*Name: Fred Wolinsky
*Tell us a bit about yourself: I have been involved in performing practically all my life. As a child, I put on puppet shows in my backyard (creating different characters, accents, and voices), and started making extra money performing magic and ventriloquism shows for parties and organizations. I also got involved as an actor in school plays and community theatre. From a young age, I was inspired by ventriloquist Paul Winchell and his many characters, as well as Mel Blanc and all of the different voices he created.
I graduated college with a degree in Theatre Arts, trained in New York City in voice, acting and dance, acted in Summer Stock, Off-Off-Broadway plays, regional theatre, and touring shows, and eventually joined the actors unions. I later started working full-time as a puppeteer, which led to the founding of my own puppet theatre company, Pegasus Productions, presenting shows with life-sized puppets and magic, which grew into a nationally touring company with 2 full-time troupes, which I continued to run through 1988. The success of Pegasus lead me to found Encore Performing Arts, a not-for-profit agency which offered touring shows for children and family audiences of all kinds. The fast growing company became a leader in the field of professional performances for children’s audiences.
All the while, I still continued acting, directing, and choreographing in local theatre productions. In 1994, I was named “Best Actor of the Hudson Valley” by the Times Herald Record for my performance as Alan Turing in “Breaking the Code.” Since leaving my position at Encore in 2006, I have also been teaching Speech and Theatre on the college level, became a nationally certified American Sign Language Interpreter, and of course became a voice over artist and audiobook narrator/producer in the fall of 2013. I love bringing books to life and portraying all the different characters.
How did you become involved with audiobook narration and production? Since I was a child, inspired by Mel Blanc and Paul Winchell, I dreamed of becoming a voice-over artist, but I took the long route to get here. However, everything that I have done up until this time all contributed to my skills and abilities as a narrator/producer. As a puppeteer and ventriloquist, I learned to create many different voices in conversation with each other. As an actor, I learned to bring characters to life with an emotional sincerity. As a director, I learned how to analyze scripts, interpret the work of the author, find the emotional core of the production, and develop a sense of pacing. My ear for languages, helped me create characters with different accents — regional as well as international. While operating my puppet company, I made voice tracks for all the shows, so I learned how to edit and produce sound tracks. Running two businesses taught me how to manage my time, have integrity in my work, and live up to my commitments.
After retiring from Encore, my other work has been part-time, and I was looking for something to fill the slow spots. A talented actress friend of mine began doing a lot of professional voice over work, so I used the opportunity to pick her brain. She introduced me to ACX and taught me a lot about the business. I purchased some equipment and started submitting audition files. Then I started getting hired to narrate and produce books, and continued learning and growing on the job.
Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? I currently have 34 books listed on Audible.com, and more in the works. It is so hard to pick a favorite. That is like asking a parent to pick their favorite child. Some that I most enjoyed narrating the include “The Doorways Trilogy” books by Tim O’Rourke, “Island of Fog” series by Keith Robinson, “Fables and Fantasies” by Dale T. Phillips, “To Light the Dragon’s Fire” by Margaret Taylor, among others. Here is a full list of my current titles on Audible:
– “The Feylands (The Hidden Lands Book 1)” by Peter Meredith
– “Island of Fog (Book 1)” by Keith Robinson
– “Labyrinth of Fire (Island of Fog Book 2)” by Keith Robinson
– “Doorways (book 1 of The Doorways Saga)” by best-selling author Tim O’Rourke
– “The League of Doorways (book 2 of The Doorways Saga)” by best-selling author Tim O’Rourke
– “To Light the Dragon’s Fire: Dragons, Griffons, and Centaurs, Oh My!” by Margaret Taylor
– “A Candle Star” by Michelle Isenhoff
– “A Demon’s Quest: The Beginning of the End” by Charles Carfagno
– “London Warriors” by Paul Rudd
– “Link” by D. A. Karr
– “The Veneer Clause” by Winfield H. Strock III
– “Hand Puppet Horror” by Benny Alano
– “A Song After Dark” by Grant Palmquist
– “Insanity Tales” by David Daniel, Stacey Longo, Dale T. Phillips, Vlad V., and Ursula Wong, with an introduction by Jonathan Maberry
– “Freedom Club” by Saul Garnell
– “Points of Origin” by Darden North
– “Diner Tales: A Contemporary Canterbury Anthology” by Andy Bunch
– “His Undoing: A Gay For You Erotic Short Story” by Aria Grace
– “Figures in Blue”; by Ted Morrissey
– “Fables and Fantasies”; by Dale T. Phillips
– “Apocalypse Tango” by Dale T. Phillips
– “Kevin Chandler and The Case of the Missing Dogs” by A. L. Jambor
– “Separate Lives” by Dale Roberts
– “The Dark Djin (Denny’s Tales)” by Andy R. Bunch
– “Promises Unfulfilled (Diner Tales)” by Andy R. Bunch
– “Monsters and Legends (Diner Tales)” by Andy R. Bunch
– “‘Twas the Night” by Robin Reed
– “Crooked Paths” by Dale T. Phillips
– “Halls of Horror: A 10 Story Collection” by Dale T. Phillips
– “Jumble Sale” by Dale T. Phillips
– “The Big Book of Genre Stories” by Dale T. Phillips
– “Tales of the Gray Ghost” by Bill Craig
– “The Package” by Cleve Sylcox
– “Wacky Waddles” by Miranda Hardy
Do you have a preferred genre? Do you have a genre you do not produce? Why is this? Just like no actor is the right match for every role, no narrator is the right match for every book. Each book requires different skills, different vocal qualities, and different styles. There is really no genre that I would flat out not produce, but there are certain genres that I seem to be best suited for.
I have a unique voice, not your classic announcer voice, which is very well suited for certain books, and not as well suited for others. My strength is my versatility and my acting. What I excel at, and enjoy the most, is doing books that have a wide range of character voices, as well as a theatrical narrative. I love bringing each character to life vocally, making them jump off the page and come to life for the listener. I also treat the narrator as a character, even when it is third person narration, reading it with a passion and emotion, as if really telling the story, not just reading it.
I have done many different genres successfully, but the genres that seem to most often fit my skills are fantasy, paranormal, science fiction, horror, and young adult.
What are you working on at present/just finished? As of this writing, I am finishing up “The Queen of Doorways (the Doorways saga, book 3)” by Tim O’Rourke. I am also working on “Mountain of Whispers (Island of Fog book 3)” by Keith Robinson, and am lined up to do “To Save the Broken Heart: Dragons, Griffons, and Centaurs, Oh My! book 2” by Margaret Taylor, and “The Sun King (The Hidden Lands Book 2)” by Peter Meredith. These are all sequels of books that I have previously recorded, so obviously the writers have been pleased.
Tim O’Rourke, author of “The Doorways Saga” books had said to me after listening to the first book in the series, “The voices were perfect and the chapters seemed to burst with life…. The book really comes to life and even though I wrote it I got caught up in the story as if coming across it for the first time.” Many authors have expressed similar sentiments.
*Tell us about your process for narrating? (Be as elaborate as you like.) I always start by reading the entire book, studying the characters and the style, and marking the script with color codes for different voices, as well as other performance notes. I also communicate with the author to discuss his or her visions of the characters and clarify any questions. I then record the book, doing a “punch editing” process, where I stop and start as often as necessary to perfect each phrase and get each voice just right, piecing the parts together as I go. I tend to stop frequently to make adjustments to the phrasing until I am satisfied. While there are actually many different takes strung together, I need to make it sound as if the entire book is being read once-through without errors. I aim to make it word perfect and be true to the author’s work.
When the book has many voices (as most of my books do), I make a separate sound file with samples of each character’s voice. That way, if there is time between appearances of that character (or in the event of a series where it may be several months before I produce next book), I can refresh myself as to how each character sounds, and keep each voice consistent.
Then I do the final editing and mastering, carefully listening to and touching up each moment to cut out any extraneous noises, subdue any loud breaths, and perfect the timing and pauses, as well as master the sound levels to a consistent range.
The final step is to convert all the files to the proper format for uploading.
With preparation, recording, editing, mastering, and file conversion, it takes me approximately 10 hours of work to complete one hour of finished audio. I may take a bit more time than some other narrators, but it pays off with the results. Just like putting together a theatre production, there is quite a bit of unseen work to make it sound natural, easy, and spontaneous.
What aspects do you find most enjoyable?
I love creating the different character voices. I try to picture what each character would look like, act like, and sound like. I don’t just think about accent or voice quality, but personality as well. How would that character speak? It is especially fun creating the voices for fantasy characters. Those will often be inspired by animals and animal sounds, and sometimes I will enhance them electronically in the editing phase.
Do you consider royalty share when looking for books to narrate? If not why is this? When I first started narrating, I took anything that was offered. Now, I am more selective. I prefer to be paid a flat fee (per finished hour) for my work. I will take some royalty share deals, but only if I think the book has a chance of a decent sales volume, so that I can be compensated for my work. I look at the quantity of reviews for that book, the past sales of the book, popularity of the other books from that author, as well as the amount and kind of promo that the author does and plans to do.
I have produced a few books for which ACX has offered a stipend. This provides the best of both worlds. ACX will pay the narrator/producer a fee per finished hour, plus the narrator/producer will also get a split of the royalties. Unfortunately, ACX only selects very few books for which they will grant this stipend. I have been fortunate to have been contracted for a few of these.
*With many people owning MP3 players do you think this is the future of storytelling? As more people have access to audiobooks, and with the ever-increasing tendency in our culture to multitask, I do think that audiobooks will continue to rise in popularity. However, I do not think it will ever replace print books (whether on paper or in electronic format). Audiobooks is a different media for storytelling, and each media has its pros and cons, and supporters and detractors. In reading, the reader creates the pictures and voices in their head rather than hearing the narrator’s interpretation. The reader has an easier option to jump back and forward, or skim through some sections than they do with audio. On the other hand, audiobooks can be listened to while driving or doing other things with your eyes and hands that you cannot do while reading a book. Also, if done well, audiobooks can really bring the story to life, creating a full movie in the listener’s mind.
Just like live theatre, movies, radio, TV, DVD, and other formats have only added to the options people have for entertainment, but have not replaced each other, I think audiobooks will become another popular form of storytelling.
Please tell us a silly fact about yourself. I can wiggle my ears.
Where can we learn more about you?
My website is http://fredwolinsky.weebly.com/ Check it out, and fill out the “Contact” form if you would like to get on my email list for occasional announcements about new releases or special promotions.
My Goodreads page is https://www.goodreads.com/author/show/8282586.Fred_Wolinsky Follow me or friend me to keep up with my latest news.
Miraculously, I have somehow so far avoided getting involved with FaceBook and other social media sites.
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