Lord of the Flies – audio edition – review

Lord of the Flies by William Golding was written in the 1950s – but this haunting coming-of-age story is dark, thought-provoking and unnervingly timeless.

I first read this as a child at school, I think it was on the English syllabus but it is not just a story for kids – in fact I probably got even more from it, as the cynical adult I have become, than I did all those years ago.

For those of you unfamiliar with the story – here’s a brief synospis.

After a plane crash a group of British schoolboys are left castaway on an island – the boys range from ‘littleuns’ to ‘biguns’ – approximately 4 or 5 to young teen. There are no adults let alive. At first, it’s an adventure – and the older more sensible kids begin to make plans to await rescue. Power struggles soon emerge – from the sensible Ralph, the bullied, overweight and myopic but intelligent Piggy, to the nasty Jack.

The kids are innocent, for the most part, but it doesn’t take long for this innocence to be lost, and the kids begin to reflect the darkness within humanity, within power and petty politics.

Part of the synopsis reads; ‘The boys’ struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys’ capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be.’

The audio edition is especially powerful, and the narrator builds the suspense, and the brewing tragedy excellently. It’s a tale which the reader (or listener) at once wants to end, and not to end – because one must find out what happens, but at the same time one fears one knows.

Awesome, awesome story, expertly written and expertly told. Highly recommended.

 

 

Echoes of a Song – Spotlight

Echoes of a Song – A Legacy of the Mask Tale is now available as an audio edition – to celebrate here’s a spotlight!

Synopsis

A dozen tumultuous years after the dramatic events at the Paris Opera House Raoul, Comte de Chagny is still haunted by the mysterious Opera Ghost – the creature of legend who held staff at the Opera House under his thrall, kidnapped Raoul’s lover and murdered his brother. In Raoul’s troubled imagination the ghosts of the past are everywhere, and a strange and powerful music still calls in his dreams.

Madness, obsession and the legacy of the past weave their spell in this short, tragic tale based on the Phantom of the Opera.

Excerpt 1

(c) A. L. Butcher

The Angel of Death stalked the De Chagny’s so the whispers said. Maybe it was true. For once the Angel of Death had been a man. A masked man of magic, of music and of murder. The Angel had many names, and many guises; Raoul had once laughed scornfully at Christine’s infatuation with the Angel of Music. But now he understood the terrible bewitchment, for it was his now to bear. This man, this ‘Phantom’, who at once was angel, ghost, maestro, architect, and magician had held them all in his not insubstantial power. Erik – so he called himself – had almost brought the mighty Paris opera house to its knees. Erik’s opera house, so Christine had told him. And in those desperate nights, at least, it had been true.

Raoul pulled out the hidden drawer beneath one of the shelves and read the newspaper – now yellow and faded – as he had every night for three years like a consuming obsession. First the accounts of the ‘accidents’ at the opera: the terrible night the chandelier had fallen killing an employee, the apparent suicide of a stage hand and the murder of one of the foremost tenors. Wild stories abounded about an ‘Opera Ghost’ who’d managed to fool the managers into parting with a fortune, terrified the corps de ballet and whose face was so terrible to behold that any who saw it would die, but who sang with an angel’s voice. The truth was not something that bothered the Paris Tribune too much, but the truth could be strange beyond reason. And the Surete could hardly believe the wild stories of masked men and angry ghosts. They’d searched and asked questions, and considered a cuckolded husband or an angry father, but no perpetrator had been found. The case dwindled into obscurity. Months and years went by and other cases took prominence and now few remembered one death in a city where murder was common and adultery more so. Peering at the faded print in the bad light Raoul found the part he sought in the letters of the city’s more reputable rag.

“Erik is dead,” Raoul said it aloud. Three words. Three words which had haunted him these twelve years.

Echoes of a Song – Universal Link

Amazon .com http://amzn.to/2E7Cdu0

Amazon.co.uk http://amzn.to/2BJwAgk

Print

https://amzn.to/2N0JIbI

https://amzn.to/2Nxki4I

Amazon Audio https://www.amazon.com/Echoes-Song-Legacy-Mask-Book/dp/B07HCKG3WK/

Amazon UK audio https://www.amazon.co.uk/Echoes-Song-Legacy-Mask-Book/dp/B07HCM1624/

Audible UK https://adbl.co/2xlH8Tz

Audible.com https://adbl.co/2MRTQP7

Tales of the Golden Mask – Audio – Spotlight #Eroticromance #shortstories

Tales of the Golden Mask – An Initiate’s Tale 

by Alexa Lynsey and Belle De Ver

Sultry and sensual adventures to warm your cold winter nights or steam up your long summer days. Set in a fantasy world where nothing is quite what it appears, an old book and a strange golden mask bring power and pleasure.

The first instalment in the Tales of the Golden Mask

Adult rated.

 

Mask Audio cover UPDATED Basic.png

Amazon audio

Amazon UK audio

 Audible UK

Audible.com

E-book available here Universal Link (Amazon, Kobo, Nook, Smashwords, Thalia, Bol.de, Angus and Robertson, Monadori).

Print edition – Amazon UK http://amzn.to/2okGYFt

Print edition – Amazon.com http://amzn.to/2pexUGn

Bundle Rabbit https://bundlerabbit.com/products/detail/tales-golden-mask

Goodreads https://www.goodreads.com/book/show/33977537-tales-of-the-golden-mask?from_search=true

Review – 1984 #Audiobooks edition

1984 on Audible.co.uk

George Orwell – author 

Andrew Wincott – narrator

It’s been a while since I read 1984 – one of the masterpiece dystopian books of all time and I’d forgotten what an excellent, and terrifying book this is.

1984 is dark, it is not a happy-go-lucky read and the audio edition does not make easy listening. That said Andrew Wincott was the perfect narrator for this timeless story. It’s a deep, thought-provoking boo laced with a terrifying dystopian truth, and the narrator really nailed that in his reading. From the contemplative, yet naive Winston Smith to the intelligent and brutal O’Brian he roused emotion in the listener. I found myself transported to the frightening world of Winston Smith and thinking how familiar it seemed in so many ways.

Although set in a futurist 1980s (it was written in 1948), the book has a timeless air. History as the reader know is it very different. In Winston’s world Freedom is Slavery, War is Peace and Ignorance is Strength. Many terms people use regularly stem from this book – Thoughtpolice, Big Brother, Doublethink and many people argue that the surveillance in our own societies is reminiscent of Orwell’s world.

His view of crowd mentality is awfully prescient when one looks at recent events across the world. (When individuals may be harmless people, but as a group they become ‘A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledgehammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic.’)
1984 (Nineteen Eighty-Four)
Describing the “Two Minutes Hate”, Part 1, Chapter 1.

Orwell’s dark story brings us politics gone insane, the nature of freedom and slavery, thoughts about what we believe history to be, the human spirit to survive, and the human will to power. Winston Smith is, to a great extent, an Everyman; a man of middling, but not great intelligence, in a rather mundane job, unsettled in his life and questioning what is around him, but not really able to understand why things are as they are.

I’d also forgotten the ending – which I won’t spoil but it did make me want to shout ‘No!!!!’ rather loudly.

I Can’t recommend this highly enough. It’s a superb story – which everyone should experience – and a brilliant rendition.

5 Stars to the narrator.

5 stars to the author.

Read 1984 or listen to this awesome retelling – it’s worth the time and it might just broaden your outlook. Read it!

Book Spotlight – Doctor’s Orders Audio Book #MM Romance #Audio

Doctor’s Orders by Lucy Felthouse Now Available in Audiobook Format! #audiobook #audible #gay #romance #kink

Lucy Felthouse’s M/M erotic romance novella, Doctor’s Orders, is now available in audiobook format. Narrated by voice artist Peter Revel-Walsh, you can now listen to this kinky BDSM tale on the go!

Doctor’s Orders Blurb:

Hospital porter Aaron Miller isn’t expecting a very exciting birthday. He and his doctor boyfriend, Blake Colville, are working opposite shifts, leaving Aaron to go home to an empty house and the prospect of another shift the following day. Just as he’s leaving work, however, an unexpected sexy encounter in a supply cupboard leaves him feeling in a much more celebratory mood. And an impending dirty weekend away with Blake just puts the icing on the non-existent cake. But who needs cake when you’re dating a dominant doctor?

Audio links:

Amazon UK: http://amzn.to/2qrwuEu
Amazon US: http://amzn.to/2r5Tmxf
Audible UK: http://adbl.co/2qC8gYf
Audible US: http://adbl.co/2qx230E
iTunes UK: http://apple.co/2r7iZO5
iTunes US: http://apple.co/2qvQxGW

eBook available here: http://lucyfelthouse.co.uk/published-works/doctors-orders/

*****

Author Bio:

Lucy Felthouse is the award-winning author of erotic romance novels Stately Pleasures (named in the top 5 of Cliterati.co.uk’s 100 Modern Erotic Classics That You’ve Never Heard Of, and an Amazon bestseller), Eyes Wide Open (winner of the Love Romances Café’s Best Ménage Book 2015 award, and an Amazon bestseller) and The Persecution of the Wolves. Including novels, short stories and novellas, she has over 160 publications to her name. She owns Erotica For All, and is one eighth of The Brit Babes. Find out more about her writing at http://lucyfelthouse.co.uk, or on Twitter or Facebook. Sign up for automatic updates on Amazon or BookBub. Subscribe to her newsletter and get a free eBook: http://www.subscribepage.com/lfnewsletter

 

Release blitz hosted by Writer Marketing Services.

Get some sensual #fantasy in #audio this

Get some sensual #fantasy in #audio this winter, and warm yourself with #Lightbeyondthestorm http://ow.ly/qMAL307zN2H

 

In a dark world where magic is illegal and elves are enslaved a young elven sorceress runs for her life from the house of her evil Keeper. Pursued by his men and the corrupt Order of Witch-Hunters she must find sanctuary. As the slavers roll across the lands stealing elves from what remains of their ancestral home the Witch-Hunters turn a blind eye to the tragedy and a story of power, love and a terrible revenge unfolds.

18 rated.

Audio editions narrated by Rob Goll

Amazon.com http://amzn.to/2bPpspP

Amazon.com audio http://amzn.to/2iBgmQV

Amazon UK http://amzn.to/2i2KJfE

Amazon UK audio http://amzn.to/2iXfIdc

Barnes and Noble http://bit.ly/2iB9PWl

I-books http://apple.co/2j0pYW2

Audible UK http://adbl.co/2bGqZvO

Audible http://adbl.co/2hHT8El

086fc-ablbtsbook2bi2baudio2b-2bsquare

Audio Book Narrator Interview 8 – Michael Hanko

*Name: Michael (Mike) Hanko

*Tell us a bit about yourself:

How did you become involved with audiobook narration and production? I was a Communication major back in college, studying Radio and desktop publishing. I love music and so I spent 2 years on air as a DJ while in school. Loved it! But could not find any work in radio after school, given how competitive it is.

A little later on, I started a career as a Training Specialist. So again, being able to get in front of people and be in the public speaking arena was not a bad move. It helped me to work on and polish my delivery/style. This whole time, though I was always interested in voice and just a year ago I started my professional voice career.

Tell us about some of the titles you’ve narrated. Do you have a favourite amongst these? So far, I have produced 31 audiobooks (in just my first year professionally). They have mostly been self-help and inspiration/Christian projects. Some of my biggest sellers have been Listening (Christian Olsen) and the Happy Puppy Box Set (Charles Nelson and Jennifer Smith). I have enjoyed producing all types of works, including (recently) game guides and now even biographies.

Do you have a preferred genre?  Do you have a genre you do not produce? Why is this? I don’t have a preferred genre. I truly just enjoy the different types of books that are published and trying to adapt my voice to some of them. The only style I don’t honestly do is adult/explicit material. And that’s because of my Christian faith. Just not a genre that I’m completely comfortable with.

What are you working on at present/Just finished? I have two biographies that I’m producing, both of NBA superstars. I had produced a similar title recently and the author and publisher have been super to work with, so I was happy to take on additional work from them. Also, I secured another scripturally based book that I will start shortly as well.

*Tell us about your process for narrating?  (Be as elaborate as you like.) I look first for titles that I feel comfortable with. When I say that, I look for titles that fit me – adult, middle aged, midwestern accent (mine is not as pronounced though). But at the same time, I try to stretch myself by looking for titles that cause me to be more engaging or at least to strike a balance between more serious and more fun.

When I receive the manuscript, I will read it to try and get a feel for the tone, pacing, etc. I believe that any book’s translation/narration is that much more successful when I can make that connection. And just as important, when I’m editing the final tracks, I listen as a reader – is the volume good? Is the pacing and flow of the read good (not too fast or slow)? Are the pauses natural and help to convey the right tone? I love the process and hearing the project come together!

What aspects do you find most enjoyable?  I love the read. I have loved reading since I was in elementary school. I was always one of the first kids to volunteer to read out loud. And I enjoy editing. I’m getting better all the time when it comes to that end and I love to challenge myself to make my edits better, to make the book sound more alive.

Do you consider royalty share when looking for books to narrate? If not why is this? I’ll consider any offer. All of my produced works have been royalty offers.

*With many people owning MP3 players do you think this is the future of storytelling?  I do. We have amazing technology and I know many people that are audiobook readers. Technology is allowing us to reach people in many new and exciting ways.

Why do you think audio books are becoming so popular? You can take that book anywhere, just like traditional books. But, with the added advantage of listening in your car, as many people have suggested to me. You take the portability of a traditional book and add another flexible layer.

 

Has ACX/Audible fulfilled your expectations? (such as earnings, ease of use, workload etc.?) I’m still new to the industry (one year plus) but I enjoy seeing the numbers each month of sales, reviews, etc. ACX/Audible provides great tools and information for me as a narrator, making it easy for me to follow my own activity and to share in the overall success of the project. And their interface (receiving manuscripts, uploading, etc) is very user-friendly.

Have you ever had a negative experience producing a book? Just once. I felt very strongly that the author was being aggressive in their wording (within the book). And I did mention it to them. Although it did not ultimately affect the final product, I will speak up if I am not comfortable, that it will not benefit either them or me.

Please tell us a silly fact about yourself. I have a very dry sense of humor. So, I enjoy funny movies for example and especially those that are similarly dry and/or sarcastic.

Where can we learn more about you? I can be found on Facebook (artist page for my work), LinkedIn, Twitter and my own website, MikeHanko.com

Back Catalogue 6 – Audiobooks

 

Hi folks, another ‘back catalogue’ interview. Originally published as http://thaddeusthesixth.blogspot.co.uk/2016/04/how-to-make-audiobook-interview-with.html. Do check out this blog and the fantasy books of Thaddeus White – well worth the read.

 

How to Make an Audiobook – interview with Alexandra Butcher

 

Publishing has undergone something of a revolution in recent years, with the advent of e-books and e-readers making it easier than ever to self-publish. There’s also been a resurgence in the popularity of audiobooks. But how does one go about making an audiobook? To answer that (and other) questions, I’ve been joined by Alexandra Butcher, who has recently created the audiobook of The Light Beyond the Storm Chronicles.

 

 

What’s the premise of The Light Beyond the Storm Chronicles?

 

The book is set in the world of Erana where magic is outlawed and elves enslaved to the humans. The land is run by the Order of Witch-Hunters – a corrupt organisation who rule by fear and division. Magic still persists. It’s a case of either someone is magical or they aren’t, it’s something a person is born with. How well that person hides their skills can mean life or death. The slavers, too, have a lot of power. Slavery is not illegal – in fact the Witch-Hunters encourage it – the trade of flesh pays well and so the Order gets a cut. It also helps to instil fear in the population.

The book begins with Dii, an elven sorceress who had fled from her Keeper, or slave owner’s, home after years of terrible treatment. She knows next to nothing about the world outside – except it’s a very dangerous place and soon enough she encounters the Order.

We then meet Archos, another sorcerer, who is also a wealthy noble and more besides who, unbeknown to the Order, is working to help the elves and other mages escape from servitude or execution. When the slavers ravage a nearby elven village Archos and Dii set out to try and rescue the missing elves and avenge the village, whilst trying to avoid capture by the Order and other jealous enemies.

It’s been labelled ‘sex and sorcery’ as it’s definitely an adult book as there are elements of romance and erotica. It’s pretty steamy in places 😉 Foremost it’s fantasy/sword and sorcery.

 

It’s recently, as mentioned, been converted into an audiobook. How long did it take, from start to finish, to create and publish the audiobook version?

 

Oh gosh – in the end it was about a year – but part of that was because I was revising the book for a third edition and I had to wait for the editor to do her stuff. The narrator – Rob Goll – was the chap who narrated Tales of Erana: The Warrior’s Curse so I had the advantage I’d worked with him before. Rob had several other commitments – including a Shakespeare festival and narration for Heroika: Dragon Eaters which, as I’d recommended him for I couldn’t really complain. Once Rob had made a start it was actually fairly quick – probably about a month.

As I’d worked with Rob before and I liked his work and style I suggested he audition for Light Beyond so I’d pretty much made my choice of narrator already. With another title of mine Outside the Walls we had a couple of people audition and, as the book was a co-write, it had to be someone both myself and Diana liked. It’s possible to have several narrators audition or none. So it can take time to find the correct person.

It’s a lot more time consuming for the narrator – I understand it’s about two hours work per finished hour – and them they have to ensure there are no background noises, the pronunciation is alright, the gaps between the chapters are the right length etc. ACX has strict criteria about how long the silence is at the beginning or end of each chapter and if it’s too long or too short they won’t approve it. Honestly I can’t tell unless it’s really obvious so I have to trust my narrator on that.

I was lucky with Rob – he’s very professional and there was only one edit and that was my fault… That’s a risk, too, as the audio has to match the manuscript perfectly or the whispersync doesn’t work. If there is a difference, or a mistake then that has to be rectified. Also sometimes when listening the author discovers a particular scene or line doesn’t really work – so that needs to be changed in the MS. It’s a great way of finding those pesky typos that might have sneaked in under the radar. Whether Rob had to do multiple records I don’t know – he didn’t say.

Officially once the narrator has uploaded the files the author can request up to two rounds of editing – so the author needs to listen to the files carefully to decide on any changes. Some narrators will do more but as it’s so time consuming the author can’t send them notes on every little thing unless it really is an error/revision.

The cover art – that has to be square (think a CD case) so that has to be adapted. Then there’s a suitable sample…

 

Audiobooks seem to be enjoying a resurgence as MP3 players are so commonplace and they can be listened to on the commute to work, whilst walking or doing household chores. Excepting your own, do you have a favourite audiobook?

I have a few I haven’t listened to yet (no headphones for my phone and my old phone went into meltdown if I tried to install audible) but I have a version of Phantom of the Opera I love, and Les Miserable – although off hand I can’t remember who narrated. I’ve listened to Chris Morris narrate some work, and other books Rob has done.

I’ve just bought Count of Monte Christo, Dracula and Soul Music, so I need to get listening!

With the classics there are usually a few versions – so the samples are a good way to find a narrator you like.

 

Self-publishing has taken off in a major way for written books. Apart from (obviously) needing the written text, what else do you need to go down the audiobook route?

 

Patience! Each chapter which is uploaded has to be listened to, usually a couple of times, and cross referenced with the manuscript for revisions, background noise, dips in volume, odd sounds pronunciation issues – often the narrator will pick up any sound related issues – but some can slip through.

A book I have just bought on audible is over 50 listening hours so you can imagine the work that went into that!

As I said the cover art has to be reproduced – it’s a bit fiddly – especially if the author has purchased a cover and needs to go back to the cover artist and ask them to do it.

 

How does a writer go about hiring a narrator, and how does the pricing work (is it a fixed fee or does the narrator get a royalty per copy sold)?

There are two payment options available for author/narrators price per finished hour or royalty share. From what I’ve seen quite a few narrators will only offer price per hour – after all the book may not sell many copies so they may not ever a great deal of money for all the work. I can see their point. I’ve not worked with anyone who has only asked for pay per finished hour but I understand the fees vary – so it is up to the narrator and author to negotiate. If the author opts for pay per hour the royalties from the sales belong solely to the author – after all the narrator has already been paid. I think it works out at about 40% royalty rate.

Royalty share is what it says on the tin. The narrator isn’t paid up front – they get a share of any royalties for the audio book sales. It works out at 20% for the author and 20% for the narrator.

This is for the exclusive production on ACX – there are other sites which produce audio so if the book is sold elsewhere then I think the royalty rate is dropped. I can’t recall exactly but I think it’s a seven-year contract.

Once the book is submitted to ACX the author fills in the required info – genre, preferred narrating style, royalty options etc. An author can request a specific type of narrator – British, male, middle aged, West Country for example – of course that limits the potential narrators but it is possible. I’d say it was better to be a bit more flexible. Narrators can then audition by reading the uploaded audition script – usually a five minute chunk of the MS. Sometime the narrators can approach the author with questions. ACX will contact the author/rightsholder and say there is an audition waiting for approval. In theory the author could wait until there are a few or take the first one that comes in if he or she likes it.

If the author likes the audition then he/she can make an offer to the narrator – so royalty share, time scale etc. If the narrator has a lot of other work on, and many of them are actors so may be working on shows, then obviously time scales are important. A 30 hour book would take 60 or more hours to produce and so that is unlikely to be done in a week.

Once both parties are happy the narrator accepts the offer and off you go. There is a lot of legal contract stuff to be considered – it is a contract between the narrator and author and ACX – If the narrator doesn’t turn up with the goods, or the quality is awful then the offer can be rescinded. If the author doesn’t pay up – or there are issues there, then the contract can be rescinded. It’s hard to do – and I think ACX have to mediate but it can be done. There is a 15-minute sample produced by the narrator – and this can be refused by the author, but that’s the only early get out. It’s worth the author reading these rules carefully as it IS a contract with all that entails. So make sure you find the right person for your project.

There are bounty payments too – basically if someone joins the audible members club with the subscription and your book is the first book they buy then the author (or author and narrator for royalty share) get a $50 bonus ($25) for royalty share. I think it’s an incentive to try and persuade people to get fans to sign up.

 

How long does the process take, and what level of direction to the narrator is needed? Did you provide a style guide for unusual fantasy terms?

The initial set up is pretty quick – sign up with the ACX account and claim the relevant book, produce the ‘audition script’ and upload it and wait for narrators to audition.

 

How do you like to listen to audiobooks?

I tend to listen on my laptop, but recently we were listening to Good Omens, Hitch-Hikers Guide to the Galaxy and Dune played on a tablet via a speaker before bed. My partner tends to listen to them more than I do at the moment. That’s the beauty – audio books are pretty versatile and one can dip in and out, just picking up where one left off.

 

Are there any pitfalls newcomers to making audiobooks should know about?

http://www.acx.com/help/how-it-works/200484210

Make sure you read the FAQ and the contract carefully. ACX actually has a good set of FAQ but their contact customer service is a bit lousy. I’ve had to deal with them a few times – mostly regarding payment of the bounty payments – and once when we discovered an issue that had got past both author, narrator and the quality control. They told me it would be fixed in a week – more like six and with questions regarding the bounty payments the person I spoke to seemed clueless and I ended up having to take screen shots of the issue – namely bounty payments were listed which I hadn’t received and apparently they couldn’t see them on the invoice… no because I hadn’t received them. That took a couple of months going back and forth before it was sorted. It pays to be polite but persistent.

AL: Audible Listener – purchases made by members with membership credits.

ALOP: Audible Listener Over Plan – purchases made by members with cash (not with membership credits).

ALC: A la carte – purchases made by customers not in an Audible Listener membership.

There are royalties for books bought outright by people not in the membership plan, books bought by members using their membership credits, books bought by members NOT using their credits and so the author has to work out what that relates to in actual payments – I get 68c for a ALC sale and a 55c for an AL sale on the same short story. But honestly it’s not always that clear. But they do pay monthly and the royalties usually do turn up on time…. Well except the bounty payments…

The reporting of sales is a bit flaky – it’s supposed to update daily but often doesn’t.

What’s nice is the author gets promotional codes to give out – usually for home store (Audible.co.uk OR Audible.com but can ask for the ones from the other store. It’s a useful way of getting reviews or being able to offer the books as prizes in events.

The email system they have is a bit rubbish – it doesn’t always work – and I’ve been told that by several narrators as well BUT it is useful to have and means you don’t have to give out a personal email if you don’t want to, and any issues you can email direct to ACX support. Oh and they have phone support. KDP doesn’t and that drives a lot of authors mad.

There are a lot of good marketing tips on the blog and ACX have a twitter account. The author needs to do their own marketing – same as KDP – so don’t expect ACX to market your book for you.

Make sure you have the time to put in to it. It’s not easy listening carefully to each chapter. You’re the author – it’s your book being produced and you need to know that it’s correct and done according to what you want. Keep in mind though that a narrator doesn’t know what’s going on in your head – he or she doesn’t know that you want Bob the Postman to speak with a Geordie accent unless it’s made clear in the MS or you tell them. You may not get the book exactly as you’ve imagined it.

Make sure you keep a good relationship with your narrator – especially if you want them to do subsequent books.

 

What are your plans for the future?

The Shining Citadel has been revised for a second edition and will appear in audio – hopefully by the end of 2016. (UPDATED ALB)

The Stolen Tower will eventually get produced as well but that will wait until the second edition as well, depending on how well Light Beyond sells.

I have just produced a short fantasy story set entitled The Kitchen Imps and Other Dark Tales and that’s also just been produced in audio by J Scott Bennett, an American narrator.

Book IV of the series is being written and I’m also working on a Tales of Erana novella so that may well appear in audio in the next year or so.

Links and info

Author Bio:

  1. L. Butcher is the British author of the Light Beyond the Storm Chronicles fantasy series, and several short stories in the fantasy and fantasy romance genres. She is an avid reader and creator of worlds, a poet and a dreamer. When she is grounded in the real world she likes science, natural history, history and monkeys. Her work has been described as ‘dark and gritty’ and her poetry as evocative.

Goodreads: https://www.goodreads.com/author/show/6430414.A_L_Butcher

http://www.amazon.co.uk/Alexandra-Butcher/e/B008BQFCC6/

Twitter:@libraryoferana

Facebook: https://www.facebook.com/DarkFantasyBeyondTheStorm

 

 

The Light Beyond the Storm Chronicles series – an adult fantasy/fantasy romance series, with a touch of erotica.

Audio Book

http://www.amazon.co.uk/Light-Beyond-Storm-Chronicles-Book/dp/B01DAQRYV8/

http://www.amazon.com/Light-Beyond-Storm-Chronicles-Book/dp/B01DASVPLQ/

http://www.audible.co.uk/pd/Sci-Fi-Fantasy/The-Light-Beyond-the-Storm-Chronicles-Book-1-Audiobook/B01DAQSCIC/

http://www.audible.com/pd/Sci-Fi-Fantasy/The-Light-Beyond-the-Storm-Chronicles-Book-1-Audiobook/B01DASV3PE/

The Kitchen Imps – Now in audio!

Hurrah! I’m pleased to announce the Kitchen Imps is now available in audio! Narrated by J Scott Bennett the short story collection is just shy of an hour in length, so perfect for the commute to work.

#Kitchenimps #fantasy

The e-book is also now available on all the Smashwords associate stores.

The Kitchen Imps and Other Dark Talessix short tales of mayhem and mischief.

Naughty imps, missing socks, cunning thieves and baffled gods feature in this collection of short fantasy fiction.

http://www.amazon.com/dp/B01DPJ5TQC

http://www.amazon.co.uk/Kitchen-Other-Tales-Fire-Side-Collection-ebook/dp/B01DPJ5TQC/

http://www.barnesandnoble.com/w/the-kitchen-imps-and-other-dark-tales-alexandra-butcher/1123756072

https://www.smashwords.com/books/view/627195

Audio narrated by J Scott Bennett

http://www.audible.com/pd/Fiction/The-Kitchen-Imps-and-Other-Dark-Tales-Audiobook/B01F7TR8Z8

http://www.audible.co.uk/pd/Fiction/The-Kitchen-Imps-and-Other-Dark-Tales-Audiobook/B01F7TRUVA/

https://www.amazon.co.uk/Kitchen-Imps-Other-Dark-Tales/dp/B01F7TRKJC/

http://www.amazon.com/Kitchen-Imps-Other-Dark-Tales/dp/B01F7TRA1K