NN Light’s October Giveaway

Ooops late again…. but here we go.

October is here and it’s one of my favorite times of the year. The weather turns chilly, the leaves change color and I get an excuse to binge-eat Halloween candy/chocolate. As the wind shakes my windows, I love to curl up with a good book. N. N. Light feels the same way and they’re hosting a spooktacular giveaway. Sorry, couldn’t resist the Halloween pun. No tricks, just treats for booklovers! Everything from romance to paranormal to fiction is being given away. You can even enter to win one of mine. Go on, indulge your inner kid and enter this giveaway.

Trick or Treat Binge-Read Giveaway: https://www.rafflecopter.com/rafl/display/92db775020/

Literary Giveaway Portal:  https://www.nnlightsbookheaven.com/literary-giveaway-portal

Here are some of the prizes

signed print copy of Hacking IT by Kimberley Dean

e-copy of Spirited Attraction by Ashantay Peters

e-copy of Heart Healer by Leslie Bowes

e-copy of A Kiss and a Promise by Tricia Schneider

e-copy of Three Lessons in Seduction by Sofie Darling

print copy of Horu’s Chosen (An Alternate Egypt) by Janet Lane Walters (US/Canada only)

print or e-copy (winner’s choice) of Emmie of Indianapolis by Kay Castaneda

e-copy of Pearlman by David Russell

e-copy of Too Good to be True by Livia Quinn

e-copy of Oath of a Warrior by Mary Morgan (US/Canada only)

e-copy of The Secret of Hillcrest House by Melanie Robertson-King

e-copy of Debriefing the Dead (Book 1 of The Dead Series) by Kerry Blaisdell

e-copy of Tied Up With Strings by Madeline McEwan

e-copy of Arresting Mason by Amber Daulton

e-copy of The Queen of Paradise Valley by Cat Dubie

print or e-copy of one of C. C. Bolick (winner’s choice)

e-copy of The Mystery of Flight 2222 by Thomas Neviaser

e-copy of Once Broken by D. M. Hamblin

e-copy of Lovers by Midnight (Monster Ball) by Ashantay Peters

e-copy of A Debt to the Devil by D. M. Hamblin

e-copy of Other Dark Tales by A. L. Butcher (Smashwords voucher)

e-copy of The Colony and The Last City by RM Gilmour

5 e-copy of The Adventures of Harry Morgan, Volume 1 by Clabe Polk

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A Fifth of Boo! Halloween/Horror Charity Anthology

Tags

Authors raising money, Boo!, Cancer Research, Charity Anthologies, Halloween, horror

A Fifth of Boo!

Volume 5 of the Boo! series

Authors raising money for good causes.

A spooktacular collection of horror, fantasy, and Halloween-themed short fiction.

Amazon UK https://amzn.to/2Nsdrp2

Amazon.com https://amzn.to/2BZmsnu

All proceeds for the sale of this book will be donated to Cancer Research UK

Featuring:
Dinner and a Show – Derek Moreland
Such an Adventure – Ann Cathey
The Voice – JD Mader
The Jaws of Ammon-Thet – John Petelle
Waiting – Oz Wainerdi
Untitled – Kristina Jackson
The Atherton Vampire – Lynne Cantwell
Happy Samhain – LB Clark
Punch Drunk – Laurie Boris
Betrayal – Erin McGowan
The Secret of Blossom Rise – A.L. Butcher
The Day of the Dead – Laurie Boris
Life Lessons – Ann Cathey
Flowers for Hannah – LB Clark
You Wish – Laurie Boris
Dinner – Jen Daniele
The Curse of the Single Bed – Mark Morris
Rose’s Screams – Erin McGowan

Dedicated to all those touched by cancer.

Dirty Dozen Author Interview – Linda Jordan – Here Be Ghosts Bundle

Tags

Author Interview, Dirty Dozen, Gjosts, Here Be Ghosts

 

Author name: Linda Jordan

~What first prompted you to publish your work? Alfred Lets Loose is one of those magical stories that came to me just as I was waking up one morning. I could hear the voice of the main character and had the story unravel itself before I even made it to a standing position. I can’t remember how long it took me to write, but it’s rare that a story comes to me all spooling out like that. It’s a wonderful experience.

~Are you a ‘pantser’ or a ‘plotter’? I started out as a plotter, but have turned into a pantser. I read Dean Wesley Smith’s book Writing Into the Dark and I was convinced that was the way to go for me. We have very similar problems with being easily bored. After I outlined a book, I no longer wanted to write it.

Making the change was frightening at first. I was afraid that no story would come. But it always has. Every single time. And I’m enjoyed being surprised by the story that does come. I figure if I’m surprised, the reader will be as well.

~What piece of advice do you wish you’d had when you started your publishing journey? I wish I’d known to look at everything I was writing as practice. It would have taken some of the pressure off. Everything I write is always practice for something else. Also, I wish I’d known to trust myself.

~What are your views on authors offering free books? Do you believe, as some do, that it demeans an author and his or her work? I offer free books on a regular basis (usually the first in a series) as a means of giving people a taste of my work and as a gift for signing up for my mailing list. I don’t think free books are demeaning.

Libraries? They’re this awesome place that lend free books. All right, paid for by our taxes, free books.

I think free books are good marketing, if done right.

~What are your views on authors commenting on reviews? Don’t do it. What people think of your work is their own business, not yours.

As a writer, you shouldn’t be reading reviews of your past work. You’re done with that. Over. Finished. You should have moved on and be writing the next book. You did the best you could at the time. Every book will get better. If you spend all your time neurosing about the skill level in your previous books, there will be no new work. You won’t improve.

~How influential is storytelling to our culture? Storytelling is so embedded in our culture we don’t even realize we’ll listen to any sales spiel if there’s a story involved. It’s the heartbeat of our culture. We crave stories and we’re drawn into stories on a daily basis. We want the story of our kid’s day at school. We want to listen to the stories of the world when we turn on the news. Songs are stories with a rhythm. We sit around the screen at night, watching stories.

~What’s the best advice you’ve received about writing/publishing? Write the next book, publish it. Then write the next one. And repeat.

~What is your writing space like? My writing space is in the kitchen (the center of the universe). I have a desk that closes with a drawer where my laptop lives. The closing desk is essential—because cats. My desk is covered with rocks, lists, post-its, fairy lights, pens and other cool stuff. And a couple of light boxes because I live in the Pacific Northwest where it’s dark and rainy for five months of the year. Next to this desk is a standing desk, which is home to too many piles of things. But I still use it, moving the laptop back and forth between the two. That’s my fall, winter and spring office. They summer office is outside at a table under an umbrella to keep the glare down. I’ve got three different tables out in various parts of the garden, each with an extension cord to plug in. Where I sit depends on the warmth of the day and whether I need more shade or sun at that time of the day. I love writing outside, but alas, it’s only for a short few months of the year.

~What’s your next writing adventure? I’m currently writing the second novel of a five book series. It’s a post-apocalyptic story with magic. I’m having so much fun with these characters and this world. Can’t wait to see how it turns out.

~What is the last book you’ve read? Space Tripping with the Shredded Orphans by Sonya Rhen. A fun YA science fiction book about a rock band touring the universe and all their mishaps. Finished it last night. Guess I’ll need to pick up the other two books in the series. Science fiction humor is a hard thing to balance and she does a great job.

~Is this the age of the e-book? Are bricks and mortar bookshops in decline? I think we’re in the middle of a transition. I think the story is the important part and that the form it takes will continue to morph and expand, along with technology. I think ebooks are a huge thing, but not the end. I also think there will always be paper books. People still love them, including kids and teens. Bookshops are in decline at this point. They may rally and shift form, but I think the age of the super bookstore is over. They take up too much expensive real estate and don’t earn enough money to sustain the business. I also think new ways of storytelling will come into being with new technologies.

~With the influx of indie authors do you think this is the future of storytelling? I can’t see that trad pub will be able to continue business the way they have in the past. They’re owned by such large corporations who are pinching every penny paid out to writers and not supporting books that aren’t bestsellers. I think being an Indie is a much more vibrant path and the potential for growth is awesome. Provided the vendors continue to send money our way. It seems to be working for musicians and for movies. I hope it continues to work for writers. I can’t say it’s the future, because the future is always changing.

~How important is writing to you?

Vastly important. I spent decades procrastinating and the days I didn’t write I felt terribly guilty. Now when I don’t write because life has gotten too busy, I feel uneasy. The whole day feels wrong. As a result, I write most every day. And most days it’s the most rewarding thing I’m doing. Telling this story, one chapter at a time. Writing is my life.

Links

htpps://www.lindajordan.net/

www.facebook.com/LindaJordanWriter

 

Bio

Linda Jordan writes fascinating characters, visionary worlds, and imaginative fiction. She creates both long and short fiction, serious and silly. She believes in the power of healing and transformation, and many of her stories follow those themes.

In a previous lifetime, Linda coordinated the Clarion West Writers’ Workshop as well as the Reading Series. She spent four years as Chair of the Board of Directors during Clarion West’s formative period. She’s also worked as a travel agent, a baker, and a pond plant/fish salesperson, you know, the sort of things one does as a writer.

Currently, she’s the Programming Director for the Writers Cooperative of the Pacific Northwest.

Linda now lives in the rainy wilds of Washington state with her husband, daughter, four cats, a cluster of Koi and an infinite number of slugs and snails.

Dirty Dozen Character Interview – Steve Barras – Ghosts/Here Be Ghosts/

Tags

Character Interviews, Dirty Dozen Interviews, ghosts, Here Be Ghosts

Welcome to Steve Barras

• Tell us a little about yourself.

I’m dead. I occupy living human bodies.

• Tell us why you’re embarking on this adventure?

I didn’t choose it. It was thrust upon me. But I don’t want anyone else to go through this, either.

• Do you have a moral code? If so what might it be?

…I did, once. I helped people. I was good at it. But then I died, and now I have to kill to survive.

• Would you kill for those you love?

…I killed those I loved. I stopped myself and only kill strangers now.

• Would you die for those you love?

There’s no point. I’m already dead.

• Who is your greatest enemy?

I am my own worst enemy. But I will stop the Other in any way I can.

• What is your greatest weakness (we won’t tell)?

I can’t just die for real. Instinct forces me out to hunt when by all rights I should die with the body.

• How would you describe yourself?

Look in the mirror. You won’t see me there, because I’m already wearing your body.

• How do you think others see you?

They don’t because they would only see someone they already know.

• Do you believe you will be successful in your quest?

I have to be. The Other is killing for the thrill of it. I have to stop him, show him he doesn’t have to live this way. He doesn’t have to burn this fast and I can show him how to live a little longer.

• What is your greatest fear?

That I will spend eternity burning out bodies until there are no more left.

• What do you think of your author/creator?

Another body to occupy until it burns out. *shrug* Not my preferred choice in bodies, but if needs must, then I will take it.

 

For the author

Books in which this character appears:

A Burning Rainbow Man, a short story

Available from Smashwords

Links, short author bio…

You can find my work here:

Ann Stratton – author bio

https://draft2digital.com/book/

and of course, here on Bundle Rabbit.

Ann Stratton started writing at thirteen, with the typical results. She’s gotten a little better since then, she hopes, having taken a much more serious approach in later years. She lives in Southeastern Arizona, trying to juggle too many interests at once.

 

 

 

The Watcher – Spotlight – now in Audio

Tags

audio, audiobook, Book spotlights, historical fiction, horror, Jack the Ripper, Short Stories

The year is 1888, and the place is Whitechapel, in the very heart of London. But the heart is bleeding. A mysterious killer is stalking women of the streets – his true name is unknown but his legend will go down in history. This is a short tale of Jack the Ripper.

18 rating for scenes of violence.

https://www.books2read.com/TheWatcherJTR

Amazon UK http://amzn.to/2xdkprc

Amazon.com http://amzn.to/2v6EUsb

Smashwords  http://bit.ly/2xtps6k

Barnes and Noble http://bit.ly/2v6xDZs

Kobo http://bit.ly/2v6zoG6

I-books

Bundle Rabbit https://bundlerabbit.com/products/detail/the-watcher

Audio – narrated by Matt Jenkins

Amazon UK audio

https://amzn.to/2xxI86q

Amazon Audio

https://amzn.to/2DpJSoG

Audible.Com

Audible.co.uk

 

Echoes of a Song – Spotlight

Tags

Audio books, book spotlight, Echoes of a Song, Indie Authors, Legacy of the Mask Tales, My books, Phantom of the Opera, Short Stories

Echoes of a Song – A Legacy of the Mask Tale is now available as an audio edition – to celebrate here’s a spotlight!

Synopsis

A dozen tumultuous years after the dramatic events at the Paris Opera House Raoul, Comte de Chagny is still haunted by the mysterious Opera Ghost – the creature of legend who held staff at the Opera House under his thrall, kidnapped Raoul’s lover and murdered his brother. In Raoul’s troubled imagination the ghosts of the past are everywhere, and a strange and powerful music still calls in his dreams.

Madness, obsession and the legacy of the past weave their spell in this short, tragic tale based on the Phantom of the Opera.

Excerpt 1

(c) A. L. Butcher

The Angel of Death stalked the De Chagny’s so the whispers said. Maybe it was true. For once the Angel of Death had been a man. A masked man of magic, of music and of murder. The Angel had many names, and many guises; Raoul had once laughed scornfully at Christine’s infatuation with the Angel of Music. But now he understood the terrible bewitchment, for it was his now to bear. This man, this ‘Phantom’, who at once was angel, ghost, maestro, architect, and magician had held them all in his not insubstantial power. Erik – so he called himself – had almost brought the mighty Paris opera house to its knees. Erik’s opera house, so Christine had told him. And in those desperate nights, at least, it had been true.

Raoul pulled out the hidden drawer beneath one of the shelves and read the newspaper – now yellow and faded – as he had every night for three years like a consuming obsession. First the accounts of the ‘accidents’ at the opera: the terrible night the chandelier had fallen killing an employee, the apparent suicide of a stage hand and the murder of one of the foremost tenors. Wild stories abounded about an ‘Opera Ghost’ who’d managed to fool the managers into parting with a fortune, terrified the corps de ballet and whose face was so terrible to behold that any who saw it would die, but who sang with an angel’s voice. The truth was not something that bothered the Paris Tribune too much, but the truth could be strange beyond reason. And the Surete could hardly believe the wild stories of masked men and angry ghosts. They’d searched and asked questions, and considered a cuckolded husband or an angry father, but no perpetrator had been found. The case dwindled into obscurity. Months and years went by and other cases took prominence and now few remembered one death in a city where murder was common and adultery more so. Peering at the faded print in the bad light Raoul found the part he sought in the letters of the city’s more reputable rag.

“Erik is dead,” Raoul said it aloud. Three words. Three words which had haunted him these twelve years.

Echoes of a Song – Universal Link

Amazon .com http://amzn.to/2E7Cdu0

Amazon.co.uk http://amzn.to/2BJwAgk

Print

https://amzn.to/2N0JIbI

https://amzn.to/2Nxki4I

Amazon Audio https://www.amazon.com/Echoes-Song-Legacy-Mask-Book/dp/B07HCKG3WK/

Amazon UK audio https://www.amazon.co.uk/Echoes-Song-Legacy-Mask-Book/dp/B07HCM1624/

Audible UK https://adbl.co/2xlH8Tz

Audible.com https://adbl.co/2MRTQP7

Audiobook Narrator Interview – Matt Jenkins

Tags

audio book narrator interviews, audiobook, interviews, narrator

*Name: Matt Jenkins

*Tell us a bit about yourself: Born and raised in a church (literally, in a church – the graveyard was my playground…) I have been reading in public since I was able to see over the lectern. Then I got dragged down the dark path of technology and computers consumed my soul. At least for a while. Then, thankfully, I escaped. Now I’m a Buddhist (much to the chagrin of my Christian folks) and a freelance electronic designer. One side-effect of all the technology is an understanding of audio production, and I am the chief audio engineer for the local Talking Newspaper for the Blind. I also sing in a number of local choirs.

How did you become involved with audiobook narration and production? One of our reading team at the Talking Newspaper mentioned ACX to me one day, so I thought I’d look it up and see what it was. Sometimes when reading a book I’d secretly visualise myself producing it as an audiobook, and ACX has opened that door to me.

Is this your day job? Nope.  As I mentioned above I am a freelance electronic designer. I spend my days sat in front of my computer drawing lines on the screen. Industrial control and monitoring systems are my thing.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? This is a tough one to answer: I have only produced two books so far – The Watcher: A Jack The Ripper Story, and Beyond The Vale, by Kerry Alan Denney.  I’m not sure which is my favourite, as they are like chalk and cheese.  Both have been enjoyable to produce, and good stories that I enjoyed reading.  I hope for many more to come.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? Not really a preferred genre. I do, though, think it’s important to enjoy the stories you read. If you’re not enjoying the story it comes across in your reading. You have to enjoy the story to take a proper interest in it and bring the story to life. There’s no genres that I won’t touch, but if the book doesn’t appeal to me I won’t bother with it. Mostly I gravitate towards fantasy and science fiction, but I’m not fixated solely on it.

What are you working on at present/Just finished? Just finished The Watcher. Nothing lined up at the moment, but I do have a few auditions out there – one I’d really like to get selected for is Among The Dead – a Zombie book.

*Tell us about your process for narrating?  (Be as elaborate as you like.) My first book was produced all manually. Lots of reading and re-reading, then cutting up, splicing together, etc afterwards. The editing took longer than the reading. That was the worst part of reading, actually – the editing. So, being a technofreak, I decided to do something about it and wrote my own software to do it all for me. Now the editing is done while I’m reading by the program itself at the press of a key and afterwards is just a brief cleanup to make it sound as good as possible. The editing for The Watcher (it’s only a short story) took about 30 minutes, and 25 of that was just listening through.

What aspects do you find most enjoyable?  Getting to read books I’d otherwise never think to read – and (hopefully) getting paid for it 🙂

What do you find least enjoyable? The post-reading editing. Hence the spiel above….

Have you ever found an author you couldn’t continue to work with? How was this resolved? Not yet. But that’s only after 2 books…

Do you consider royalty share when looking for books to narrate? If not why is this? Yep, I do. Being a freelance designer my income tends to come in lumps, with vast expanses of poverty in between.  With royalty share, I’m hoping to get a little bit of regular income to help smooth over those dearths.

Do you listen to audiobooks? Indeed I do. They’re great to keep the right side of my brain occupied while I’m working with the left.

*With many people owning MP3 players do you think this is the future of storytelling? I don’t know if it’s the future, but it certainly has a prominent place in the future.

Why do you think audiobooks are becoming so popular? They’re great for when you’re commuting, jogging, working, whatever it is you do. You can listen and do other things (which is important in this fast-paced, need it yesterday, world).

Can you remember the first audiobook you owned? Probably a Terry Pratchett (read by my hero Tony Robinson). Sourcery + The Colour Of Magic I think it probably was. On cassette.

If you are an author, do you produce your own audiobooks or do you prefer to look for an independent narrator? Why have you made this choice? I’m not an author (yet).

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) I’ll let you know next year 🙂

Have you ever had a negative experience producing a book? Not as yet.

What is the best piece of advice you’ve had? Pause. Just that. Pause. The silence is as important as the words.

What is the worst piece of advice you’ve had? Is there such a thing as bad advice? If you learn from the experience it’s still positive, yes?

If you could narrate any book you wanted which would it be and why? Well, there’s The Wheel of Time series (Robert Jordan). That’d keep me in work for the rest of my life. I am (of course) a Terry Pratchett fan, but there’s no way I’d be able to match up to Tony Robinson’s readings. I quite like Tom Holt’s works – they combine fantasy with the kind of warped humour that appeals to my twisted psyche. Plus doughnuts.

Please tell us a silly fact about yourself. I spent 3 months living in Sweden when I was 4. When I came home, and started school, the teacher asked: “Who can count to 10?”. I put my hand up, stood up, and counted to ten, perfectly. In Swedish. Ett, två, tre, fyr…

Where can we learn more about you? I keep my personal life off the internet. But you can check out my company site if you like: https://majenko.co.uk

Social Media links: Social media is a mug’s game. You won’t find me on there. Twatter, Basefook, etc – not for me. I value my sanity, and I don’t need the rest of the world to tell me I’m fat: I already know.

 

 

 

 

 

 

 

 

 

 

 

 

Hell Week 2018 – Orpheus/Janet and Chris Morris #HeroesinHell

Tags

Ancient History, Ancient World, Fantasy, hell, Hell Week 2018, Heroes in Hell, Janet Morris, Perseid Press

Welcome to Orpheus

Who are/were you?

I was the Thracian Argonaut, magician, musician, and prophet. Still am, though here I do hell’s bidding, such as sitting in this dank cell with you as my interrogator.

Who is your ‘lover’ in Hell? Eurydice, the oak nymph, my wife; most beautiful and desired of women, lo these many years lost to me – twice sought and once returned to me from Tartaros

Love in hell, isn’t that a contradiction? How does this work? Love is the province of the soul; death cannot faze it nor passion still its rhyme.

Many of the denizens of His Satanic Majesty’s realm have a curse – what is yours? You jest. Do you not see the puddle by my feet, the wet where I sit on your prison bench? Do you cannot hear the dripping from my flesh? All of us who served on Jason’s Argo drown again and again in salty water, and between drownings our skin drips brine continually.

Who are your friends/allies here? Friends in hell? That’s the contradiction. My friends met in hell are my friends met in life; those met in hell who serve my ends let me serve theirs: such men and women, witches and goddesses, and empowered souls like Shakespeare and Marlowe serve the gods of hell from their day and set us tasks that lead us to more curses and misery: in hell, suffering is the only true coinage, and even that be scarce.

Describe your home/environment in Hell.

Home? Environment? I am a musician, part of the pit orchestra in New Hell, a place where all the worst from every day and age gather together and prey upon one another, eon after eon. Sometimes we serve as sea-going mercenaries in Jason’s crew, but with Medea on our track, these days bring only danger, loss, and separation for an infernity that makes lovers weep and the devil grin.

Eternity – that’s a damned long time. How do you spend the endless years here? No, not ‘eternity.’ Infernity – thanks for that to John Milton, who like the Bard of Avon and his lover Marlowe create words to suit their trials and tribulations, words that jump from their lips and torture damned souls the more.

Hell covers all eras and technologies, there are many hells within Hell. How have you adjusted to this strange world? Adjusted to digital damnation? To weapons that don’t work well but take their feet and serve like soldiers; to politicians spouting lies from their umbilicals? From avengers, who stalk one another throughout hells ages and devise punishments more foul the deeper in hell you go. Feel that cold, seeping from the brine that drips from me? The closer to hell’s belly you get, the more you suffer its cold – loveless, lonely, and afraid.

Why do YOU think you’re in Hell? I know what I did, writing my Orphic missives: I called upon hell and it answered, sending a viper to kill my Eurydice and sending me on fruitless quests to find her deep in Tartaros.

What are your greatest fears here? That, once I find her, I should lose her again – only so many times can a mortal beseech Hades and Persephone for manumission. Eurydice is the breath of salvation to me; without her, afterlife is an empty threat.

Author Spotlight

*Name and bio:

Best selling author Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. Christopher Crosby Morris is an American author of fiction and non-fiction, as well as a lyricist, musical composer, and singer-songwriter. He is married to author Janet Morris.

Tell us about your story for this edition. For Lovers in Hell, Janet and Chris Morris wrote a novella in three parts which follow lovers as they lose and find one another among hell’s multifarious domains.

What inspired you to use the character(s) you’ve chosen? The characters for lovers include those who have served in other volumes of this series, such as Shakespeare, Marlowe, Sappho, Samael, Orpheus, and some never before met, such as Eurydice,

Writing for a shared world is challenging, how do you meet that challenge? We do a new Hell volume every year or so, or whenever we have enough stories that meet our criteria. In the time between volumes, we discuss with our group of writers story names, themes, and execution. Writing for hell is not easy. At this moment, we have two more volumes plans, so we may never escape hell ourselves . . .

Tell us why you chose this story to tell out of so many possible options? We’ve wanted to do Lovers in hell for years, but we didn’t have the right group of writers for it. This year, all the requirements came together and we called for stories for Lovers in hell. Next will be Mystics in Hell, which suits our current list of characters and invites new ones.

What are you currently working on? An anthology and a new novel by Janet and Chris Morris, as well as some new music.

Name the last two books you’ve read – tell us about them. Aristotle: On Breath, one of the most accessible works of Aristotle in the Loeb edition.

Ghost Stories of Henry James – in which something actually happens during each story, most often in the last two paragraphs. We learn more from James every time we read him, as we do with Waugh.

What are your views on authors offering free books? We disapprove of this generally, and only once in a great while offer books for free, if we’re introducing a new author or reissuing a series.

What are your views on authors commenting on reviews? Don’t comment on reviews if you can possibly avoid it.

Which books/movies/plays have influenced your life? The Black Stallion. Justin Morgan Had A Horse, The Iliad. Hamlet. Henry V. Brideshead Revisited. Lion in Winter. Atlas Shrugged.

In these days of movies and video games are books really influential? I hope so. The books we write aren’t for beginning readers, in any case, and if the casual reader or the various Hater sects are attracted to digital games and other diversions which provide no deeper value or commentary on the human condition, then that’s fine with me: it keeps them off the streets.

What do you think are the top three inventions/discoveries in human history and why? Fire, which allowed the earliest development of humanity. The Wheel, which allowed humans the key to engineering. Early writing (such as pre-cuneiform and hieroglyphs), which created the tools for written history. The Rosetta stone, which showed people the possibilities of comparative linguistics.

 

Hell Week 2018 – Lady Gemini/Andrew Weston

Tags

Andrew Weston, demons, hell, Hell Week 2018, Heroes in Hell, Perseid Press

Who are/were you?

I am the Lady Gemini, Daemon Grim’s newest Hell Hound. In life, people knew me as Marie-Anne Charlotte de Corday d’Armont, (l’ ange de l’assassinat) – or simply, Charlotte Corday – the assassins angel. Born 1768, in France to a minor aristocratic family, I was executed by guillotine while still only twenty-four years old for the murder of Jacobin leader, Jean-Paul Marat.

Who is your ‘lover’ in Hell?

Though it’s unrequited, I’ve fallen for my boss, Daemon Grim. A bit of a sticky dilemma as he’s only recently lost his soul mate, Strawberry Fields, who he destroyed utterly in self defense.

Love in hell, isn’t that a contradiction? How does this work?

In a nutshell? It doesn’t! Not for the damned masses, anyway. But now I’ve risen to the ranks of the elite, I’ve been told I may express my desires in any way I see fit . . . so long as it’s away from the public eye and knowledge of such freedom isn’t bandied about for all and sundry to hear.

Many of the denizens of His Satanic Majesty’s realm have a curse – what is yours?

Though I have a nubile form, exquisite grace and speed, and am extremely athletic, I’ll never be beautiful again. Before my elevation, I complained once too often and am condemned for all eternity to wear a face of two distinct halves . . . as you can see in my picture.

It makes smiling quite a chore, I can tell you. (And helps explain the ingenious name I’ve been labeled with)

Who are your friends/allies here?

I have very few, but they all count. After my fall from grace, I became an assassin of some repute throughout all the levels of infernity. That put me much in demand, at the cost of acquaintances. Regardless, since my inauguration into the Ancient Disorder of Hell Hounds, I’ve gained the closest thing you can get to family, and am determined to protect that treasure with all my strength.

Describe your home/environment in Hell.

I live in a suite situated on one of the top floors of Black Tower, in what you mortals would call the Tower of London. Here in the underverse, we called that ancient edifice the Den of Iniquity—or the Den for short. As with your topside version, it’s located at the center of the sprawling slum that was Olde London Town. By hell’s standards, it’s abject luxury. But we’re expected to get results. If not, well . . . what happened to the previous Lead Hound – Nimrod, and the former Chief Inquisitor – Strawberry, serves as a stark reminder how easy it is for the most privileged of the damned to fall again.

Hell covers all eras and technologies, there are many hells within Hell. How have you adjusted to this strange world?

I’ve been very lucky. As an assassin, I was allowed access to all sorts of weaponry and technology, and I didn’t really have to pay a diablo. Those who commissioned my services often footed the bill for the gadgets I needed. Gadgets I got to keep as part of the successful conclusion of a contract. Needless to say, that involved travelling to some of the remotest, most backward parts of the underworld. I got used to it pretty quickly. And when I became a Hell Hound? Wow! You ought to see the crazy stuff we have hidden away in the dungeons here at the Den.

What is/are your greatest fears here?

To fail. I’ve witnessed firsthand what happens to the privileged elite who do.

 

Author Spotlight

Name and bio.

Andrew P. Weston

Andrew P. Weston is a Royal Marine and Police veteran from the UK who now lives on the beautiful Greek island of Kos with his wife, Annette, and their growing family of rescue cats.
As creator of the critically acclaimed IX Series, and Hell Bound & Hell Hounds, (novels forming part of Janet Morris’ Heroes in Hell universe), Andrew also has the privilege of being a member of the Science Fiction and Fantasy Writers of America, the British Fantasy Society, and the International Association of Media Tie-in Writers.
When not working, Andrew devotes some of his spare time to assisting NASA with one of their remote research projects and supporting charities. He also writes educational articles for Astronaut.com and Amazing Stories.

Tell us about your story for this edition.

In The Devil’s Trull, Daemon Grim and the Lady Gemini travel to the Kigali homeland, Ki-gal, in search of information pertaining to the machinations of two of the biggest thorns in the flesh ever to cross the Reaper’s path: the infamous scientist, Nikola Tesla; and the renowned composer, Frédéric Chopin, who it is feared have trespassed upon Kigali territory in order to further their revolutionary aspirations.

Along the way, they discover just how ingenious the diabolical duo have been in fomenting rebellion, and how too the Sibitti have been at play, sowing seeds of doubt and mayhem in preparation for their final play against latterday hell’s most potent champion.

What inspired you to use the character(s) you’ve chosen?

It was twofold really. My contribution to the shared universe involves leapfrogging my individual novels regarding Daemon Grim’s adventures with the anthologies. This story is a natural progression of a bigger picture. However, it gives me an opportunity to peel open a particular juicy segment of Daemon Grim’s personal life. As fans of Satan’s Reaper will know, he recently lost two of the closest souls to him: Nimrod – his best friend; and Strawberry – his long-time lover.

Their relationship had been rather complicated in the events leading up to The Devil’s Trull. Because of Grim’s inability to bring all the fugitives from injustice to heel, Satan had punished Grim. Firstly by denying him a corporeal form, and secondly, by stripping him of the privilege of intimate contact with the only one he has ever loved. Grim couldn’t even touch Strawberry without her suffering the fate of the masses – who succumb instantly to the Reaper’s “death touch.”

At the end of Hell Hounds (the novel preceding this particular anthology), Grim was forced to execute both Nimrod and Strawberry, actually obliterating them from existence. So he’s hurting. Not only does he have to contend with deep personal anguish and hurt feelings, but he’s battling to hold his head above water against an ever-increasing tide.

Gemini is the only suitable candidate he could find to offset the shortfall in his ranks. And sure enough, because of her own demons, Gemini has also been denied the comfort of companionship too. Just look at her face! In such a close-knit, high-pressure environment – one in which Daemon Grim has been returned to his devilishly handsome pseudo-human form – romance was bound to blossom.

And of course, the phantoms of past relationships and failures loom large . . . compounded by the fact that Tesla and Chopin seemed determined to stick the knife in. And of course, there are the Sibitti. . .

How did you become involved with this project?

Like everyone else, I was invited to write by Janet Morris a few years back. And I haven’t stopped enjoying myself since.

What are you currently working on?

I’m just rounding off the third and final book in the Author’s Cut version of a new supernatural action-thriller series – The Cambion Journals (The Rage of Augustus; The Kiss of the Succubus; and – just completed, The Embrace of the Incubus). I can’t wait to find out what people think of the series, as Augustus Thorne is bound to be popular with the ladies.

Name the last two books you’ve read – tell us about them.

I’ve not long finished Cruiser Dreams by Janet Morris, and Convergence, by Matthew S. Cox, in collaboration with J.R. Rain.
The blurbs for the books are as follows:

Cruiser Dreams. . .

She is heir to an empire beyond all imagining, where interstellar cruisers have become increasingly sentient and man’s role among the stars is transformed.

In this epic of political treachery, interstellar security, human passion, and artificial intelligence, Morris continues the saga of the fiery girl Shebat, stolen away from a decaying and primitive Earth to be the adoptive heir to the Kerrion Empire. Moulded to serve the designs of the Kerrion state, Shebat instead becomes the harbinger of change sweeping the civilized stars.

Against the chaotic background of simultaneous social and technological revolutions, Shebat finds that the man she loves is her implacable enemy, that the man she reluctantly married is perhaps her single ally, and that her space-faring cruiser may be her only true friend.

***I really enjoyed this story, as it explores the minefield of human relationships and especially – if it can be imagined – the relationship between man and machine . . . ‘machine’ with an ever-evolving artificial sentience. If you want to find out more, see my blog for a more in-depth review. It’s a truly thought-provoking read. ***

Convergence. . .

Intrepid reporter Solstice Winters has spent most of her life halfway between normal society and that of her magical parents. However, when getting caught between two worlds becomes more than metaphorical, being able to summon light or open locks might not be enough.

Neither her love life nor her professional life are going anywhere in a hurry. Her boyfriend is successful and handsome, but she constantly has to compete with his job for affection. At thirty-two, she works as a photojournalist for The Spiritualist, a small paper dedicated to magic and the supernatural―that most people regard as a tabloid. Desperate for that ‘one break,’ she’ll do almost anything to get that big story and get into a ‘real’ media outlet.

Years of always not quite fitting in begin to make sense after an error at a particle physics laboratory alters the dimensional alignment of the world, strengthening magic and revealing an unexpected truth to Solstice: She’s not even human.

*** This was an entertaining little journey into relationships of another kind. Magical beings are suddenly appearing all over the Earth, and Solstice doesn’t even realize she’s one of them until it’s too late! Of course, she ends up in the middle of a monumental mess that makes her wish that ‘big story’ she’s been after all her life would just go away. Fun. Down-to-earth. And thoroughly entertaining. ***

If you could pick any quote about Hell which would be your favourite?

I like Daemon Grim’s quote: “Your life has been a stage, and hell is the curtain call.”

 

Hell Week 2018 – Joseph Merrick/Joe Bonadonna

Tags

Frankenstein, Hell Week 2018, Heroes in Hell, Joseph Merrick, Perseid Press, Quasimodo, shared world

Character Spotlight

About yourself:

*Who are/were you?

My name is Joseph Carey Merrick. Most people know me as the Elephant Man. The story in which I appear is titled Withering Blights.

Who is your ‘lover’ in Hell?

Antonia Ford. In life she was a spy for the Confedaracy during the American Civil War. Here in Hell she once spied for Guy Fawkes until she was captured by Satan’s agents, tortured and then sent to the Mortuary, where the Undertaker removed her eyes before reassigning her. We take care of each other. I am her eyes, and she does for me what my physical condition and limitations prevent me from doing.

Love in hell, isn’t that a contradiction? How does this work?

There is no contradiction at all. The physical act of love is painful, more than I can or am willing to explain. That is one of Hell’s punishments. But true love transcends the act of sexual congress. Love often begins as a platonic relationship. It is of the heart and of the mind, and yes, even of the soul, damned though we may be. Love, loyalty, friendship, even honesty and integrity—these things can be found in Hell, for many a damned soul has changed their ways in the futile hope of redemption and salvation. Love exists in Hell, to be sure. Antonia and I help, care for and do our best to protect one another. Is that not love in its purest form? The paradox here is that, in Hell, love becomes truly a spiritual emotion.

Many of the denizens of His Satanic Majesty’s realm have a curse – what is yours?

I was cursed at birth with my ghastly affliction. During one moment of agony and despair, I cursed my Creator, and thus upon my death found myself in Hell. Upon my one and only visit to the Mortuary, the Undertaker declared me to be a masterpiece sculpted by the hand of a mad genius. He refused to tamper with my grotesque beauty, and thus sent me on my way.

Who are your friends/allies here?

First, there is Madge Kendal, the beautiful actress who befriended me in life. She is a wealthy actress here in New Hell City, and because of her wealth and generosity, she gave to me Withering Blights, an old, Gothic mansion she owns. Antonia and I live there, and we earn enough diablos to live on by begging and doing what jobs we can. Doctor Victor Frankenstein is another dear friend, as is his companion and assistant, Quasimodo, the famous Hunchback of Notre Dame. They are hard at work right now trying to find eyes to give to Antonia, so that she may see again, and a new, young and healthy body in which to house my brain. In life, the good doctor succeeded in doing just that, although with disastrous results, if you recall.

Describe your home/environment in Hell.

I do not sleep much, for sleep often brings with it nightmares even more horrifying than what I have seen and suffered here in Hell. My former life was a weekend at a holiday camp, compared to Hell, what I have witnessed here—plagues, torture, floods, endless pain—all give birth to these unsettling dreams. Thus, while Antonia sleeps, I often roam the dark corridors and empty chambers of Withering Blights, contemplating my afterlife and agonizing over an eternity here in the Netherworld.

Why do YOU think you’re in Hell?

As I have already stated, I countered-cursed the Almighty for cursing me with this ghastly malady, this terrible affliction which prevented me from having and enjoying any sort of life at all and was, eventually, the cause of my death.

Author Spotlight

*Name and bio.

Joe Bonadonna is my given name. I am the author of the heroic fantasy Mad Shadows: The Weird Tales of Dorgo the Dowser (winner of the 2017 Golden Book Readers’ Choice Award for Fantasy), published by iUniverse; the space opera Three Against The Stars, published by Airship 27 Productions; Mad Shadows II: Dorgo the Dowser and the Order of the Serpent, published by Golden Box Books; the sword & sorcery adventure, Waters of Darkness, in collaboration with David C. Smith, published by Damnation Books/Oracle Press; and in collaboration with Erika M Szabo, Three Ghosts in a Black Pumpkin (winner of the 2017 Golden Books Judge’s Choice Award for Children’s Fantasy), and The Power of the Sapphire Wand, both published by Golden Box Books. I also have stories appearing in: Azieran—Artifacts and Relics, published by Heathen Oracle; GRIOTS 2: Sisters of the Spear, published by MVmedia; Heroika: Dragon Eaters, Poets in Hell, Doctors in Hell, and Pirates in Hell— all published by Perseid Press; Sinbad: The New Voyages, Volume 4, published by Airship 27 Productions; and most recently, in collaboration with author Shebat Legion, our story, Samuel Meant and the Little Black Cloud of the Apocalypse, appears in Michael H. Hanson’s shared-world anthology, Sha’Daa: Toys, published by Moon Dream Press. In addition to my fiction, I have written a number of articles and book reviews for Black Gate online magazine.

Tell us about your story for this edition.

Withering Blights concerns Joseph Merrick, the Elephant Man, and his friendship with Antonia Ford, with whom he’s in love, although he doesn’t quite realize it. He thinks he’s in love with Madge Kendal, their benefactress. But she’s in love with the dastardly Francois Villon, the famous Vagabond Poet of France. Being friends with Victor Frankenstein and his assistant, Quasimodo, Merrick asks the good doctor if he can provide Antonia with a new set of eyes. Victor, always up for another challenge, readily agrees to help Antonia, and then decides he may be able to construct a new body for Merrick or perhaps put his brain inside the skull of a young, healthy body, something he is, of course, quite familiar with. But in order to do that, Victor and Quasimodo must do business with the owners of the Cannibal Café, the two most infamous body snatchers in England’s history: William Burke and Willam Hare. There is also a sub-plot involving Madge Kendal and her tempestuous relationship with leech, varlet and gigolo, Francois Villon. Can love conquer all, even in Hell? You’ll have to read the story to see how that all plays out.

What inspired you to use the character(s) you’ve chosen?

I have now written about Victor Frankenstein in Poets in Hell, Doctors in Hell (in which Quasimodo becomes the doctor’s new hunchbacked assistant), and Pirates in Hell. It was Janet Morris’ story arc for Lovers in Hell that first inspired me to come up with something that would hopefully read like a cross between Emily Bronte and Edgar Allan Poe. While watching two Boris Karloff films, Frankenstein and The Body Snatcher, I began to wonder what sort of experiment I can get Victor involved in this time around. Then suddenly, as sometimes happens, the idea of building the story around the Elephant Man popped into my brain. I did my research and chose Antonia Ford and Madge Kendal as “love interests.” Picking the two body snatchers, Burke and Hare, was a no-brainer. And then, after watching Ronald Colman in the film, If I Were King, in which he played Francois Villon, I realized what a lost opportunity it was not to have used Villon in my story for Poets in Hell. So I added him as Kendal’s rogue of a companion and voila!—the story wrote itself after that.

How did you become involved with this project?

Having already written stories for Poets in Hell, Doctors in Hell and Pirates in Hell, I was once again invited to contribute a story to Lovers in Hell. I have so much fun writing Victor Frankenstein and Quasimodo and I wanted to keep going with them, I wanted to get them involved with characters I thought would fit in with their own little corner of Hell—the Golem Heights and Goblin Manor. I wanted characters I could possibly use again in other stories, sort of creating my own little infernal repertory company, if you will. I thought Merrick, and Burke and Hare perfectly suitable “actors” for my purposes. There are other characters I’ve used in my earlier tales set in Hell, and I hope to bring some of them back for future stories. After all, the dead and the damned don’t die in Hell, they just get reassigned when they’re sent off to the Mortuary.

Writing for a shared world is challenging, how do you meet that challenge?

If possible, I try to link my stories to those of the other writers. We can borrow, loan and exchange characters, if we wish, per prior agreement and with certain conditions. I always write for the main story arc Janet Morris sets down, and that’s my guideline; whatever else pops up is more icing on the devil’s food cake. The challenge is writing in a more literary style than I would say, for a pulp fiction adventure yarn. I try to match my prose and dialog to the theme of each volume, and to the story I’m writing, in particular. I do the same with dialog. With Withering Blights, for instance, I watched Wuthering Heights, with Laurence Olivier, and The Elephant Man, with John Hurt. I tried to capture some of the nuances of their speech, as well as that of other actors appearing in the films. For Victor Frankenstein, I try to do a bit of actor Colin Clive, who played the doctor in the Boris Karloff film, and for Quasimodo (who has regained his hearing in Hell), I model him on actor Charles Laughton, although I try to make him speak with more of a French accent, and a bit more eloquence; I also decided to give him somewhat of a different personality: still heroic, still a force to be reckoned with, he is my comic relief. For my story in Pirates in Hell, which features a number of long-deceased movie stars from Hollywood’s Golden Age, I just watched their movies and picked up on their style. Jean Harlow was the most fun to write.

Tell us why you chose this story to tell out of so many possible options?

There were no other options. Withering Blights was the story that popped into my head, and it’s the story I wanted to write.

If you could pick any quote about Hell which would be your favourite?

I think this quote is perfectly suited to Victor Frankenstein, who is so wracked with guilt over the consequences of his actions in life, and if you’ve read the stories I’ve written about him in Hell, you’ll understand how well this fits him. “The torture of a bad conscience is the hell of a living soul.” — John Calvin.

Thank you very much for this opportunity.

You can find me on Facebook and Google+

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