Guest Post – Self Publishing Platforms and Accessibility – by Victoria Zigler

Victoria Zigler is a prolific author, mostly of books for children and poetry. She has an impressive catalogue. She is also blind – and has visited the Library Of Erana in the past to discuss the accessibility (or otherwise) of publishing, reading and enjoying books. I’m pleased to welcome Tori back, where she discusses the issues of self-publishing on Amazon vs Smashwords.

Tori – over to you

“Which platform is best for self-publishing?”

It’s a question you’ve likely heard many, many times – one especially popular with people comparing Smashwords to Amazon’s Kindle Direct Publishing (KDP) – and one that will have a different answer, depending on who you ask, and what experiences they’ve had using one platform or the other.

Here’s another question for you though:

“Which platform is more accessible for visually impaired authors who rely on screen readers?”

This one may also come with different answers, depending on who you ask, and their personal experiences.  The screen reader and browser you use may make a difference too.  In fact, I’m pretty sure it does.

I’ve only ever used JAWS (Java Access With Speach) so can’t compare screen readers for you.  But I’m going to give you my opinion on which platform is more accessible if you use JAWS and Firefox, which is what I use.

Although, I can only answer it using a comparison of Smashwords and KDP, because I actually haven’t dealt directly with the other platforms.  My books may be on other retailers, such as Barnes & Noble and Kobo, but it’s because of distribution.  Something I’m very grateful exists, since it makes my life easier.  Actually, it makes things easier for a lot of people, and not just screen reader users.  But this post isn’t about distribution.  This post is about which publishing platform is more accessible for screen reader users using JAWS and Firefox.

So, what’s the answer?

The short answer is Smashwords.  They’re easier to navigate, having a less cluttered page.

Although, in all fairness to them, KDP do appear to have improved their accessibility a little.  So at least they aren’t as much of a headache to use as they were when I first started publishing, which was almost seven years ago now.  Navigation is still a little more difficult on KDP than it is on Smashwords though.  Still, any improvement helps.

Of course, there’s room for improvement on both.  There’s always room for improvement, no matter what we’re talking about.  Especially since whoever invented drop-down menus obviously hasn’t had to use a screen reader.  Then there’s how graphics happy everyone is these days…

You know, I think we should make it essential for every company’s technical department to have a team of visually impaired people whose jobs are just to check the accessibility of websites using different screen readers and browsers.  It would create more jobs, and improve accessibility for screen reader users at the same time.  It’s a win- win situation!

But, in the meantime, if I had to recommend either Smashwords or Amazon to someone, based on accessibility alone, I’d recommend Smashwords.

Unfortunately, a lot of people still prefer to go directly to Amazon for their eBooks, and you have to sell a lot of books to have your Smashwords books distributed to Amazon.  Something very few authors actually achieve.  That means your best chance of having your books listed on Amazon is to put them on there yourself.  So, as I’ve recently realized and accepted, you’re going to want to deal with both platforms.  At least, you are if you want all those people with Kindles to buy copies of your books.

***~~~***

About the author:

Victoria Zigler is a blind poet and children’s author who was born and raised in the Black Mountains of Wales, UK, and is now living on the South-East coast of England, UK, with her hubby and furkids.  Victoria – or Tori, if you prefer – has been writing since she knew how, and describes herself as a combination of Hermione Granger and Luna Lovegood from the Harry Potter books: Hermione’s thirst for knowledge and love of books, combined with Luna’s wandering mind and alternative way of looking at the world.  She has a wide variety of interests, designed to exercise both the creative and logical sides of her brain, and dabbles in them at random depending on what she feels like doing at any given time.

To date, Tori has published nine poetry books and more than 40 children’s books, with more planned for the future.  She makes her books available in multiple eBook formats, as well as in both paperback and audio.  She’s also contributed a story to the sci-fi and fantasy anthology Wyrd Worlds II, which is available in eBook only.

Links:

Website: http://www.zigler.co.uk

Blog: https://ziglernews.blogspot.co.uk

Goodreads: https://www.goodreads.com/toriz

Facebook author page: https://www.facebook.com/pages/Victoria-Zigler/424999294215717

Twitter: https://www.twitter.com/victoriazigler

Google+: https://plus.google.com/106139346484856942827

 

Find Tori’s books on…

Smashwords: https://www.smashwords.com/profile/view/toriz

Amazon: https://www.amazon.co.uk/Victoria-Zigler/e/B00BHS9DQ6/

…Along with a variety of other online retailers.

 

Audiobook Narrator Interview – Judith Bareham

*Name:   Judith Bareham

*Tell us a bit about yourself: I am  British born,  married to Jonathan (a Brit also) and mom of three children –( a daughter 23, and two boys 20 and 15) who moved to the USA in 2000.  Now I live in Charlotte NC and until recently was a stay at home mom, who home-schooled my sons for three and 8 years respectively.   Until now,  I didn’t have the capacity to pursue being a voice actress but the time was right this year to step into it fully and embrace it!

How did you become involved with audiobook narration and production? Well last year I began training with a voice acting coach and decided this was now or never to pursue

That dream.  I want to pursue other voice acting realms too, but I think narration will always be the solid foundation of what I do.

I have always narrated for as long as I can recall, from High school back in the day to amateur dramatics in plays, and I was asked to narrate because I was a good storyteller.

I have always loved acting but love being behind the mic as well as on stage.

Way back, I read newspapers for the Blind, near where I lived in the UK as I believe it’s vitally important that there are great resources available. And of course, audiobooks fit that brilliantly.

I began with Audible this year and auditioned for titles which interested me and were a good fit and here I am.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? Well, as I have just started out I don’t have a long list to my name yet, but I completed Mathamagical in the spring which was a brilliant rendering of a teenage boy who is struggling with math and generally down on his luck. Until he discovers a magical world of math and is able to succeed in solving problems along the way.

I am working on a “how to book for teachers”  which although is not a story, is motivational in style and I am finding I really enjoy this style of book too – I like to solve problems and help people so I feel a passion for what I am reading.

I volunteer for the Library for the Blind in Washington DC too, when they have titles for me and as time allows.

*Tell us about your process for narrating?  (Be as elaborate as you like.)

A book with multiple characters like Mathamgical (there were 19) I have to think about how they would sound of course, but I begin to imagine how they would move, what they would wear, their characteristics – are they snippy or patient, do they zip through life or are they moody or grumpy about life?

This helps me tap into the voices better and help them become believable.

In the case of Lilie, she just fit a Scottish voice because of her breed but I have a dog Nelson, who I believe is very human in his responses so I took facets of him too and applied that to her voice.

Prior to the recording I spend time editing and looking for any misprints or issues which might cause me a problem as the narrator, so I try to fix those before recording.

That’s harder for a long book but it saves headaches down the road!

Then I begin recording and that’s the fun part.

What aspects do you find most enjoyable? Definitely doing accents and dialects and acting in my booth.

I love it when I can really get into a part

What do you find least enjoyable? Editing – it’s a beast.

Why do you think audiobooks are becoming so popular? I think they always have been popular but increasingly so in the age of people being more mobile and able to access great content more easily.

It used to be incredibly expensive to buy a hard copy of an audiobook on CDS and you were limited to what your library had perhaps.

But now there are hundreds of titles made accessible – we can listen anywhere, anytime.

Can you remember the first audiobook you owned? Black Beauty and I wore it out

If you could narrate any book you wanted which would it be and why? Oooh that’s tough.  Specific titles are hard ………

I love Maeve Binchy novels because the Irish accent is one of my favorites to do

And I love the lilt and pace of it.

But equally children’s’ stories with trolls, knights, pirates, or woodland creatures – I love mice, rabbits, badgers and live in a world in my head where animals talk – a combination of any of those would be fun to do!

Please tell us a silly fact about yourself. I am pretty competitive and so I have this hang up from childhood,  where my brother and I used to outwit each other by being the last person to have sweets or chocolate left from Easter or Christmas.  He beat me every time. So to this day,  I still have little stashes of chocolate and sweets I haven’t eaten yet,  in the house – it drives my family insane! They’re just jealous they don’t have the same will power…….

Where can we learn more about you? My website – Judith Bareham tells a little more about me.

I have a blog which I write approximately every other week and you can access on my site.

Social Media links:

Instagram

Facebook – Judith Bareham

Twitter

Linkedin

Pinterest

***

Judith is narrating Where’s Noodles? by Victoria Zigler. Check out the links here:

Audible: https://www.audible.co.uk/pd/Wheres-Noodles-Audiobook/B07JKBT76W
Smashwords: https://www.smashwords.com/books/view/880958
Barnes & Noble:
https://www.barnesandnoble.com/w/wheres-noodles-victoria-zigler/1129141679
Kobo: https://www.kobo.com/us/en/ebook/where-s-noodles
iBooks: https://itunes.apple.com/us/book/wheres-noodles/id1415553711
iTunes: https://itunes.apple.com/gb/audiobook/wheres-noodles-unabridged/id1439954293
Amazon UK: https://www.amazon.co.uk/dp/1724843222/
Amazon US: https://www.amazon.com/dp/1724843222/
Amazon Canada: https://www.amazon.ca/dp/1724843222/
Goodreads: https://www.goodreads.com/book/show/40890298-where-s-noodles

Where's Noodles Audiobook Cover.jpg

Narrator Interview – Danny Letham

*Name: Danny Letham

*Tell us a bit about yourself: Raised on a Scottish moorland farm, I spent much of my adult life in various Scottish and English cities and now live near the North Wales Coast.  My work background is software development and systems analysis, specialising in commercial, financial, and manufacturing systems. Born into a musical family whose other stock-in-trade was teaching, I was a mobile deejay in my teens, and these days I can gossip for Britain about many musical genres.

How did you become involved with audiobook narration and production? While I’ve always liked to talk, the impetus came in the form of the usual story: suggestions from friends and relations. I was very aware that merely being the “natural” that those good folks suggested was not enough, and indeed the well-intentioned encouragement might not even have been true. So, from about 2012 onwards I researched and self-trained with the help of Patrick Fraley’s tutorials and a few other sources. Meanwhile, before my wife’s death in 2016 I had gradually withdrawn from the world of I.T. to become her full-time caregiver, and since then I have reinvented myself as a narrator, video maker, and digital artist. I first encountered ACX through Mr. Fraley.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? You’ll have worked out from the foregoing that I have only just taken the plunge. So, for the time being I don’t have much to say here. I have a computer full of material that will never be seen or heard in public, kind of like those early Beatles recordings made in Hamburg. (Dream on, Danny!)

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? I’m a non-fiction kind of a guy really, who aspires to biography, history, the education sector, and corporate reads. I have a high regard for the better fiction narrators and am not averse to characterisation, but not every title is an Agatha Christie mystery and although I have my moments and can run the gamut of SATB timbres (baritone and mezzo are my best) I’m not quite in the same league as David Suchet. What folk tend to overlook, though, is that within the vast tract that is non-fiction there is every bit as much of a need for nuance and sense of scene. Which isn’t to rule out the right novel, of course; never say “never”. That said, I am minded to avoid so-called “Adult” material but I’d not reject an otherwise suitable title just because it had some adult content; however it would have to be very good read. On the other hand, given that I have a well-developed avuncular style for kids’ books there is an obvious conflict, so “Adult” is not a market I would target.

What are you working on at present/Just finished? I have just arrived on Audible as narrator of a kids’ title written by Victoria Zigler, called “Eadweard: a Story of 1066”. That title attracted me partly for its historic interest but significantly also because of its ethic; as a lad who never wanted to be a soldier myself I identified with its busting of the myth. The ten-year-old Danny repulsed by the “It’s a Man’s Life” TV recruitment campaign would have loved that book.

Eadweard - A Story Of 1066 Audiobook Cover

Ongoing, from a business perspective I am looking at ethical advertising both in sound and on video more so than audiobooks, but additionally in the medium term I have my eye on a couple of older works which are now in the Public Domain and for which I would assume the role analogous with rights holder as well as that of narrator.

*Tell us about your process for narrating?  (Be as elaborate as you like.)  Step One is, sample it and improvise reading one or two previously unseen passages. See how it FEELS. That instinct is important, and I try to carry it with me throughout the creative process at the same time as balancing it with self-directing. Next, read the thing end to end; if you don’t do that you can paint yourself into a corner either with a wrong characterisation as the plot unfolds or, in non-fiction, with a compromised counter-argument. Try a few more passages as you go along, and revisit former ones. Note how different the passages you improvised feel when they are re-encountered. Rehearse. Mark the text with cues and emphases while progressing, considering any surprise inflections that might work to keep the audience engaged. Rehearse again. Set milestones. Go on the mic, for no more than half an hour at a time; after that amount of time mistakes will multiply. Avoid becoming a slave to the punctuation, especially if that punctuation is mechanised. Repeat whole sentences or at least clauses where you notice at the time there has been a blooper, without pausing. Then get technical with NR, EQ, and all that stuff. When editing bear in mind that sometimes it’s better to splice than merely to cut. Sometimes there is no option but to overdub, but don’t do that yet. Open a list of overdub requirements. Listen back, repairing any pops or clicks etc, while identifying any more overdubs. Listen again, following the text closely looking for misreads. Rely on it; there will be some, and consequently more overdubs. Each overdub is a miniature run of the “mic NR EQ pop click etc.” cycle.  Cry, scream, and yell, when the sound palette of the overdub doesn’t match the main body of your narrative. Rinse and repeat. FINALLY (um, not really finally) submit your Thing Of Beauty. Cry, scream, and yell, some more when the rights holder sends a list of …. overdub requirements! Rinse and repeat. Oh, and that other chap who waves his arms? Me too.

I didn’t mention mixing just now. I always record vox in mono but where music or SFX is involved I will decide based on the specifics of the case whether or not to mix in stereo. If it’s narration only, it stays in mono unless I need to emulate physical activity. However, they never needed a stereo mix in the days of Steam Radio, did they? We have lost a lot these days, with the “live” imperative supplanted by all this tech, and yet I am mindful of babies and bathwater. I prefer to use Adobe Audition. Some freeware is absolutely magnificent, but Audition’s visualisations and its brush and lasso repair tools in particular are all but indispensable. In the end you get what you pay for.

What aspects do you find most enjoyable? In a sentence? I like the sound of my own voice! No, in all seriousness, performing is the buzz; I can’t say that I love the technical aspects. I did discover recently when invited to do a live reading that the dynamic is entirely different from studio work, so now I am looking to add that to the repertoire on a permanent basis.

Do you consider royalty share when looking for books to narrate? If not why is this? I certainly do. I think it unwise to dismiss either royalty share or finished-rate. Every project has its own business case. It depends on what balance you need to strike from time to time between visibility, prestige, and cash flow.

Do you listen to audiobooks? Not very often because in my limited leisure time I tend to read, looking for performance material! I spend more time listening to podcasts online. The audiobook that I have enjoyed the most – ever! – is David Suchet’s reading of “Death on the Nile”. Such characterisation! He is especially able when “doing” the women, and then there is all that over-the-top emoting, and excellent timing resulting from the great sound editing and audio engineering. What’s not to love? It is a lesson in the proper use of tech to give an enhanced performance experience. One of my bugbears is that the unavoidable pauses in “he-said-she-said” dialogue passages go unedited because of production time constraints. And people have been trained to like it, even to consider it best-practice. For me, while it’s fine in a live situation on a recording it just jars.

*With many people owning MP3 players do you think this is the future of storytelling? Yes and no. It’s unfortunate in some respects that the old way is almost extinct, of Wise Old Heads occasionally reading from a book but frequently improvising around a detailed memory. There is nothing quite like a live performance in which the narrator responds to the audience’s cues and maybe interacts with them. The best stories can be retold with near-infinite variation – consider how folk music works. In my dreams at least, I foresee that style of performance returning as ordinary people’s reading comprehension skills continue to diminish – which I believe they are doing regardless of the A-level statistics. For now, though, as a society we are going through a “more of the same” loop in which hearing the same story repeatedly in exactly the same formulaic way is the “four legs good” of our era, and whether we like it or not the playback device is king. Equally, the playback device is an ideal medium for disseminating listen-once material, superior to radio because of its on-demand nature. In that context word-of-mouth, social media ads, and the Infernal MP3 Machine are the narrator’s best friends. Just as the phonograph paved the way for excellence in musical performance we must hope the MP3 does the same for narration, although in my view we aren’t quite there yet.

Why do you think audio books are becoming so popular? The commuter lifestyle has a lot to do with it. The world of the past that I have described has largely been mechanised out of existence, and indeed that is the case even away from the urban cycle – in agriculture, for example, productivity demands shackle us to our tractors and our milking machines more than ever before. Changes in the popular music scene have made recorded music significantly less attractive to many than it has been previously, so the advent of affordable and – importantly – portable technology with which to hear something interesting is bringing the audiobook to the masses just like the Dansette did popular music half a century ago.

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) It’s too early to say as regards earnings, but actually, I think it more realistic in my situation at least to seek prestige and visibility than it is to expect Big Bucks directly. It is an easy platform to use in the technical sense, while in another respect it falls somewhere in between an effective hiring fair and a useful additional networking tool, not so much with peer-to-peer networking (to steal an I.T. term) as in the wider literary community. Having said that, I think the signal-to-noise ratio in terms of networking opportunity is less than ideal.

Have you ever had a negative experience producing a book? Every experience is a learning opportunity. If you don’t see it that way, that is a negative in itself.

Please tell us a silly fact about yourself. People perceive me to be fearless but… while obviously, I wouldn’t choose to do so I would wrestle a Rottweiler (and probably lose), and yet I have an irrational fear of chickens.

Where can we learn more about you?

Website with onward links is here: http://www.thevoiceofdaniel.com/

For repertoire and samples , go straight to soundcloud: https://soundcloud.com/dannyletham

If you want to check out Victoria and Danny’s work – please use the links below.

Audible: https://www.audible.co.uk/pd/Children/Eadweard-A-Story-of-1066-Audiobook/B0778V7XDC/
Smashwords: https://www.smashwords.com/books/view/652726
Barnes & Noble:
https://www.barnesandnoble.com/w/eadweard-victoria-zigler/1124182601
Kobo: https://www.kobo.com/us/en/ebook/eadweard-a-story-of-1066
Chapters-Indigo
:
https://www.chapters.indigo.ca/en-ca/books/eadweard-a-story-of-1066/9781370587865-item.html
iBooks: https://itunes.apple.com/us/book/eadweard-a-story-of-1066/id1137551399
iTunes: https://itunes.apple.com/gb/audiobook/eadweard-a-story-of-1066-unabridged/id1313336363
Amazon UK: https://www.amazon.co.uk/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon US: https://www.amazon.com/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
Amazon Canada: https://www.amazon.ca/Eadweard-Story-1066-Victoria-Zigler/dp/1539534472/
The Book Depository:
https://www.bookdepository.com/Eadweard-Story-1066-Victoria-Zigler/9781539534471
Goodreads: https://www.goodreads.com/book/show/31199382-eadweard—a-story-of-1066

Series Spotlight – The Kero’s World Series

Title: The Kero’s World series

Author: Victoria Zigler

Narrator of audio editions: Giles Miller

Genre: Children’s stories – animals/pets

Main character description (short). Kero is a West Highland White Terrier, which is a little white dog with pointed ears.

Kero Goes Walkies Audiobook Cover

Synopsis: This is a seven book series that provides a semi-fictionalized view of the life of the author’s own dog, with events described as they might appear through the dog’s eyes.

 

Brief Excerpt 250 words:

“Are we going walkies?” Kero asked in his most excited sounding bark.  But, of course, the human didn’t understand him and only heard “bark, bark, bark.”

“Hush Kero,” the human said.  “You’re coming, but please stop barking.”

“I’m coming? Horray!” Kero barked, jumping up and down excitedly, his tail wagging as fast as it possibly could.

“You have to wear your coat,” his human told him.  “It’s cold out.”

That was fine with Kero, just as long as he got to go.  Besides, he liked his coat.  It was blue and green and made of a soft material that felt good against his fur.

Kero tried very hard to stay still while his human put his coat on him, but he was so excited he just couldn’t stay still for a moment.  This meant it took ages to get his coat on him, but they got there in the end.

“You have to calm down so I can put this on you,” the human said, holding Kero’s harness and lead out to him.

Kero tried to calm down.  He really did.  But he was so excited about going for walkies that he couldn’t stay still.  But his human was used to this, and eventually she managed to get his harness on him.  Once that was done it took only a few seconds for his lead to be clipped to the metal loops on the harness.

At last, they were ready to go.

Why should readers buy this book (50 words max)? If you want to see the world from the point of view of a little white dog, this book is for you.

Links etc.

Book 1 – Kero Goes Walkies

Kero Goes Walkies Audiobook Cover

Audible: Kero Goes Walkies

Smashwords: Smashwords

CreateSpace: Createspace

Barnes & Noble: Barnes and Noble

Kobo: Kobo

Chapters-Indigo: Chapters-Indigo

iBooks: Ibooks

iTunes: Audio Itunes

Amazon UK: Amazon UK

Amazon US: Amazon.com

Amazon Canada: Amazon Canada

Book Depository: Book Depository

 

Book 2 – Kero Celebrates His Birthday

Kero Celebrates His Birthday Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

 I-books

I-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

Book 3 – Kero Gets Sick

Kero Gets Sick Audiobook Cover

Audible

 Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I books

I tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 4 – Kero Celebrates Halloween

Kero Celebrates Halloween Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

i-books

I tunes

Amazon Uk

Amazon.com

Amazon Canada

Book Depository

 

Book 5 – Kero Goes To Town

Kero Goes To Town Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-indigo

I-books

i-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 6 – Kero Celebrates Christmas

Kero Celebrates Christmas Audiobook Cover

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I-books

I-tunes

Amazon UK

Amazon.com

Amazon Canada

Book Depository

 

Book 7 – Kero Crosses The Rainbow Bridge

Kero Crosses the Rainbow Bridge Audiobook Cover.jpg

Audible

Smashwords

Createspace

Barnes and Noble

Kobo

Chapters-Indigo

I-tunes

Amazon UK

 Amazon.Com

Amazon Canada

Book Depository

 

You can also find the books on Goodreads.

 

Book 1: https://www.goodreads.com/book/show/17881737-kero-goes-walkies

Book 2: https://www.goodreads.com/book/show/17974626-kero-celebrates-his-birthday

Book 3: https://www.goodreads.com/book/show/18052712-kero-gets-sick

Book 4: https://www.goodreads.com/book/show/18052730-kero-celebrates-halloween

Book 5: https://www.goodreads.com/book/show/18052750-kero-goes-to-town

Book 6: https://www.goodreads.com/book/show/18052768-kero-celebrates-christmas

Book 7: https://www.goodreads.com/book/show/22919083-kero-crosses-the-rainbow-bridge

 

***~~~***

 

About the author:

Victoria Zigler is a blind poet and children’s author who was born and raised in the Black Mountains of Wales, UK, and is now living on the South-East coast of England, UK. Victoria – or Tori, if you prefer – has been writing since she knew how, has a very vivid imagination, and spends a lot of time in fictional worlds; some created by her, others created by other authors. When she remembers to spend some time in the real world, it’s mostly to spend time with her hubby and pets, though sometimes to indulge in other interests that capture her attention from time to time. To date she has published 8 poetry books and more than 40 children’s books, with more planned for the near future. She’s also contributed a story to the sci-fi and fantasy anthology Wyrd Worlds II.
Author links:

Website: http://www.zigler.co.uk

Blog: http://ziglernews.blogspot.co.uk

Goodreads: http://www.goodreads.com/toriz

Facebook author page: http://www.facebook.com/pages/Victoria-Zigler/424999294215717

Twitter: http://www.twitter.com/victoriazigler

Google+: https://plus.google.com/106139346484856942827

 

Narrator Interview – James Watkins

*Name: Hello, my name is James Watkins

*Tell us a bit about yourself: I live in sunny San Diego California, which has been my home since 2011.  I took a long time to find my home in voice work, but this year has seen the completion of my home studio, and I’m never looking back!  I love reading, singing and writing songs, hiking, and playing in the ocean.

How did you become involved with audiobook narration and production? I am a lifelong lover of reading.  I really enjoy being able to explore through words and ideas.  Because I am a bit of an amateur musician, I ended up with some simple recording equipment at home.  When it first occurred to me to combine reading and recording it seemed natural and perfect.  I am so glad to be living in this time where I am able to bring these things together in such a simple way. I have had a learning curve, too, but it’s a good thing that I also love to learn new things!

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? I recently narrated a series of four short books for kids, called “Degu Days”, written by Victoria Zigler.  They are short but wonderful tales written in the voice of pet degus.  They are small South American rodents who are amazing jumpers, and extremely charming little creatures.  Victoria Zigler is a talented writer whom I think is well worth reading.  Her stories beautifully capture the simple perspective of the young, but there are serious matters she deals with powerfully in the space of a very short story, too.  Degus are cute fuzzy little creatures, but a lot of kids learn some of their earliest lessons in caring for a pet from small animals like these, and are even introduced to their first experience of what death is through living with these lovely, innocent animals.  A lot of people say that reading stories really helps develop children’s capacity for empathy, and seeing things from another perspective, and Victoria has a nice touch with this stuff. Her books are true literature, aimed at meeting children where they are, and gently, kindly, lovingly helping them to grow and understand.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? Being able to do lots of different stuff is a big part of what keeps things interesting!  I like to do kids stuff, science fiction and fantasy, history, business, self-help, Christianity, medicine and life sciences, earth sciences, criticism, meditation.  These are just some examples of things I’ve worked on recently.  What’s really important to me is good writing.  Good writers are a treasure, and I am excited to be able to help take something great and bring it to a wider audience.

What are you working on at present/Just finished? I’m pretty excited to be putting together a podcast of spooky stories right now, called the bonefire.  The first episodes are going to be ready to go in the next few weeks.  It’s exciting to have my very own project.

*Tell us about your process for narrating?  (Be as elaborate as you like.) First, I’ve got to read and understand.  I take notes, use a highlighter, draw little pictures and maps, so that I have a really strong sense of the voices, the arc of the story or the structure of what is being written about, and what the tone of the writing is.

Then it’s time to read and record.  I like to read in the later part of the day.  For some reason my voice gets more and more limber as the day goes on.  I like to be active when I read, and probably look very silly waving my arms around.  Taking lots of little breaks is important, too.  Focusing and refocusing, so that I’m always fresh. Between what the writer has done and what I can do, there’s a lot of life you can give to a piece of writing.  It’s important to pay close attention to that aspect, and give it what it really deserves.

The last step is editing, taking out any mistakes or things that don’t sound right.  Then I process the signal.  There’s not much processing an audiobook reader has to do compared to what some other kinds of voice artists have to do.  This work is technical and procedural, but the truth is that it’s more about finesse than anything. It’s all about trying to get the best sound you can.

What aspects do you find most enjoyable? So many things!  I have the attitude of a craftsman.  The pursuit of perfection is what really gets me excited more than anything.  Making something well is time well-spent, and being engaged with great material inspires me.  Being able to read and really explore other people’s ideas and stories is pretty wonderful, too.

Do you consider royalty share when looking for books to narrate? If not why is this?Of course I consider royalty share!  Like anybody else, I’ve got to pay my bills and make money.  But if a project comes along that I really want to do, and I believe in it, then for me, it’s worth it.  I’m doing a job, and work is not all about fun and games.  But I’m blessed to be able to do a job that gives me the opportunity to do a wide variety of things that I can get excited about, and to make choices about what kinds of projects I take on.

Do you listen to audiobooks? I started listening to audiobooks at the same time I realized how much is becoming available, how many great books there are being produced in audio format, which was also the same time I decided I wanted to do it myself.

*With many people owning MP3 players do you think this is the future of storytelling? It certainly is an exciting storytelling form today.  And I think it will be even more interesting tomorrow.  There is a lot of room for growth and development in audiobooks, and we are just starting to scratch the surface now.  Human beings will always find new and exciting ways to tell stories.  It’s what we do.

Why do you think audio books are becoming so popular? It’s easy to understand why on a practical level people like them so much.  We like to have something that engages our minds when our hands are busy.  We have the opportunity to learn, to be engaged, and entertained while we are driving, or doing chores, or working, or we want something to keep the kids’ attention.  But it’s also great to realize that as this art form emerges, we are hearing better and better storytellers all the time.  The audience that writers can reach is a lot bigger, and the narrators who produce these books are honing their craft.  It’s an art form that has a lot of room for creative people to really show what they can do, and people love to be engaged by something that fits into their lifestyle.

Can you remember the first audiobook you owned?  I sure can!  It was The Death and Life of Great American Cities, by Jane Jacobs.  I knew my love affair with audio books was going to be a long one, and I thought it was only right to start out with a classic that I had been meaning to read for a long time.  I have lived in a number of different cities, and had a lot of things to compare as I listened to Jane Jacobs eye-opening insights into urban planning.  Donna Rawlins was such a fantastic narrator for this book.  From the beginning, I was listening to it thinking, “I want to do this”, so I listened very carefully to her consistency, her tone, the cleanliness of her enunciation and production.  I chose my first audiobook carefully.

 

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?)  Well, I’m not making a living from it (yet?) but I have had really nice interactions with everybody I’ve dealt with from authors to the folks at ACX.  They have created an effective and well-made interface that puts authors together with narrators.  There is a range of quality that is available, but it puts tools in the hands of people, allowing them to create something for their audience. It’s a lot of work to produce an audiobook, but it’s hard to imagine that there’s anything ACX/Audible could do to make it any easier!

Have you ever had a negative experience producing a book? Nope.  I’ve found myself overwhelmed, certainly.  But so far it’s been all positive.

Please tell us a silly fact about yourself. I have a tuxedo cat named Clarence who workshops my voices with me.  Every new voice I try gets run by him first of all.  He doesn’t give much feedback, but he’s a great listener.

Where can we learn more about you?

Social Media links:

Coming soon!  Homemade, chilling and scary audio stories!  Keep your eye on thebonefire.com for the first ones to appear in the near future!

If you are interested in having your project narrated and produced by James Watkins, you can find my profile on acx.com or email jameswatkinisvo@outlook.com

 

Book Spotlight – How to Trust Your Human – Animals/Kids/Social Issues

Title: How To Trust Your Human

Author: Victoria Zigler

Genres: Children’s Stories – Animals / Children’s Stories – Social Issues – Death And Dying

Main character description (short).

“Buddy is a degu, which is a kind of rodent closely related to guinea pigs, with an appearance that resembles a furry-tailed rat.”

Synopsis:

“Losing a sibling is hard. Losing three of them is even harder. Repairing a broken bond of trust is harder still.

After his three brothers disappeared, one after another, gone to a mysterious place known only as The Rainbow Bridge, Buddy the degu is all alone in his cage. Confused and frightened, he knows only one thing for certain: he last saw his brothers in the hands of the human caretaker. That knowledge breaks the bond of trust forged between Buddy and his human in the years since he was a pup, and leaves him convinced that letting her get her hands on him will mean he disappears too. Somehow, she has to convince him he’s wrong, and earn back his trust.

Based on actual events that took place in the life of one of the author’s own degus, and told from the point of view of a degu, this is the story of how patience and love taught a confused and terrified rodent how to trust again.”

Brief Excerpt 250 words:

“I was starting to relax, and no longer running to hide when my cage door opened.

Then, one day, one of the human caretakers held her hand out in my direction, and appeared to be waiting for something.

As you might imagine, I was immediately suspicious – not to mention back to being absolutely terrified – so I rushed off to hide, watching the hand closely, even as I cowered behind the wheel at the opposite end of the cage.  I was literally trembling from nose to tail, wondering what she was up to, and if it was finally time for them to make me disappear like my brothers.

I thought the hand would follow me, and at least make an attempt at grabbing me.  But it didn’t move even the slightest amount.

I watched and waited for a very long time.

Still the hand didn’t move.

My trembling stopped, but I continued to stay in my hiding spot, watching the hand to see what it was going to do.

Nothing happened; the hand still didn’t move.

After a while, my curiosity got the better of me.  Look, I might have been terrified, but we degus are curious creatures, and there’s only so long I could resist the urge to find out what the hand was doing.  So, I cautiously crept closer, ready to bolt back to my hiding spot at the first sign of danger.”

Why should readers buy this book (50 words max)?

“It’s a story about how a little love goes a long way, and how pets have feelings too.  If you’re an animal lover, or you have children who love animals, this book is for you, especially if you’re in a situation where you have a pet who is suffering after losing his or her furry companion.”

 

Links etc.

Find the book on…

Goodreads: https://www.goodreads.com/book/show/35160154-how-to-trust-your-human

Smashwords: https://www.smashwords.com/books/view/724848

Barnes & Noble: https://www.barnesandnoble.com/w/how-to-trust-your-human-victoria-zigler/1126412328

iBooks: https://itunes.apple.com/do/book/how-to-trust-your-human/id1237703591?l=en&mt=11

Available in paperback soon!

 

Author bio:

Victoria Zigler is a blind poet and children’s author who was born and raised in the Black Mountains of Wales, UK, and is now living on the South-East coast of England, UK. Victoria – or Tori, if you prefer – has been writing since she knew how, has a very vivid imagination, and spends a lot of time in fictional worlds; some created by her, others created by other authors. When she remembers to spend some time in the real world, it’s mostly to spend time with her hubby and pets, though sometimes to indulge in other interests that capture her attention from time to time, such as doing crafts, listening to music, watching movies, playing the odd figure game or roleplaying game, and doing a little cooking and baking. To date she has published 8 poetry books and more than 40 children’s books, with more planned for the near future. She’s also contributed a story to the sci-fi and fantasy anthology Wyrd Worlds II.
Author links:

Author’s Website

Victoria on goodreads

Facebook page

Twitter

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Book Spotlight – Catching Snowflakes And Other Poems – Tori Zigler

Title: Catching Snowflakes And Other Poems

Author: Victoria Zigler

Genre: Poetry

Synopsis:

“A collection of poems of different lengths and styles – some with a hint of humour, others of a more serious nature – exploring a variety of themes, such as animals, nature, emotions, and the world around us.”

Brief Excerpt:

“Catching Snowflakes

Hand held out to catch the snow,

While a bitter wind doth blow,

Making falling snowflakes swirl;

See them dance, and spin, and twirl!

There, for just a moment, in your hand,

The most delicate thing in all the land.”

Why should readers buy this book? “If you’re a fan of poetry, especially poems exploring nature and the world around us, this book is for you.”

Author links:

Website: http://www.zigler.co.uk

Goodreads: http://www.goodreads.com/toriz

Facebook author page: http://www.facebook.com/pages/Victoria-Zigler/424999294215717

Twitter: http://www.twitter.com/victoriazigler

Book links:

Goodreads: https://www.goodreads.com/book/show/34947667-catching-snowflakes-and-other-poems

Smashwords: Catching Snowflakes on Smashwords

 

Coming soon to other retailers, with a paperback version planned for the not-too-distant future too.

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Character Interview Number Twenty-Seven – Arael – Fantasy/YA/Children’s Books

Name (s): Arael

Age: 9

Please tell us a little about yourself.

Describe your appearance in 10 words or less. “Tall, with red hair, green eyes, and pointed ears.”

Do you have a moral code? If so what is it? “All elves have a moral code.  We care for our world and the creatures who live in it, and do what we can to protect both.  The elders believe this includes killing those who threaten it with their harmful and disrespectful behaviour, but I personally believe that killing is never the right thing to do.  I know for a fact that there are many other elves who agree with me.  It is unfortunate that these elves are not among the elders who write and enforce our laws.”

Would you kill for those you love? “I do not think so.  I would most certainly try to avoid doing so, and would hope that I was strong enough to stick firmly to my beliefs that killing solves nothing even when placed in such a situation.”
Would you die for those you love? “Perhaps.  Though I hope I shall never need to find this out.”

What would you say are your strengths and weaknesses? “I have given this some thought, but I still have no idea.  I think it is common to struggle to admit to your weaknesses, and I do not feel that anything stands out as being a strength where I am concerned.”

Do you have any relationships you prize above others? Why? “The person I am closest to is my identical twin sister, Derwyn.  We have rarely been parted throughout our entire lives so far, and we are best friends as well as being siblings.”

Do you like animals? Do you have any pets/animal companions? “I love all animals; we elves generally do.  We have no pets, since we do not believe in forcing animals to be kept in cages.  Animals should be free.”

Do you have a family? Tell us about them? “As I already mentioned, I have an identical twin sister named Derwyn.  As I also already mentioned, we’re very close, and we’re best friends as well as being siblings.   I have no other siblings.  My Father is the elven king, and my Mother his queen.  This, as you might imagine, means they are often quite busy and have little time to spend with Derwyn and myself.  When we are a few years older and it is time to prepare us for the day we will rule, they will pay more attention to us.  In the meantime, my sister and I have a governess, who is responsible for both our education and our care, though she is generally so relaxed in her observations of us outside of lesson time that we can escape for hours at a time without her noticing.  This is how it works if you are a member of the royal family, though I dare say the governess is supposed to be more observant than she is.  I am unsure whether it will be Derwyn or I who take our Father’s place, but I hope it will be her, since I feel she is better suited for the task.”

Can you remember something from your childhood which influences your behaviour? How do you think it influences you? “I was 5 years old the first time that I saw a human find his way in to our world through one of the magical doorways.  I watched him be killed for the crime of being a human.  I had seen no sign of violence from this man, and yet he was killed.  I felt it was wrong, but when I confronted my Father he just told me the stories of the old wars as though this made it acceptable for the human to be killed.  I swore that day I would do all I could to avoid it happening in the future.  I have since discovered that many other elves feel the same way about it.  This is why we did not report it when the human child, Polly, entered our world.”

Do you have any phobias? “I fear that the elders will turn us in to violent beings with their law that humans should die for simply entering our world.”

Please give us an interesting and unusual fact about yourself. “I can not swim very well.  With the lake separating our tree town from the mainland we elves are taught to swim at an early age.  But I just can not get the hang of it.  I can just about keep myself from drowning, but that is the best I can manage.  My sister, Derwyn, is a strong swimmer, like almost every other member of the elven population over the age of 3.  But not me.  It is one of the few ways we differ.”

Please give us a little information about the world in which you live.

Does your world have religion or other spiritual beliefs? If so do you follow one of them? Please describe (briefly) how this affects your behaviour. “My world has no religion.  We care for animals and nature, because you have to care for your world if you wish to live a healthy life in a healthy world, and especially if you wish to leave a healthy world behind for your descendants to survive in.  But we do not believe in any God, Goddess, or other spiritual being.”

Do you travel in the course of your adventures? If so where? “Elves are free to travel where they wish in our world, though being the elven princesses my sister and I should officially not travel out of sight of the tree town unescorted.  Nobody would dare to stop us if we revealed who we were, but we tend to wear plain clothes when we sneak out.  The only people who would dare to stop us if they recognized us would be our parents, and they are generally too busy to notice unless we are gone too long.  Oh, and our governess, though it generally takes her some time to notice we are gone unless we miss lessons.  The only time we travelled very far was when we went with Polly to look for the purple pumpkin.  Every other time we have remained within a couple of hours walk of our home.  It was only our knowledge of geography from our lessons that allowed us to easily know which direction to take with Polly.”

Name and describe a food from your world. “Most of our foods are just like those from the human world, but we do have a couple that are unique to our world.  I shall name and describe my favourite berry.  It is called a silbery, and is a very sweet fruit.  As the name suggests, silberries are silver.  They look just like silver strawberries, and taste like a cross between a strawberry and a kiwi fruit.”

Does your world have magic? If so how is it viewed in your world? “I have read that many people believe that elves are magical.  This is not the case.  There were once magical elves, just as there were once magic users in the human world, but they are all gone now.  There are still some magical items in our world – such as the purple pumpkin – and those items can be used to perform magic.  The purple pumpkin, for example, grants wishes.  As for how magic is viewed in our world… For the most part people do not think about it.  We know the magical items exist, but until we need their magic we spare them very little thought.  There are also the magical doorways, which appear randomly to connect our world to other worlds.  These are viewed as being very dangerous, due to the risk of being stuck forever in a world that is not your own, and are usually avoided by any elves who see them appear.”

What form of politics is dominant in your world? (Democracy, Theocracy, Meritocracy, Monarchy, Kakistocracy etc.) “We have both a royal family and a council of elders.  Officially it is the king and queen who rule, but it is common knowledge that they make no decision without the approval of a majority of the council of elders.”

Does your world have different races of people? If so do they get on with one another? “The only race in our world is elves.  Once other races shared our world, but after the great wars they were banished, and none visit now.  A few humans have strayed in to our world through the magical doorways, but since humans were the cause of the great wars all those years ago, any human who enters our world is put to death.”

Name a couple of myths and legends particular to your culture/people.“The most well-known legend is the legend of the doorways.  The legend says that there was once an elven wizard with so little patience he poured his magic in to the soil in which he had planted seeds to make them grow immediately, just so that he could avoid having to wait for nature to do the task in its own time.  His attempt worked, but it had an unexpected side effect; it created ripples in the universe that created magical doorways to other worlds.  But these doorways were unstable, and those who found them and passed through them found themselves trapped in a world that was not their own.  Sometimes people would search for years before being lucky enough to stumble upon another doorway, and there was no guarantee it would be one back in to their own world, since it could lead to another world entirely.  These doorways allowed other races to enter our world, and many stayed, and were welcomed at first.  But when the humans’ numbers grew they wanted to claim the world for themselves.  The result of which was the wars known as the great wars, which led to the elven population shrinking considerably, and all other races being banished from our world forever.  Legend says each race was sent through a different doorway when one appeared next, starting with the humans, and that those races each claimed a world for themselves.  Most of us avoid the magical doorways now, but sometimes curious humans will stumble through a doorway, and from the first time this happened it has been the law in our world that any human entering our world should be put to death, since they were the cause of the great wars that divided the races and worlds.”

What is the technology level for your world/place of residence? What item would you not be able to live without? “We have no technology, and there is nothing I could not live without that nature does not provide.  As long as I have food, water, and shelter, I can be happy.  Though, of course, I would prefer to also have my sister, Derwyn.”

Does your world have any supernatural/mystical beings? Please tell us about some. “The answer depends who you ask.  Some would say that it does, because they would consider elves to be mystical beings.  However, since elves are the only humanoid race that populates our world, we do not consider ourselves to be either supernatural, mystical, mythological, or any of the other words I’ve heard are used to describe us in other worlds.  So, as far as we are concerned, it does not.  However, others may disagree.”

Within your civilisation what do you think is the most important discovery/invention? “I think that the most important discovery is the purple pumpkin, since without it Derwyn and I would have had no chance of saving Polly before the elders learned she was in our world.”

***

Author notes:

Book(s) in which this character appears plus links

Arael is one of the main characters of the story “Quest For The Purple Pumpkin” in the “Wyrd Worlds II” anthology.  Get your copy at https://www.smashwords.com/books/view/478114

Author name: Victoria Zigler

Website/Blog/Author pages etc.

Website: http://www.zigler.co.uk

Smashwords: http://www.smashwords.com/profile/view/toriz

Goodreads: http://www.goodreads.com/toriz

Facebook author page:

http://www.facebook.com/pages/Victoria-Zigler/424999294215717

Twitter: http://www.twitter.com/victoriazigler

Blog: http://ziglernews.blogspot.com