Welcome to Orpheus
Who are/were you?
I was the Thracian Argonaut, magician, musician, and prophet. Still am, though here I do hell’s bidding, such as sitting in this dank cell with you as my interrogator.
Who is your ‘lover’ in Hell? Eurydice, the oak nymph, my wife; most beautiful and desired of women, lo these many years lost to me – twice sought and once returned to me from Tartaros
Love in hell, isn’t that a contradiction? How does this work? Love is the province of the soul; death cannot faze it nor passion still its rhyme.
Many of the denizens of His Satanic Majesty’s realm have a curse – what is yours? You jest. Do you not see the puddle by my feet, the wet where I sit on your prison bench? Do you cannot hear the dripping from my flesh? All of us who served on Jason’s Argo drown again and again in salty water, and between drownings our skin drips brine continually.
Who are your friends/allies here? Friends in hell? That’s the contradiction. My friends met in hell are my friends met in life; those met in hell who serve my ends let me serve theirs: such men and women, witches and goddesses, and empowered souls like Shakespeare and Marlowe serve the gods of hell from their day and set us tasks that lead us to more curses and misery: in hell, suffering is the only true coinage, and even that be scarce.
Describe your home/environment in Hell.
Home? Environment? I am a musician, part of the pit orchestra in New Hell, a place where all the worst from every day and age gather together and prey upon one another, eon after eon. Sometimes we serve as sea-going mercenaries in Jason’s crew, but with Medea on our track, these days bring only danger, loss, and separation for an infernity that makes lovers weep and the devil grin.
Eternity – that’s a damned long time. How do you spend the endless years here? No, not ‘eternity.’ Infernity – thanks for that to John Milton, who like the Bard of Avon and his lover Marlowe create words to suit their trials and tribulations, words that jump from their lips and torture damned souls the more.
Hell covers all eras and technologies, there are many hells within Hell. How have you adjusted to this strange world? Adjusted to digital damnation? To weapons that don’t work well but take their feet and serve like soldiers; to politicians spouting lies from their umbilicals? From avengers, who stalk one another throughout hells ages and devise punishments more foul the deeper in hell you go. Feel that cold, seeping from the brine that drips from me? The closer to hell’s belly you get, the more you suffer its cold – loveless, lonely, and afraid.
Why do YOU think you’re in Hell? I know what I did, writing my Orphic missives: I called upon hell and it answered, sending a viper to kill my Eurydice and sending me on fruitless quests to find her deep in Tartaros.
What are your greatest fears here? That, once I find her, I should lose her again – only so many times can a mortal beseech Hades and Persephone for manumission. Eurydice is the breath of salvation to me; without her, afterlife is an empty threat.
*Name and bio:
Best selling author Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. Christopher Crosby Morris is an American author of fiction and non-fiction, as well as a lyricist, musical composer, and singer-songwriter. He is married to author Janet Morris.
Tell us about your story for this edition. For Lovers in Hell, Janet and Chris Morris wrote a novella in three parts which follow lovers as they lose and find one another among hell’s multifarious domains.
What inspired you to use the character(s) you’ve chosen? The characters for lovers include those who have served in other volumes of this series, such as Shakespeare, Marlowe, Sappho, Samael, Orpheus, and some never before met, such as Eurydice,
Writing for a shared world is challenging, how do you meet that challenge? We do a new Hell volume every year or so, or whenever we have enough stories that meet our criteria. In the time between volumes, we discuss with our group of writers story names, themes, and execution. Writing for hell is not easy. At this moment, we have two more volumes plans, so we may never escape hell ourselves . . .
Tell us why you chose this story to tell out of so many possible options? We’ve wanted to do Lovers in hell for years, but we didn’t have the right group of writers for it. This year, all the requirements came together and we called for stories for Lovers in hell. Next will be Mystics in Hell, which suits our current list of characters and invites new ones.
What are you currently working on? An anthology and a new novel by Janet and Chris Morris, as well as some new music.
Name the last two books you’ve read – tell us about them. Aristotle: On Breath, one of the most accessible works of Aristotle in the Loeb edition.
Ghost Stories of Henry James – in which something actually happens during each story, most often in the last two paragraphs. We learn more from James every time we read him, as we do with Waugh.
What are your views on authors offering free books? We disapprove of this generally, and only once in a great while offer books for free, if we’re introducing a new author or reissuing a series.
What are your views on authors commenting on reviews? Don’t comment on reviews if you can possibly avoid it.
Which books/movies/plays have influenced your life? The Black Stallion. Justin Morgan Had A Horse, The Iliad. Hamlet. Henry V. Brideshead Revisited. Lion in Winter. Atlas Shrugged.
In these days of movies and video games are books really influential? I hope so. The books we write aren’t for beginning readers, in any case, and if the casual reader or the various Hater sects are attracted to digital games and other diversions which provide no deeper value or commentary on the human condition, then that’s fine with me: it keeps them off the streets.
What do you think are the top three inventions/discoveries in human history and why? Fire, which allowed the earliest development of humanity. The Wheel, which allowed humans the key to engineering. Early writing (such as pre-cuneiform and hieroglyphs), which created the tools for written history. The Rosetta stone, which showed people the possibilities of comparative linguistics.