tidy, but on the floor around my chair, I can’t help scattering a volume or two after reading, keeping them close at hand just in case.  

Is this the age of the e-book? Are bricks and mortar bookshops in decline? I can’t help believing there will always be actual, tangible books to read. There is something so intimate, so physically, humanly satisfying, in holding a paper book in one’s hands. And, too, there must always be a place for book-lovers to gather, to share ideas with one another, and with writers. 

What is your greatest success? Writing is all about speaking heart to heart. So success for me is knowing somone has read my work and benefitted by it somehow. A young man told me recently that he has recommended my book to fellow Veterans because it has brought him such a sense of peacefulness and wonder. And members of a local synagogue have installed two of my poems as part of their annual Holocaust Remembrance service as a statement of hope. I feel so honored, and so humbled.

How important is writing to you? For me, writing is a natural response to what I experience. So just as I must exhale with every breath I take in,  I must translate what I perceive into word images. And just as dwelling among other human beings enables me to thrive and grow, so sharing my work expands my poetic vision and deepens my understanding of Life.

BOOK: ONE WITH WILLOWS…

One with Willows is a collection of spiritually playful poems which invites you to step out of the everyday world, to catch your breath, even to catch a glimpse of what really is.  There is magic in light that turns hummingbirds into rubies. Wonder and delight wait for you in a garden, bid you to sit beside a young child at the piano, and may even lead you to stumble upon holiness where you least expect to find it.

You will want One with Willows on your bookshelf when you need a friendly reminder that things can get better. It will sit with you on the edge of the bed when you are weary, and revive your sense of hope when you need a boost.

 

Purchase links:

Print:

One With Willows – Print

Kindle:

One with Willows – ebook

One with Willows cover

BIO…

Joan Myles has always been a child of wonder as well as a spiritual seeker. When she lost her sight at the age of 12, these qualities and writing poetry saved her from despair. And what’s more, once blind, her spiritual seeking took on a deeper, richer dimension. No longer was Divinity somewhere out there, hovering just out of reach. She felt God to be with her, a whisper away, a breath, a sigh, a longing inside her, an expression of wonder and delight and most emphatically, Love.

Joan earned a BA in elementary Education, a Master’s in Jewish Studies, and spent 15 years teaching Hebrew and Judaics to third through 6th graders. During that time, she also founded Yismehu, a non-profit organization which provided free Jewish learning to blind students nationwide via distance learning, and served as both textbook developer and instructor for 7 years.

Joan and her husband raised four children together. They currently live in Oregon, where she continues to delight in the wonders of Life Divine, and in the magic of words.

Connect with Joan online at the following link:

http://www.jewniquelymyself.com

 

 

 

A Day in the Life of… Author Trish Hubschman #Meetanauthor #Mysterywriter

My  name is Trish Hubschman. I live on Long Island, New York with my husband, Kevin, and the new dog, Henry. I’m deafblind.

Do you work at another job? If so tell us about fitting in the writing/cover design/editing. No, I left my job on Disability in 2006. I was a typist for a New York State agency.

Do you have a family? What do they think of your job? Do they assist you? We don’t have children. My husband proofreads all my writing. He helped with the cover design of my last book, Ratings Game. He also helps me on the computer a lot.

Kevin and my mom are very proud of me and like my writing

Are you organised? In a way, I guess I am. I need to know where things are so I can find them again. That holds true with things on the computer too.

What time do you get up/go to bed? I’m an early bed, early to rise person. 8 pm or so at night, 6 am in the morning.

Do you find it hard to fit everything in? Definitely, there aren’t enough hours in the day.

What is your ideal working environment? I need quiet, no TV or music on. I wear headphones on the computer and I can’t stand distractions for many reasons. The ringing phone drives me nuts.

What do you eat for breakfast? Coffee first, then maybe scrambled eggs or cereal and a second cup of coffee.

Give us a brief rundown of your average day from getting up to going to bed. Coffee first, then I go into my computer room to  flip on the PC and put on my shoes,  eat breakfast, then the  exercise bike for 20 minutes, shower, then  check my email and Facebook, I might play with the  dog a bit, let me him out, take a nap, but I always go back to my PC to work.

Would you recommend your chosen craft to those interested in doing it? I love to write. It gives me a feeling of wholeness. Yes, I would recommend it.

Find out more here:

About the Author

Trish Hubschman has published three books with America Star Books: a short story collection of time travel and romance stories called Through Time and the first two books in the Tracy Gayle/Danny Tide series: The Fire and Unlucky Break. Trish attended college at Long Island University’s Southampton campus, earning a BA degree in English with an emphasis in writing. She lives on Long Island with her husband and two dogs.

A Romantic Suspense Novel

Stiff Competition (Miss America): A Tracy Gayle Mystery

by Trish Hubschman

In e-book ($2.99) and print ($9.50) on Amazon and other bookselling sites.

227 pages in print.

Cover, free text sample, author bio, direct buying links, and more: https://www.dldbooks.com/hubschman/

About the Book

America’s favorite rock band, Tidalwave, is playing the Miss America pageant. Band leader Danny Tide is emceeing the event.  All is going according to schedule. The judges have picked the 10 semi–finalists. Suddenly, everything comes to a halt. Miss New Jersey is missing. Nobody knows what happened to her or where she is. Danny calls his longtime PI friend, Tracy Gayle, and asks her to come down to Atlantic City to help figure things out. In need of her best friend for personal support and eager to get to another case, Tracy agrees. There’s an all–out search of the hotels on the boardwalk. They find Miss New Jersey, but it’s not good. Her kidnapping leads to another assault and murder. The big star and the lady PI work together on this one, so that the Miss America pageant can continue as usual.

Stiff competition

 

 

 

A Day in the Life of… Lynda McKinney Lambert #Uniqueauthors #Visualartist #Wordsarepower

Meet Author and Visual Artist:

Lynda McKinney Lambert lives and works in the Village of Wurtemburg, in rural western Pennsylvania.

Lynda Lambert

  1. Please give us a brief outline of who you are. 

I wear a variety of different hats. I use this word, hats, to describe an actual object, as well as a metaphor that portrays myself.  It is a little thing – but important.

Today, I am working on P.R.  for my latest poetry book, Star Signs: New and Selected Poems, just published on July 15.

Star Signs: New and Selected Poems showcases my professional career as a poet from the mid-80s and takes readers to the latest poems, written just before the book was published.

I  give readers 54 poems in this collection.

2. You’re a writer and artist – how is this reflected in your typical day?

Now that I am retired from my international teaching career, my days are more flexible, even, unpredictable. I love it because I embrace randomness and chance in my life.

In my Writing Life:

 I am often writing during the nights because I’ve never been one who sleeps much. I sleep in short periods of a couple of hours at a time. Typically, I am up working in my office between 2 and 5 am. 

My days begin early because I have 2 dogs to take out – they like to be out by 6 or 7 am.  It gets me moving, so that’s a good thing.

I do very little work after 5 pm. Evenings are my downtimes when I might watch some TV, or just listen to a book or relax. I like to sit and think – thinking takes a lot of time. You have to intend to think, and then set the time aside so you can actually do it.

 In my Artist Life:

I make art only during the daytime.  Because I have profound sight loss, I use an Acrobat CCTV – which is an electronic device that greatly enlarges my working area – it is a closed-circuit TV. My eyes are only able to work at this intensity in the mornings or afternoons.  After that, they are too tired to work any longer. So, you won’t find me making art in the evening or night.

On the days I am making art, I like to focus only on that.  I go to a place of “timelessness” in my studio and I am always unaware of the passing of the day while I am working.

Either way, my writing or art day begins after I’ve taken care of the dogs and cats. Bob will get up around 10 am, and he can take care of his own breakfast or whatever else he wants to do.   We often begin to work outside in the summer months, or inside the house in cooler weather.  In summertime, I tend my flower gardens.  My husband takes care of the yard work.

Like everyone else, we have appointments and essential trips to different places for groceries or exercise or social communications. Typically, we go to the gym 3 mornings a week for weight resistance training or cardio workouts.

My THEMES:

Nature is a predominant theme in my writing and my mixed-media fiber art.

I observe the day, the season, and watch for changes. I listen to the sounds of life, changing weather, and all the little details and nuances that we experience at any given day or night. I am so conscious of changing seasons, the quick turning from one to the other almost like magic.

In my writing, I describe the natural elements in my world, and in my art, I use the natural elements such as water-worn river stones; gemstones & crystals from different locations in the entire world; fabrics, and found objects.  I use the objects in the art, and in my writing, I also use them as metaphors or subject matter.

Other themes in my work:

*The passing of time

*Memory as in collective memory or place

*History – searching out the historical context of ideas

*Passage or Journey; a sacred Pilgrimage from one place to another

*No separation between sacred and secular

 

3. Do you work at another job?

My job is to be at work when the Muse arrives.

My responsibility is to arrive at work on time each day.

When I was working as a professor of fine arts and humanities, I had to fit my writing and art-making in-between my responsibilities at the college.  I wrote my first book, Concerti: Psalms for the Pilgrimage, from my journal jottings, drawings, and research that I did each summer. I taught a month-long course, “Drawing and Writing in Salzburg.”   Whatever the students were working on that day, I was working right alongside them in the classroom or in the field.  We met each morning at 8 am to begin our day. By 9 am we were often on a bus on our way to a location for that morning’s creative work.  Our class ended at noon (Monday through Thursday), so this gave me afternoons and weekends that were free for me to pursue my personal work.  I usually travelled to a different country each weekend, where I wrote in my journals and did photography and drawings.

As a professor, I had to squeeze my personal work in-between my heavy workload during the semesters.  Not only was I working on my own art and writing projects, I was also actively exhibiting my art in galleries and museums all over the world. It took a great deal of discipline to be able to do this intensive work.  So, I’ve always been a person who is focused and willing to put in the hours that it takes to be successful in what I am doing.  Retirement just opened up the door wider for me to create even more work because it eliminated the rigid teaching schedule I lived with for many years.

 

4. How did you fit in a family or ‘real life’?

I married my husband Bob, when I was seventeen years old. He was twenty.

We celebrated our 58th wedding anniversary this year.

We have 5 children and my life was completely occupied with cooking meals, doing laundry daily; managing our home and the children’s activities and needs.  We were active in their school and church life. My children were the center of my life and it was important that I was there to take care of our home, and all of them.  My first commitment was to my family.

My heart’s desire, was that I wanted to go to college, and I wanted to be a teacher.  That part of my life would not begin until I was forty-two years old, and the children were all in high school.

My academic career began at age forty-two, and I had a single focus. I intended to “go all the way” with education.  I intended to earn not only a BFA in Painting, but I would pursue the terminal degree in fine art, which is an MFA. I intended to be a college professor. I actually earned the MA in English along the way, too.  I had a passion for writing and making art – so this seemed like a good idea for me. From the beginning, I worked across disciplines.  And, this eventually led me to my teaching position at Geneva College, a Reformed Presbyterian college in western Pennsylvania. Because of my dual degrees in fine art and English, I was hired to use my expertise in the Humanities at the college. This work is both challenging and educational as a life-long learner. I loved doing research in my fields.

I advised students:

“Don’t give yourself permission to do less than what you have a passion for doing.

 Follow your passion and your abilities – you want to do work that makes you happy to get up each morning.

You want to do what you dreamed of doing.

Never make a plan for your life out of fear. Go for your highest purpose and you will get there.”

 I also believe in excellence. This does not mean I think that perfectionism is to be admired. It is not an admirable trait but perfectionism is a liability.  By the word, “Excellence,” I mean to be your best.   Perform at the highest level you can, and do the best job you can possibly do. That is not perfectionism.  It is holding on to your highest potential and working hard to make your dream, Plan A, your reality.

In 1976, I took my first class in painting.  Soon, painting was at the heart of my creative life. It was pure magic.

With 5 children and a husband to take care of.  I realized from the beginning that I had to be time conscious in order to live a creative life that was separate from family obligations. We have to have our personal identity, something that is ours alone to pursue.  Our “do” is not our “who,”  and I’ve always believed in my purpose in life – to create beauty and to keep memories alive for others.

5. Are you very organized?

This is a tricky question to answer.

At first, I thought, yes, I am very organized.

Then upon further reflection, I thought about how we live surrounded by chaos.  It is our normal condition of being a human creation.  We are finite creatures; we are flawed.

How we think about chaos matters –

I think it is better if we begin to think of mastering the chaos.

 

A plaque in my office reads:

“Nur kleine Geister  brauchen Ordnung,

ein Genie  beherrscht

Das Chaos.”

 

Translation:

“Only little spirits need order,

a genius mastered

The chaos.”

Links/samples/etc.

An Introduction to Lynda McKinney Lambert:  https://www.lyndalambert.com/

My Books:  https://llambert363.blog/lyndaslinks/

Lynda’s Media Kit:  https://www.lyndalambert.com/media-kit/

“My Books” on my blog:  https://www.lyndalambert.com/lyndas-books/

Listen to my poem, “To the Curator of Small Things,” in the Summer 2016 issue of Wordgathering. read by Melissa Cotter:

http://www.wordgathering.com/past_issues/issue43/poetry/lambert.html

LINK_ to my poem and voice recording of “Star Signs: in the December 2016 issue of Wordgathering – Read by Melissa Cotter:

http://www.wordgathering.com/past_issues/issue40/poetry/lambert.html

Lynda’s Authors Page- Amazon:https://www.amazon.com/author/lyndalambert

Lynda’s Official Authors Page: http://www.dldbooks.com/lyndalambert/

 Smashwords – get my ebook:  https://www.smashwords.com/profile/view/lyndalambert

Link to Lynda’s author Site at DLD Books:

http://www.dldbooks.com/lyndalambert/

 

My Blogs:

Website & Blog:  Lynda McKinney Lambert  – Official Author’s Website

Scan-A-Blog – A quiet Place of Inspiration, Art, Nature, Literature

Below – Photo: “Lynda with Tamukeyama,” by Bob Lambert

Lynda Lambert

Photo of Lynda – wearing one of her original hand-knit jackets in ombre shades of blues and aqua.

She is also wearing a one-of-a-kind necklace of Swarovski crystals and gem stones. She designs knit clothing, talismans, jewelry, and wall works.

Lynda is seated in front of her Tamukeyama Tree in her Zen Mediation Garden. Photo by Bob Lambert.

 

 

 

 

A Day in The Life Of… #UniqueAuthor Phyllis Campbell #Meetanauthor #Authorpromo

A Day in the Life Of and Questions with Phyllis Cambell. Welcome.

Bio:

Phyllis Staton Campbell was born in Amherst County, in a small village similar to those featured in her books. She had two sisters and one brother, all of whom are now gone. She and her sister were educated at the Virginia School for the Blind. She has worked as a teacher of the blind, private music teacher, accompanist at a ballet academy, peer counsellor and youth transition specialist. She married Clarence (Chuck) Campbell, in 1967. She says it was a good marriage, lasting almost forty-six years. During his last months, she was his only caregiver except for a visit from a Hospice worker to take care of his bathing and shaving. She says the hardest thing she ever did was sign the Do Not Resuscitate order. She promised to walk with him to that final door we call death, and she has every idea that he will be there waiting on the other side of that door.

Are you writer, publisher or designer? Writer

Do you write primarily,  fiction or nonfiction? Fiction

Do you restrict your work to a single genre? Yes

How long have you been writing? Since the 60s.

Are you self-published? Traditional published? Both

Thank you. Please tell us more.

  1. If you write more than one genre, what are they, and why? I’m interested in a number of genre. What I write and when, depends on my mood. When I’m in the middle of a project, I often have to use self-discipline to keep from wanting to start a different project. No, I’ve never abandoned one project for another.
  2. Are your characters, real people? No, but I think most writers slip in character traits even speech patterns of real people.
  3. Do you ever become tired of a book, while working on it? Absolutely. After I’ve worked over several drafts and edits, I’ve often never wanted to see the thing again.
  4. Have you as a blind person had an unpleasant experience with a publisher or agent. Explain. I once had an agent tell me that no publisher would even look at a book featuring a blind person.
  5. If the answer to the question above is yes, how did you handle it? I ignored her. Even if I had insisted, and she had represented me, we would never have had a satisfactory relationship.
  6. Do you use any special equipment to aide in your writing? I use a computer with screen reading software, and a braille device, The Braille-Note Touch, for proofreading.
  7. When you submit your work to a publication, do you tell them that you’re blind? If characters in the book or short story are blind, I do to verify authenticity.
  8. Does your environment or work experience ever feature in your writing? In what way? I have worked as a teacher, peer counsellor, and youth transition specialist. People with disabilities often feature in my writing, as do small towns and rural areas, environments I’ve lived in most of my life.
  9. Do you use anything to set the mood for your writing? Yes, I often use music to create the atmosphere.
  10. Have you ever become discouraged about your writing, and if the answer is yes, what did you do about it? All writers become discouraged, and some go through what might be called a dark time. I try to step back and think about what has discouraged me. Usually, it’s a rejection slip from somewhere that I had felt would give me an acceptance. In my case this usually passes in a day or two.

 

Do you work at another job? If so tell us about fitting in the writing/cover design/editing. I am a church organist. I have a schedule allowing time for practice and writing, varying sometimes if one needs more attention than the other.

Do you have a family? What do they think about your job? I do not have a family. When my husband was alive, he was very supportive. Do they assist you?

How do you fit in ‘real life’? Actually, my writing and my music are real life for me.

Do you have a particular process? No

Are you very organised? Yes, but not so organized that I can’t change when it becomes necessary or desirable.

What time do you get up/go to bed? My ideal day starts around six AM, and ends around ten PM when I read in bed, until I fall asleep.

Do you find it hard to fit everything in? Like most people some days things demand more time, but in general, I finish what I’d planned.

What is your ideal working environment? A quiet place with few interruptions.

What do you eat for breakfast? It varies, according to my schedule. If I’m in a hurry it’s something like a frozen English Muffin with a filling of egg and sausage. Otherwise the usual, eggs bacon etc.

Give us a brief rundown of your average day from getting up to going to bed. I wake around six, and make a cup of coffee with my Keurig in my upstairs bathroom, take the coffee back to bed to listen to the weather and news. Shortly before seven, I come down, and go through email, taking care of anything that requires attention. I get breakfast, following which, I work on my writing and any publicity. If it’s close to the time for my columns, I do research. Lunch. Practice at the organ, and braille music if necessary. Following this, I do chores such as laundry, straightening the kitchen, unloading and loading the dishwasher. I listen to music,  and/or read.

Prepare dinner, following which I may visit with friends on the phone, visit with friends online etc. This, of course, for instance, I get my hair done to go out to lunch etc.

Would you recommend your chosen craft to those interested in doing it? I certainly would, but would urge them to understand that to become a professional they must learn disappointment and patience.

Check out Phyllis’s author page here https://www.amazon.co.uk/Phyllis-Campbell/e/B001KC40ZI

https://www.amazon.com/Phyllis-Campbell/e/B001KC40ZI

We are the #Uniqueauthors

I got chatting via a blog post to a lovely author (who will be featured soon) about the extra challenges disabled authors and artists have. Publishing and producing work is a steep learning curve – it’s not just the actual story-telling – and many writers have physical or social difficulties which make the world, and the craft of creation even more tricky. To an extent, writing is a great equaliser. If I read a story I know little about that particular author – except what I can find out from the internet or publicity. I would probably not be aware that an author was, for example, blind, or suffered from disabling social anxiety. Writing is freedom. Writing is a veil and a fort. Reading and writing give one the chance to experience – at least in the imagination – the most amazing experiences.

There are some of us – the creators of worlds and magic who fight that little bit harder and make that magic with a little bit more of our souls. We are #UniqueAuthors.

Read our stories, and take a thought that what might be relatively simple for you can be a mountain to someone else – attending an event when you are blind or in a wheelchair – parking, access to the venue, is it guide-dog friendly and the idiocy of some folks who are just thoughtless or wicked. Can you get your wheelchair into the venue? Will people come and talk to you when they see your wheelchair? Or BECAUSE of it? How much courage has it taken you to fight that anxiety to come here and speak to strangers?

Imagine giving a book signing when you suffer social anxiety, navigating the bewildering terms of service of sites like KDP – which are NOT user-friendly for those who have sight loss. Networking – many disabled people find it hard to network, and networking is key to selling the books you’ve written. 

I have, as some of you may know, anxiety and fibromyalgia. I work and I write – some days, most days I can’t do both as I am physically and mentally drained, fatigued, in pain or anxious. I tend to be a bit of a recluse. But writing, when I can, gives me power, that freedom to be who I damn well please, and do what I want.

My father is partially sighted and has struggled to read ‘regular’ books all his life, and his disability limited his life choices. Many people have no idea what it’s like to live with someone with a disability or to live with something that limits life choices, and one’s abilities to live everyday life. Yet we have our own power, our own fire. And by god do we use it. Even if sometimes it seems we are powerless.

“Words are containers for power, you choose what kind of power they carry.” Joyce Meyer.

We do not look for pity – many of us have had our fill. We look for our words and our crafts to soar with the rest, and then rise above. For we are the #Uniqueauthors and we will be heard, and our words will change your world.

#Uniqueauthors #Wordsarepower

 

2018 – roundup

2018 seems to have flown by. Isn’t it odd how individual days appear to last an age, but the year as a whole just zooms past?

Politics has lost what little mind it had – the US government – probably the less said about that the better as I’ll only start an argument. The UK government has been dominated by Brexit, leadership problems and everyone is thoroughly sick of it all. I will say this year there has been a revolving door both at the Whitehouse and the Houses of Parliament.  Jeez – grow a spine, some balls or get rid of the person who is the problem and do it quickly….

Reading-wise – I’ve read over 60 books from true crime to historical to mystery, fantasy, and science fiction. I am planning to read a bit more fiction next year, and pick up some new authors.

Writing-wise – not as productive as I hoped and I’m not going to bore you with excuses. Let’s focus on what I have done.

Lovers in Hell  What a fun universe to write for! Anything can happen – but it usually backfires in ironic, dastardly and hellish ways. (See interviews for Hell Week).

The Secret of Blossom Rise This was my first ghost story – written for the Here Be Ghosts bundle, and Boo V.

The Kitchen Imps won the NN Light Fantasy book of the year.

Bundles:

Here Be Dragons

Here Be Fairies

Here Be Ghosts

Here Be Monsters (no longer available)

Remembering Warriors (no longer available in 2019)

Spring Surprise (no longer available)

Summer Shimmer (no longer available)

Frisky February (no longer available)

There were also audio editions for The Watcher (a Jack the Ripper Tale)

And audio and print editions for the two current Legacy of the Mask Tales:

Tears and Crimson Velvet

Echoes of a Song

What will 2019 bring? That is a good question…

Hopefully more Kitchen Imps, working on book IV of the Light Beyond the Storm, Heroika 2, another Heroes in Hell (assuming I can get the damn story finished), and possibly the completion of at least one novella.

I’m also learning Photoshop (steep learning curve), and have completed a course on Copyright, GDPR, Ancient Egypt, and DSE.

I’ll be a better blogger too….